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The characters of tragedy from Aristotle poetics
Antigones death and fate
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Recommended: The characters of tragedy from Aristotle poetics
Sophocles uses a dark and depressing mood in this quote to describe the death of Antigone and Haimon and show their love for one another. Sophocles starts off the quote by saying, “Now the dead lie in the arms of the dead (Sophocles. 1436)”. He uses a depressing mood in this phrase as the two have killed themselves and they are now with everyone else who has died. Sophocles continues to write the phrase, “They have been wedded in the house of death (Sophocles. 1437)”, Sophocles uses figurative language to describe how Antigone and Haimon have reunited with one another. The two never got married in the real, living world, however, they were joined together forever in “the house of death”. The exile of Antigone brought her to kill herself, and
All of the characters in this plot have to fight for something, and Haimon, Creon's son and Antigone's Fiance falls victim to their determination. Antigone buries her brother, which means Haimon has to face the fatality of his loves execution and Creon is the one to punish Antigone so Haimon feels his father couldn't care about anything but the way he is viewed as King.Haimon has a lot to contest for and uses the three appeals, pathos, logos and ethos to do this.His fiance Antigone breaks the king’s laws and therefore has to face the consequences. She is punished with death by the laws holder.This tragic sister welcomes death, as it is an honor for whom she encounters it for. But Haimon won’t accept this and knows that If anybody were to
A tragedy is when someone drops my chocolate milkshake from Chick-Fil-A in the parking lot, but the Greek definition of a tragedy is,”a play in which the protagonist, usually a man of importance and outstanding personal qualities, falls to disaster through the combination of a personal failing and circumstances with which he cannot deal”(Collins). In Sophocles’ play Antigone, Creon is the most tragic character because of his hubris, hamartia, and he is the primary Antagonist.
Contrary to popular belief, power does not give a person everything needed in life. Power gives people an illusion of a perfect, ungrueling life which- news flash!- is probably the total opposite of what power actually bestows upon people. Within The Count of Monte Cristo, Edmond Dantes is mistreated with due to abundance of power Monseuir Villefort has, causing Edmond to later seek power to avenge for the mistreatment caused to him. Almost everyone in the book either loses or gives up their power in the end, thanks to Edmond. Viva la Vida, similarly, depicts the story of Louis XVI possessing immense power and then being deprived of the same power he once thought was going to be in his fist forever.
Sophocles’s Antigone and Julia Alvarez’s In the Time of the Butterflies are based upon a common theme: rebellion. While reading both pieces in class, the notion of to what extent a rebellion is justified surfaced frequently; however, reading both texts was insufficient in finding a conclusion to this topic, so I read through various poems to aid my deduction. After my extensive research, I came to the conclusion that rebellion can be justified by a rebel’s genuine belief in their cause. The process of justification is based upon one’s personal qualification of what is considered just; therefore, a single belief in the righteousness of any revolt justifies a rebellion.
After being locked up in a dark, damp cave, Antigone was fed up with wallowing in her own pity, and takes her own life by “hang[ing] by the neck in a fine linen noose, strangled in her veils,” (1347–1348). Seeing the graceful young woman embraced in the arms of his own son, Creon immediately swells with anger towards un-masculine Haemon because of his display of love, and the significance of Antigone’s death goes straight over his head. Her strong sense of self – knowing who she is, what she values, and what makes her happy – enables her to make regretless decisions that alter her time to come. One of those decisions instigated Haemon’s fate to be sealed as well, prompting Eurydice, mother of the prince, to join her son in the underworld. Not long after becoming aware of her child’s downfall, Eurydice sacrifices her life at the heart of the palace, and “raised a cry for the noble fate of Megareus, the hero killed in the first assault, then for Haemon, then with her dying breath she called down torments on [Creon’s] head–[Creon] killed her sons,” (1429–1432). Creon’s heart fills with grief, for the fault of these three deaths lies with him, and pathetic self-pities are the only thoughts running through his mind. Despite the three-deceased’s blood lying
The play Antigone by Sophocles is about reason and opinion and reveals how people use their voice to be heard. Antigone uses reasoning and opinions to express their moral beliefs and state laws in the play. People manipulate each other by using these terms to get their way by speaking out and standing up for themselves.
Antigone has defied the king's edict. However, the edict says that her brother, Polynices, cannot be given a proper burial. The reason given for this is that Polynices is a traitor. Antigone's uncle, Creon, the king, makes this edict after many events happen. Antigone says herself that she has experienced "no private shame, no public disgrace, nothing" that cannot be experienced (Antigone, p. 658).
Antigone’s first words in Antigone, “My own flesh and blood”, strongly indicates that the play’s concern with family relationships. “I admit I did it. I won’t deny that.”(line 500) Antigone is bold in her defiance, believes firmly that she is right, and at times seems eager to die for the cause of burying her brother. “I have longer to please the dead than please the living herein the kingdom down below I'll lie forever.” (line 90) Antigone believes the burial rituals are the unwritten rules of the gods, and must be obeyed regardless of a ruler's political whims.
There are many similarities and differences between Antigone by Sophocles and Shakespeare’s Romeo and Juliet. The adults in both of the books have the difficult job of controlling the actions of the younger characters. Their decisions have a crucial effect on the outcome of the books, for the younger characters that they guide are the main figures in their stories. Antigone’s King Creon and Romeo and Juliet’s Prince Escalus and Lord Capulet share but also have unique strengths, weaknesses, leadership qualities, and crisis-managing techniques.
As the tale continues, Antigone does indeed bury her brother, but is caught by Creon. In doing so however, she wins the support of the people of Thebes with her selfless actions for the sake of her family. Creon, despite the counsel of several people, including his own son, feels that regardless of the people 's opinion, Antigone must be executed for her "traitorous actions". This is self evident in an exchange between Creon and his son Haemon, who was in love with Antigone and slated to marry her: (Creon): "So this creature is no criminal, eh?" (Haemon): "The whole of Thebes says "no." (Creon): "And I must let the mob dictate my policy?" (Haemon): "See now who is speaking like a boy!" (Creon): "Do I rule this state, or someone else?" (Haemon): "A one man state is no state at all." Thus the plot thickens, and the tragedy begins to develop as Antigone 's actions have achieved her the respect of the common man, but is unquestionably soon to bring her
Othello centers around the two conflicting characters of scheming, deceptive Iago and the honorable, but often times faithless Othello. Despite the fact that these men are completely opposite in character, Iago commands such persuasive powers that he literally starts to affect Othello’s thinking, altering the figures of speech he uses and his perceptions of those close to him. Both Othello and Iago use many of the same literary devices and much of the same language to express not only their opinions of those around them, but also their general conceptions of the workings of the universe.
Antigone, The Brave Antigone, a story written by Sophocles, is about a young woman, Antigone, choosing whether she will not bury her brother, Polyneices, to not break the law or disobey Creon’s law and bury him; however choosing to bury her brother does not derail her moral development. Kohlberg’s Theory of Moral Development is three levels consisting of two stages in each. Kohlberg’s Theory explains how a human’s mind morally develops.
If you were told not to do something, even if you knew it was the right thing to do, would you go ahead and do it anyway? The Play Antigone was written by the Greek author and playwright, Sophocles. The Story of Antigone takes place in Ancient Greece, about a young woman who has lost her both of her brothers, and is told by her King to not give her brother, Polyneices a proper burial. It is important to follow the laws of government, but sometimes, when you know that something is morally right, just like Antigone did, one must be able to make that decision, even if it goes against the law.
Antigone uses the concept of death in many ways when unfolding the tragic story of Antigone and her rebellion. The most obvious way is how death is used as a form of capital punishment and justice against state-dubbed criminals and wrongdoers. The play first exhibits this notion when Antigone states, “No passing humor, for the edict says who’er transgresses shall be stoned to death” (Sophocles, p. 3). The head of the state, Creon, uses death as a form of justice for the man or woman who is to disobey his law. Creon also emphasizes this by threatening a guard when he is notified that his edict has been violated. Creon states, “Go, quibble with thy reason. If thou fail’st to find these malefactors, thou shalt own the wages of ill-gotten gains is death” (Sophocles, p. 8). Death is once again used as a threat and form of justice for people sinning against the state laws. However, death is not only used as a form of state justice, it is also portrayed as a factor in personal justification and completion. The notion that people are not whole or justified until they die is emphasized by Antigone when she states, “A sinless sinner, banned awhile on earth, but by the dead commended; and with them I shall abide for ever” (Sophocles, p. 4). Antigone says that through death, human life is justified and made complete, and that death is essentially the final form of justice for any human l...
She is a tragic hero, meaning that she has good intentions of bringing about change, but an error in her judgment ultimately led to her own destruction – or in this case, her death. Antigone believes that the laws of the gods are superior to man’s laws even if the two contradict one another, and testifies this point with Creon, the king, as she is being sentenced to death for burying her brother. Antigone argues, “Nor did I think your edict had such force that you, a mere mortal, could override the gods, the great unwritten, unshakable traditions…. they live forever” (line 503-506). Here she is claiming that the laws of the gods state that Polynice’s body should be buried, and she complied because the god’s laws are the only laws that should govern one’s life. Creon, however, does not buy this philosophy and stands firm in his belief that Antigone should be executed. Not only does Antigone address feminist ideas by challenging man’s law, she also brings up the issue of separation of church and state that is still applicable in today’s society. She questions the legitimateness of mortal laws and especially Creon’s power as king. As a result, stubborn Antigone refuses to stop her quest for justice and honor for her family, and she insists on dying a glorious death in the name of Polynices and the