Evil or Mistreated? It is proven that the way you are treated as a small child affects the way you act as an adult. In Frankenstein by Mary Shelly, the readers see this kind of effect. The creature created by Dr. Frankenstein was terribly mistreated. The creature wasn’t evil in the beginning, but as time went on he started behaving like a monster. Although he did not seem evil in the beginning does not mean that he was not. He could have turned out that way without being mistreated, yet because of the mistreatment we may never know. So; was all of this caused by the way his creator treated him, was it caused by the way other people treated him, was it caused just by his nature, or was it caused by all of the three combined? In Frankenstein by Mary Shelley, Dr. Victor Frankenstein is a …show more content…
The creature was tormented because of his hideous appearance. It is unfair that they judged him so harshly because all the creature sought was to be loved. He just wanted to fit in with other people. He is pretty much left by himself to discover that he is ugly and what that actually means. Once the creature realizes that he is ugly and the townspeople treat him so badly, he becomes the monster that everyone assumed he was in the first place. This once so kind-hearted creation is molded into a repulsive monster by the way he is treated by society. The creature accidentally causes the townspeople poverty by stealing their food in secret, when he realizes the effect of his thievery he leaves wood on the doorsteps of the people to try to ease their scarcity. All he wants is to be accepted, yet because of his ugly looks the townspeople still deny him of acceptance. “As a society, we build our own monsters” this is a statement that is describing so much (Connection 1). The town’s people are making him everything that he is. “He was merely provoked into acting out” (Rose
I have empathy for the monster because he was not created to be evil. His creator Victor D. Frankenstein and the people he encountered after he was created, were the ones who were being hateful towards him. The monster was happy and had a kind heart towards the people he met , but his kind heart and pleasant demeanor was short lived. People started talking about him in a bad way and that made the monster angry and also it made him a product of his environment. This is how he became who he was.
Ever since the beginning of Frankenstein’s tragic narrative, his story has been filled with distortions. When happy, the world seems imbued with a mystical glow and when depressed, darkness threatens to conquer everything and everyone. However, as the story progresses, it becomes apparent that was not just the narrator who had a various distorted outlooks on the world, but other primary characters as well, including, but not limited to, Frankenstein’s monster and Frankenstein’s dear friend Henry Clerval.
In the novel ‘Frankenstein’ the creature is presented through many narrative voices, it is through Victor's narrative that we see the Creature as a 'wretch', 'daemon' and a 'fiend'. Mary Shelley chooses to present the creature as a ‘fiend’ due to circumstance beyond the creature’s control
Throughout the book, the creature doesn’t show emotions that lead towards being a monster. Animals do show emotions, for example, I watched a video about a mother seal who had a miscarriage and she did not understand why her baby was not moving, it resulted in her having real tears. In the beginning, we see the first emotion that the creature has, which is a sense of belonging. After the creature was forced to fend for himself, he finds a family in the woods that he starts to observe and want a place of belonging in their family. . The creature knows that he is ugly and doesn’t look like a human, but he still wants to belong. To belong to a family and feel wanted, he wants to be beautiful. This is a human desire. He shows how much his looks
In Mary Shelley’s novel Frankenstein the protagonist Victor Frankenstein creates a monster. The monster in the novel is deprived of a normal life due to his appearance. Like the creature, some serial killers today are killers due to the same rejection. In the novel Frankenstein, Mary Shelley warns that a childhood of abuse and neglect will often result in evil actions.
Knowing how to read, write, and even tie your shoes may seem like the everyday norm to most, but for Victor Frankenstein’s creature, it is one of the leading causes of his destruction. Frankenstein is obsessed with the idea of creating a being superior to humans. However, when his creation turns into a murderous monster, he is quick to blame his relentless search for knowledge, but he is unable to see how his ignorance brought his downfall. In the Gothic novel, Frankenstein, by Mary Shelley, the concept of knowledge being not only a blessing, but a curse is demonstrated through the creatures desire to learn, society’s lack of empathy for the creature, and Victor’s ignorance.
From the beginning, the monster was abandoned by his creator Victor, the only man he's ever had a relationship with. He was made eight feet tall and very grotesque. At first sight, his creator rejects him. The monster tries to integrate himself into society, only to be shunned universally. When the creature goes to the village, he is attacked because of his horrifying appearance. He assists a group of poor peasants and saves a girl from drowning, but because of his outward looks, he is rewarded only with beatings and disgust.
Compassion and empathy are often described as human-kind's greatest quality. Yet, many things can distract or overpower our compassion to allow room for things like cruelty, selfishness, and the need for vengeance. In Mary Shelley's Frankenstein, Victor Frankenstein has no compassion for his creation; however, his creation is born with large amounts of compassion, but Frankenstein ignores and abuses his monster. Victor’s lack of compassion towards the monster, makes the monster lose his own compassion in a need for vengeance to make his abuser feel the same pain he does.
In the novel Frankenstein or the Modern Prometheus by Mary Shelley the motif of cruelty functions as a motive and mode of retaliation. Both Victor and the Creature portray the roles of the perpetrator and victim of cruelty as seen through the rejection the Creature receives from the humans, Victor’s betrayal to the Creature, and the revenge sought out by the Creature.
Victor’s cruel and hostile actions toward his creature demonstrate his monstrous characteristics. One example of Victor’s inhumane cruelty is when he decides to abandon his creature. When Victor realizes what he has created, he is appalled, and abandons his creature because he is “unable to endure the aspect of the being [he] had created” (42). This wretched action would be similar to a mother abandoning her own child. Victor’s ambition for renown only fuels his depravity; he brings new life into the world, only to abandon it. This act of abandonment accurately depicts Victor’s cruelty because it shows his disgust toward his own creation, as well as his lack of respect for life. An example of a hostile action is when Victor destroys the creature’s
In many works of literature, authors place morally ambiguous characters in their work to allow the readers to decide on the character’s true morality. In Mary Shelley’s, Frankenstein, Shelley inputs a morally ambiguous character, which takes on an extreme significance to the work, allowing the reader to understand the emotional journey that occurs throughout the novel. The morally ambiguous character in Frankenstein is Victor Frankenstein, which is displayed through the way he treats his creation, his arrogant personality, and his obsession with natural philosophy.
Firstly, a scapegoat is defined as “One who is blamed or punished for the sins of others” (OED). In biblical scripture, the goat symbolises and stands for evil, with lambs being sacrificial beasts (Kearney 28). Rene Girard: “any community that has fallen prey to violence or has been stricken by some overwhelming catastrophe hurls itself blindly into the search for a scapegoat” (qtd in Sørensen 19). Additionally, in agreement with Sørensen, there is a rationale behind an individual making someone or something a scapegoat, which the writer views as a defence mechanism: “a safety valve used to rid our mind of the anxieties that can be eliminated with the destruction of the monster” (Sørensen 19-20). This idea that these scholars refer to is highly
A monster can be characterized by an extreme deviation from the normal standards of society including an internal or external wickedness. In the case of Mary Shelley’s Creature, his appearance overwhelms those who lay eyes upon him. A mere glance can send a villager running for the hills. It was not until the Creature caught a glance of his own reflection that he understood why villagers were so afraid of him. The realization of his ghastly appearance began the monster’s journey into hopelessness. In Peter Brooks’ article he writes, “Self recognition as the ‘filthy type’ completes the mirror stage of the Monsters development.” (Brooks 377). Seeing oneself as ugly and slovenly can cast shadows on even the most compassionate of hearts.
Left on his own to strike out in the world the monster soon experienced the prejudices of those he came meet. Prejudices based upon his frightful, or unusual, appearance and his inability to communicate initially. I quickly had empathy for the abandoned creature, despite the descriptions of his gruesome appearance, and felt mixed emotions about his actions towards others in the story. Were the violent actions of the monster towards others spawned from their violent rejection of ...
Frankenstein by Mary Shelley portrays an individual in a unique situation trying to overcome daily interactions while being faced with inconceivable misfortunes. Created by Victor Frankenstein, who set out on a journey to bring life to scrapped pieces of waste, he was then abandoned and left to fend for himself in a world he was abruptly brought into. After being abandoned by his creator for his less than appealing looks, this then sparked his inevitable desire for revenge. Eventually leading to the destruction of those associated with his creator. Knowing that he will never fit in, the monster began to act out in hopes of getting back at his creator for what he did. His vulnerability due to missing guidance and parental figures in his beginning stages of life contributed to his behavior. The books and article Family Crisis and Children’s Therapy Groups written by Gianetti, Audoin, and Uzé, Victim Of Romance: The Life And Death Of Fanny Godwin by Maurice Hindle, and Social Behavior and Personality by Lubomir Lamy, Jacques Fishcher-Lokou, and Nicolas Gueguen support why the monster acts the way he does. The monster’s behavior stems from Victor’s actions at the beginning of his life and therefore is not to blame. The creature in Frankenstein is deserving of sympathy even though he committed those murders because the lack of parental guidance, lack of family, and lack of someone to love led him to that. All in all his actions were not malicious, but only retaliation for what he had been put through.