Phoebe: an example that maturity doesn’t necessarily correlate to age. She was a voice of reason in Holden’s life, encouraging his growing up, whilst still being a symbol of stability amidst his chaos. Jane Gallagher: Jane is someone Holden thinks he can connect to. You can see Holden’s heart when he becomes defensive over Jane and what is right. Jane has an interesting, creepy to say the least, relationship with her stepfather, and as a result Holden seems to be protective of her. Sexual abuse is hinted at in a few places, which may be why Holden was confused by Mr. Antolini’s affection. Sex and sexual misconduct are very gray areas for Holden, and thus his response is to become defensive and protective. Allie: Allie was something he never fully got closure on. Throughout the novel it can be observed that Holden never quite let’s Allie lay to rest. Most of Holden’s actions and/ or other people’s are compared or related to Allie and his memory in some way. Allie represents Holden’s past. …show more content…
Antolini: Mr. Antolini represents Holden’s future. He is a mentor-like figure in Holden’s life. Mr. Antolini reasons with Allie that he needs to find a noble purpose to live for, not an unworthy one to die for. Mr. Antolini is one of the few characters in the novel that show Holden what proper affection and relationship looks like, ignoring the awkward head petting situation of course. James Castle: The boy who was forced to jumped to his death. James Castle’s death represents all that is wrong with society. Holden mentions how awful the people are at the schools, hinting to the James Castle incident. Holden is disgusted to be apart of a society that pardons and sweeps behavior like this under the rug. Holden realizes that following the crowd opens up new doors for
In the novel, Allie has an immense impact on Holden through his journey. Allie is Holden’s brother that died of Cancer when Holden was young. Holden is always sad about Allie’s death and is always thinking about Allie. Allie’s impact on Holden’s life sparks from Holden feeling like Allie missed out on opportunities.Allie also brings Holden a sense of guilt and also pain because he feels that Allie is missing out and that it is unfair for him to experience life. Holden can never get over Allies death and Allie because of his guilt that stems from his beliefs of Allie’s inability to experience life. When talking to Phoebe he says, “I Know he’s dead? Dont you think I know that? I can still like him, though, can't I? Just because somebody's dead, you don't just stop liking them, for God’s sake-especially if they were about a thousand times nicer than the people you know that’re alive and all” (Salinger 171). This quote shows Holden’s reluctance to not forget Allie, and move on with his life not living in regret of Allie’s...
Again, this is one of the few people that Holden likes and doesn’t consider a phony like everyone else. He talks highly of her and he sees himself in her in the way that she alternates between behaving like an adult and behaving like a child, the way he says he also does. It bothered him greatly when she asks him if he “got the ax again,” referring to his expulsion. She starts asking him questions about his future and what he likes (if he likes anything at all) and it forces him to wake up. Everyone has been telling Holden to realize his situation and put more effort into schoolwork and relationships and to start caring. Holden’s reality is very simple: he wants to be the catcher in the rye to protect children’s innocence and stop them from growing up because all adults are phonies. Again and again, being told that that isn’t plausible annoys him. He feels betrayed, when his own sister, someone who he thought would understand him, joins everyone else in telling him to put forth more
To begin with, you must first take in to consideration Holden’s feelings towards his little brother Allie. Holden consider Allie “the smartest person in their family”. “..it wasn’t just that he was the most intelligent member in the family. He was also the nicest …. God, he was a nice kid, though” (5.7).This means that Holden looked
Allie was Holden’s best friend, and when he passed away it leaves Holden in an unfamiliar state because they were so clo...
Allie, Holden's young brother who died several years earlier, was a major symbol throughout the story. When Holden remembers incidents from his past involving Allie, his attitude changes, such as when he writes the composition about Allie's baseball glove or when Holden broke his hand after punching all of the windows after Allie died. "I slept in the garage the night he died, and I broke all the goddam windows with my fist, just for the hell of it". (39) He feels that Allie was one of the few people who were not phony in a world full of phonies. More importantly, Allie represents the innocence and childhood that Holden strives to find throughout his three-day journey. In Holden's opinion, Allie represents the purity that Holden looks for in the world. Holden admits that he admires Allie more than he admires Jesus, and even prays to Allie at one point, rather than Jesus. Allie is Holden's role model, whom he judges the rest of the world according to. When Allie dies, it creates turbulence in Holden's life.
Phoebe tries to help Holden by asking him to name one thing he likes. However, when Holden mentions Allie, Phoebe tries to be his wake up call and remind him that Allie is dead (Salinger 171). This part in the novel shows how Holden is still attached to Allie, and will not forget about him. However, Phoebe tries to remind Holden that Allie is dead, attempting to make Holden let go of what happened in the past. Phoebe attempts to get Holden’s mind off of his removal from his school by asking him what he wants to become in the future (Salinger 172). This is when Phoebe’s words of advice and support start effecting Holden. Holden begins to think about his options, and what he truly wants to do in the future. “Why can’t I? Please, Holden! I won’t do anything-I’ll just go with you, that’s all! I won’t even take my clothes with me if you don’t want me to-I’ll just take my-” (Salinger 206). This quotation shows how supportive and encouraging Phoebe is towards Holden. When Holden tells Phoebe that he is leaving, Phoebe’s reaction is very affectionate. Phoebe brings a suitcase filled with her clothes, and begins to beg Holden to let her follow him. Phoebe’s encouraging words of advice, is another source of familial love for Holden to move on, and look forward towards his
This reveals Holden’s fantasy of an idealistic childhood and his role as the guardian of innocence. Preventing children from “going over the cliff” and losing their innocence is his way of vicariously protecting himself from growing up as well. Holden acknowledges that this is “crazy,” yet he cannot come up with a different lifestyle because he struggles to see the world for how it truly is, and fears not knowing what might happen next. Holden’s “catcher in the rye” fantasy reflects his innocence, his belief in a pure, uncorrupted youth, and his desire to protect it. This fantasy also represents his disconnection from reality, as he thinks he can stop the process of growing up, yet
Ultimately, Holden Caulfield’s decisions were incredibly based on his yearning for innocence in life when it is slowly fading away from the world. The audience feels sympathy towards Holden because they know Holden’s past years have been traumatizing with his brother’s death and his moving of schools. The audience knows now that Holden’s alienation is because he does not want to lose his or anyone’s innocence. Thus, the overall lesson is that one cannot prevent another person to do what they want to do, and if they fall, let them.
Holden’s sexual struggles are visible through his interactions with Sunny, Sally Hayes, and Carl Luce. Holden’s fascination with sex interferes with his elevated morals; as much as he wants to engage in intercourse, he voices his need to establish an emotional connection with his partner first, which prevents him from having casual sex. As much as physical intimacy is important to him, Holden needs to be taken care of and understood emotionally, as well, displaying that he holds sex in high regards and does not view it as something to be done carelessly. Holden just needs to be loved; but, unfortunately, his romantic life is sub-par at best, and until that changes, he’ll always feel confused – and very, very lonely.
Holden is afraid to leave his precious/innocent childhood behind and enter the corrupted, evil society adults and ha trouble accepting adults and society. Mr. Antolini basically is saying He’s falling down the rye, and still hasn’t hit rock bottom because he can’t fully understand adults and society. Everything doesn’t make sense to him, from adults being complete phonies to sex. He can’t understand adults which is why his transition from childhood and adulthood is very difficult and complex for him. His own actions and decisions often contradict itself due to, to opposing “worlds” of Holden. Childhood and
It is made evident that Holden is enamored with Jane Gallagher, and this first manifests itself when Holden talks about her to Stradlater. “I used to play checkers with her,” Holden recounts. “ ‘She’d get [her kings] all lined up in the back row. Then she’d never use them. She just liked the way they looked when they were all in the back row.’ Stradlater didn’t say anything. That kind of stuff doesn’t interest most people” (41). In a world where almost everything is so “goddam depressing,” thinking about Jane’s minor traits actually makes Holden happy, even if it is the kind of stuff that does not interest most people. It allows him to channel his childhood, where he was oblivious to the phoniness around him. However, this silly nostalgia cannot get across to Stradlater, who is more interested in Jane as a sexual being than trivialities such as her checker tactics or struggles with ballet. This physical interest eventually becomes the root of their brawl in their dorm. Although Holden’s interrogative mood agitates Stradlater, Holden is only showing his genuine care for Jane. Unlike Stradlaer, Holden has enough sense to know that Jane, being the humble, intelligent girl she is, deserves to be treated right. So, even though Holden lets his anger get the better of him and eventually start a fight, he has reason to do
Holden is the main character of the book. He is a complicated boy how seems to get thrown out of boarding schools left and right. He is constantly thinking about depressive thoughts of his past, like times he was with his brother, who is dead. His thoughts of his brother bring serious rage for some reason. In one instance he tells about the day after his brothers death, and Holden was filled with such anger and loneliness, he punched through all the glass doors in his garage. This required him to go to the hospital, and unfortunately his stay at the hospital forced him to miss his brothers funeral. He also keeps thinking about his old girl friend Jane. Holden is reminded of past times with her, where her father upset her, and Holden was the only one there to console her. So with that in mind, he thinks he still may have a place with her, and Holden believes that all his happiness will rest with her. Holden is just a guy who is searching for something to get him out of his depression, but he has no idea what it is, and above all how to get it.
...ect Phoebe and preserve her childish innocence. Luckily, under treatment, Holden is beginning to accept the fact that Phoebe cannot remain a child forever.
Due to Allie dieing, Holden is unable to let go of the past. One example of this is when Stradlater, Holden’s roommate at Pencey goes on a date with Jane Gallagher, a girl that Holden used to know Holden says that “I kept thinking about Jane, and about Stradlater having a date with her and all. It made me so nervous I nearly went crazy” (Salinger 34). Holden is incapable of moving on past the fact that someone he used to know is going on a date with someone he used to know. Next is when holden is reminiscing about his brother, and when he went to the cemetery he is buried in Holden mentions that “...twice-twice-we were there it started to rain. It was awful. It rained on his lousy tombstone, and it rained on the grass
Holden's nervous impulse to protect women seems to have sprung up in his psyche from a very young age. After his brother, Allie, started to experience more severe symptoms of leukemia, Holden notes that his mother seemed "nervous as hell." His own mother's emotional problems (Lombardi) transfer to Holden on a very deep, psychological level because he feels partially responsible for his brother's fate in the first place. Seeing his mother in such a distraught state makes him feel even guiltier. The unintended consequence of this is that Holden grows up with a constant fear that he is going to hurt any woman that he grows close to. This manifests itself many times during his time in New York, with one of the earliest examples being his meeting with Sunny in the hotel room. Holden protects her innocence, but not for any particularly noble reason. He hangs her dress back up and insists that he just wants to talk, but Holden did not do this in an attempt to be some paragon of righteousness. Holden, on a deep, psychological lev...