In modern society, social standing affects how people are treated and the opportunities they have. Reputation was just as important in colonial times, and people took desperate measures to maintain theirs. In The Crucible by Arthur Miller, Reverend Parris’ motivation for supporting the witch trials is to further his reputation. When Parris questions Abigail about her being in the forest, he declares, “I have fought here three long years to bend these stiff-necked people for me and now, just when some good respect is rising for me in the parish, you compromise my very character” (Miller 11). Parris is only concerned about Abigail’s disobedience because he is worried it will ruin the village’s opinion of him. This demonstrates that Parris values his standing extremely highly. …show more content…
Parris’ delusions that his position is in danger lead him to develop an obsession with his reputation. This influences many of his decisions, including his support of the witch trials. When Reverend Hale explains that the Devil might be in Betty, Parris is unnerved, but Hale explains, “What victory would the Devil have to win a soul already bad? It is the best the Devil wants, and who is better than the minister” (Miller 41). After this, Parris is no longer nervous and becomes resolute in his pursuit of alleged witches. Once Hale establishes that accusations of witches would be beneficial to his reputation, he is willing to support them wholeheartedly. Although Parris does believe that there are witches in Salem and wants to discover them, this is a belief based solely on his desire for a prestige. Through Parris’ actions and dialogue, Arthur Miller reveals that his sole reason for supporting the Salem witch trials is to maintain his reputation and authority as minister. Parris serves as an example relating to a deeper message in the story: obsession with reputation and how others think only leads to disastrous results for
Throughout the story, Reverend Parris is shown to be on edge when he speaks, often because he is afraid of what others might think, say, or do to him. An example of this is when Parris is speaking with Abigail and says, “But if you trafficked with spirits in the forest I must know it now, for surely my enemies will, and they will ruin me with it” (Page 10, Miller). This shows how Reverend Parris is afraid of what his enemies will do to him and his reputation. On page 14, Parris is shown to again be very frightful, as he says, “They will howl me out of Salem for such corruption in my house” (Page 14, Miller). He jumps to conclusions and assumes the worst that he will be thrown out of Salem, which characterizes him as fearful.
Abigail Williams is motivated to lie about her affair with John Proctor. What motivates her to lie is the thought of getting hung. Another big reason that she could be lying is for vengeance. Abigail loves John Proctor and one night they had an affair and touched. Since then, Abigail has been jealous towards John’s wife, Elizabeth. Abigail goes into the forest with some other young girls and Tituba, who makes a potion to have boys fall in love with them. This is a great example, “ABIGAIL, pulling her away from the window: I told him everything; he knows now, he knows everything we—BETTY: You drank blood, Abby! You didn't tell him that! ABIGAIL: Betty, you never say that
Scapegoating people to gain power has been around for centuries. Many people are persecuted even though they did nothing to provoke others. Arthur Miller wrote The Crucible to enlighten readers on how greedy people acted and how vengeful they were. Reverend Parris showed both these traits in extreme measure in the play. Reverend Parris supports the witch trials because he wants more power, he is greedy, and he wants revenge.
Reverend Parris is the character that initiates the hysteria of the Salem witch trials, in a community where authorities wasted no time minding the business of it's citizens, what should have been seen as teen frivolity was blown into one of the ugliest moments in American History. Parris sparks this by firstly acting on his own paranoia, which the reader would find in the introduction 'he believed he was being persecuted where ever he went';, and calling Reverend Hale in an attempt for self-preservation '….if you trafficked with spirits in the forest I must know it now, for surely my enemies will, and they will ruin me with it.'; This statement says a lot about the character of Reverend Parris: a greedy, power hungry man who is more concerned with his own reputation than the souls of his niece and daughter. He always acts on fear, a fear that he will lose his position of power in the community. Parris does not want the trials to end as a fraud because the scandal of having a lying daughter and niece would end his career in Salem.
Reverend Parris’ fear of losing his job provokes him to cry witch. Reverend Parris’ daughter feigns to be in a coma. When the doctor bade Susanna tell Reverend Parris that he “might look to unnatural things for the cause of it” (9), he denies that possibility because he fears that rumors of witchcraft under his roof would help his “many enemies” (10) to drive him from his pulpit. Later, by supporting the Salem witch trials, Reverend Parris secures his position in the church. When John Proctor brings a deposition to court signed by Mary Warren that calls Abigail and her girls’ frauds, Reverend Parris urgently tells Judge Danforth that “they’ve come to overthrow the court” (88). When Mary Warren cannot faint in court, Reverend Parris accuses her of being “a trick to blind the court” (107). After Abigail pretends that Mary Warren is attacking her, Reverend Parris spurs on the accusations by telling her to “cast the Devil out” (118). Reverend Parris fears that if Abigail becomes exposed he will be punished for supporting an illegitimate court procedure. When execution day arrives, Reverend Parris fears that the “rebellion in Andover” (127) over hangings will occur similarly in Salem. Reverend Parris pleads to Hathorne that “. . . it were another sort that we hanged till now . . . these people have great weight yet in the town” (127). Reverend Parris’ last attempt at preserv...
One of the most prominent themes in Arthur Miller’s 1953 drama, The Crucible, is the use of role reversals within race and gender boundaries, social status, and superficial power. In the not-so-sleepy town of Salem, Massachusetts, the rumor of witches among the community runs rampant as various characters work to accuse their fellow citizens of witchery or defend their neighbors from the gallows. Driven by jealously and pure hatred, those who have minor roles within the community lust after a more notable place in society by accusing the more distinguished members to rid them of their land, wealth, or reputation – and even their life. Those wrongfully accused are driven by fear as they either admit their guilt to save their own lives or find someone else to blame for the supposed crime. In turn, this causes the well-known citizens to be reduced to their salt and the minor townsfolk to gain a certain type of fame or air about themselves. The turn of tables proves to benefit certain female characters with minor roles and damage the more notable male characters within the community.
In “The Crucible” by Arthur Miller, I found myself struggling to grasp the full intensity he portrayed. One intense subject he really pinpointed was reputation. Reputation seemed to be a major focus of almost all they characters in this literary work. Whether it be reputation as a good member of the Salem Massachusetts community, or reputation as most successful preacher, the townspeople seemed to revolve around reputation. Many townspeople including John Proctor, Reverend Parris, as well as Giles Corey. This was not always necessary a bad thing, as it kept them in check, but in this case, the longing for a good reputation overpowered many lives, literally. Too much want for a triumphant
In the crucible characters are motivated by various themes such as, reputation, power, witchcraft and society. John Proctor, Reverend Hale and Reverend Parris’s actions are prime examples of how in the crucible these themes are dominant.
For example, Reverend Hale, being condescending, enters the play to investigate who is and is not involved in witchcraft. Reverend Hale, sent by Parris due to his niece being under a cast of spells, approaches and greets the strangers standing before Betty with “books weighted with authority” (34). Reverend Hale relies on his books to guide him through this investigation, and hopes the books will be his way into not drawing to conclusions based on the sensitivity of the townspeople. Reverend Hale appears to be knowledgeable in witchcraft as he mentions that “…the devil is precise: the marks of his presence are definite as stone…” (Miller 35). Hale is very much respected by the townspeople, and is truly eager to begin his job in Salem, Massachusetts.
Throughout the entirety of the play, Reverend Parris was a perplexed man. As the play moved along, he grew more introverted and we see his paranoia grow larger. He was also blaming every other person for every little mishap in Salem for his own benefit. Reverend Parris was a man of many different traits and as the play moves along these ever changing qualities are easily seen. From Act 1 to Act 4 in The Crucible, Reverend Parris, a timid pastor, transforms from a confused man trying to conceal his identity to the towns “gossiper)” to have his name remain unimpeachable.
Throughout the Crucible, maintaining their reputations in their society is far more important to the people. For example, when Paris’s daughter falls into a coma after dancing in the forest, he is more concerned on how the people of the town would think of him being associated with Witchcraft rather than his daughter’s own health. Another example of the town worrying more about their reputation is when Proctor’s wife get’s sent to jail, because he hesitates in admitting that he had an affair with Abigail just so people won’t judge him for his mistakes. In today’s society, people are just as, or if not more focused about their reputation, for instance today’s celebrities have atrocious behavior just because they get publicity and fame
Parris is only the part of a whole when it comes to what he embodies-- Parris ultimately embodies the nature of Salem, Although Salem is ruled by God, the events of The Crucible prove otherwise. Throughout the play, characters are either egotistical in their own regard or are shown committing impious acts to safeguard their reputation among Salem residents. This is not a town ruled by God; it is a town ruled by deceptive people who have no remorse for the effects caused by their ruthless
The Crucible, a play written in the 1950’s by American playwright, Arthur Miller, is based on the chaotic witch hysteria in Salem, Massachusetts during the 1600’s. Abigail, a sinful protagonist in the play, is the root to the myriad problems that conspire throughout the play. She is to blame for the executions of innocent citizens, and for acts of lechery between marriages. An important reappearing theme throughout the play is one’s reputation and the extremes the characters would take in order to preserve their name. The characters in The Crucible, particularly, Parris, John Proctor, and Judge Danforth, use the sanctity of their names to prioritize how they will look in the public eye, rather than what is beneficial to them individually.
In the end people will always try to save themselves and try to not make themselves look bad. You can see from the evidence that Reputation is a major theme in The Crucible and Arthur Miller really tried to show that in characters such as John Proctor, Abigail Williams and Reverend Parris and what Arthur Miller is trying to show in 1692 Salem, MA is still happening today as people will always try to not make themselves look
How can a girl who condemned seventy two to a death sentence and drank a charm to kill a man’s wife, a man she has slept with on more than one occasion be the victim? It’s possible when the town she lives in is worse than her. Although Abigail Williams is typically thought of as the antagonist of Arthur Miller’s The Crucible, she is in fact a victim as much as any other tragic character in the play.