Hamlet’s Showy Suicidality
On the verge of a crucial decision
The tragedy of Hamlet involves the tragedy of the individual, which came into the world too early in addition to saw all its imperfections namely unrighteousness, evil, lie together with atrocity. In Hamlets mind, Hamlet troubles to accept real life being more complicated than he thinks. At first, the hero wishes his "flesh would melt.”(William Shakespeare, 1717.) Because of some factors, life events, Hamlet can lose his mind as well as commit a suicide.
Moreover, warning signs such as changes in behavior, nightmares along with hopelessness “How weary, stale, flat, and unprofitable seem to me all the uses of this world!” ( William Shakespeare, 1717) indicate that intention.
He carefully hides the reasons for his disappointment with the outside
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At the same time, the hero realizes that excess reflections hamper him from acting as he feels a great responsibility for actions. Although the reflections together with doubts paralyze his will, he understands that acting marks the beginning of the fight with the king.
Almost enormous intellectual activity takes place in the hero’s head for his thoughts seems to be more vivid than his perception. Robert Silhol in his article admits “Hamlet feels but cannot say, while the other can say but does not feel.” Hence, truth, with silence being its condition, exists in antagonism with appearances. Therefore, he decides to keep the Ghost’s secret, about what he does not feel guilty. Also, his silence does not distress him. Besides, a live person like Hamlet could not stand hearing the truth about death’s horribleness.
“He is in the possition of professional philosopher, who criticizes his thoughts while hi is thinking them - and confesses it when he reasons in his soliloquy” (Davis, p.631). He appears as an intellectual hairsplitter for he thinks more clearly than other. Furthermore, Hamlet takes things too
Hamlet is self centered and irrational throughout most of the play. He goes through various stages of suicidal thoughts that all revolve around a multitude of selfish reasons because he can not deal with his problems. His outbursts, mood swings, and constantly changing character have led to a multitude of reasons for his decisions to not kill himself. Think of this, it is much easier to die for a cause than to live for a cause, and yet all Hamlet wants to do is take the easy way out. There are three major soliloquies that Hamlet has that prove as major turning points of his emotions. Hamlet’s suicidal thoughts ring loud and clear for most of the play, however they do change constantly and play key pieces that provide well written and thought provoking soliques.
Suicidal tendencies play a huge role in Hamlet by forming character relationships, adding suspense to the plot and storyline. “Ah, I wish my dirty flesh could melt away into a vapor, or that God had not made a law against suicide. Oh God, God! How tired, stale, and pointless life is to me” (Hamlet 1.2.130-134). This quote by Hamlet Junior in act 1 really embodies the
Hamlet’s anger and grief- primarily stemming from his mother’s marriage to Claudius- brings him to thoughts of suicide, which only subside as a result of it being a mortal and religious sin. The fact that he wants to take his own life demonstrates a weakness in his character; a sense of cowarness, his decision not to kill himself because of religious beliefs shows that this weakness is balanced with some sense of morality. Such an obvious paradox is only one example of the inner conflict and turmoil that will eventually lead to Hamlet’s downfall.
Shakespeare’s play, The Tragedy of Hamlet, is a tale of betrayal, death, and the contemplations of life. The play’s main focus is on the protagonist, Hamlet, and his quest for revenge; however, the ponderings of Hamlet is what the play is greatly known for. Suicide is a huge piece in Hamlet’s philosophical journey, but he is not actually suicidal despite popular belief. His actions and motivations point not to self slaughter, but instead to wondering. Hamlet’s actions in the play portray a man who is not suicidal, but rather contemplative.
“This is acute depressive illness, not chronic melancholy. Hamlet’s self-diagnosis is that he is “thinking too precisely on th’event”(IV.iv.41) and that “the native hue of resolution is sicklied o’er with the pale cast of thought”.(III.i.84–5) Indecision is a feature of both depressive and obsessional illness” (Shaw, Depressive illness delayed Hamlet’s revenge). This indecision about killing himself and the self-loathing for it shows symptoms that display chronic depression. Another contention to take into account is Hamlet's complete regard for human life. This is shown multiple times
In Shakespeare’s Hamlet, suicide is treated differently on the aspects of religion, morals, and philosophical views. Suicide is the act of deliberately killing yourself in contrary to your own best interests. In today’s society suicide is highly looked down upon. But Shakespeare used suicide and violence in almost all of his most popular plays. Many of his tragedies used the element of suicide, some accomplished, others merely contemplated. Shakespeare used suicide as a dramatic device. A character’s suicide could promote a wide range of emotions: horror, condemnation to pity, and even respect. Some of his suicides could even take titles like the noble soldier, the violated woman, and star-crossed lovers. In Othello, Othello see suicide as the only escape from the pangs and misery of life. In The Rape of Lucrece, Lucrece kills herself after being raped because she cannot live with her shame. And in Romeo and Juliet, the two lovers could not find happiness if life, so death was perceived as a way that they could be united with each other. Shakespeare was dealing with a very controversial subject: Was it right to end life in order to escape the cruel and unjust world? In the time of the Renaissance, many things had an impact on suicide such as religion, morals, and aesthetic views.
William Shakespeare's Hamlet is, at heart, a play about suicide. Though it is surrounded by a fairly standard revenge plot, the play's core is an intense psychodrama about a prince gone mad from the pressures of his station and his unrequited love for Ophelia. He longs for the ultimate release of killing himself - but why? In this respect, Hamlet is equivocal - he gives several different motives depending on the situation. But we learn to trust his soliloquies - his thoughts - more than his actions. In Hamlet's own speeches lie the indications for the methods we should use for its interpretation.
Hamlet wishes to rid him of his unfortunate fate, which induces the reader to feel pathos towards his character. He recognizes that humankind is created so that they face dilemma and hardship throughout their in various forms. Hamlet is considering the act of suicide but is hesitant due to the order of God declaring such act as an unforgivable sin. In this soliloquy, Hamlet’s despair, melancholy, and utter disappointment is reflected.
Throughout William Shakespeare’s Hamlet, Hamlet contemplates death for many tragic reasons at this time in his life. Hamlet fights back and forth with himself not knowing what is better, some would say he is obsessed with death. You will discover some reasons and get some proof of his suicidal thoughts. In this story Hamlet starts off sad and it turns to depression, leading to thoughts of death. I will be discussing Hamlet’s views on death.
From this play we learn of the difficulty associated with taking a life as Hamlet agonises as to how and when he should kill Claudius and furthermore whether he should take his own life. Hamlet being a logical thinker undergoes major moral dilemma as he struggles to make accurate choices. From the internal conflict that the playwright expresses to us it is evident that it can kill someone, firstly mentally then physically. The idea of tragedy is explored in great detail through conflict where the playwright’s main message is brought across to the audience; Shakespeare stresses to his audience the point that conflict be it internal or external it can bring upon the downfall of great people and in turn have them suffer a tragic fate. It is Shakespeare’s aim to show us the complexity of man and that moral decisions are not easily made.
Hamlet is the best known tragedy in literature today. Here, Shakespeare exposes Hamlet’s flaws as a heroic character. The tragedy in this play is the result of the main character’s unrealistic ideals and his inability to overcome his weakness of indecisiveness. This fatal attribute led to the death of several people which included his mother and the King of Denmark. Although he is described as being a brave and intelligent person, his tendency to procrastinate prevented him from acting on his father’s murder, his mother’s marriage, and his uncle’s ascension to the throne.
These contradictory facets of his contemplative nature are the causes of Hamlet’s successes and failures in the play. Hamlet’s disposition toward thorough reflection is both his greatest strength and his hamartia. Hamlet’s duplicity in assuming an “antic
After Hamlet's father's death he went on a psychotic episode as a way of dealing with the loss of his father. Hamlet is contemplating suicide and believes there is no point to go on: O, that this too too sullied flesh would melt, Thaw, and resolve itself into a dew, Or that the Everlasting had not fixed His canon 'gainst self-slaughter! O God,
Hamlet is one of the most often-performed and studied plays in the English language. The story might have been merely a melodramatic play about murder and revenge, butWilliam Shakespeare imbued his drama with a sensitivity and reflectivity that still fascinates audiences four hundred years after it was first performed. Hamlet is no ordinary young man, raging at the death of his father and the hasty marriage of his mother and his uncle. Hamlet is cursed with an introspective nature; he cannot decide whether to turn his anger outward or in on himself. The audience sees a young man who would be happiest back at his university, contemplating remote philosophical matters of life and death. Instead, Hamlet is forced to engage death on a visceral level, as an unwelcome and unfathomable figure in his life. He cannot ignore thoughts of death, nor can he grieve and get on with his life, as most people do. He is a melancholy man, and he can see only darkness in his future—if, indeed, he is to have a future at all. Throughout the play, and particularly in his two most famous soliloquies, Hamlet struggles with the competing compulsions to avenge his father’s death or to embrace his own. Hamlet is a man caught in a moral dilemma, and his inability to reach a resolution condemns himself and nearly everyone close to him.
The perfection of Hamlet’s character has been called in question - perhaps by those who do not understand it. The character of Hamlet stands by itself. It is not a character marked by strength of will or even of passion, but by refinement of thought and sentiment. Hamlet is as little of the hero as a man can be. He is a young and princely novice, full of high enthusiasm and quick sensibility - the sport of circumstances, questioning with fortune and refining on his own feelings, and forced from his natural disposition by the strangeness of his situation.