Eveline, The Story Of An Hour And A Rose For Emily

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Originality can never be completely possible, since stories have been written for the last 5000 years. It is a difficult concept for writers to tackle because of the extensive and ever-growing amount of literature the world has to offer. Thus, begging the question; Just how original is an “original” work? Thomas Foster, asserts that there is no such thing as a “wholly original work of literature”, a claim that proves to be partially correct, when analyzing just these four stories: “Eveline”, “Trifles”, “The Story of an Hour” and “A Rose for Emily”.
In regard to cohesion, characterization is a literary element that rightfully shows just how closely related the stories are. Eveline can be considered an inception when interpreting each narrative, …show more content…

Emily is directly depicted as “a tradition” and “a duty”—she is unchanging. Notably, this is reflected by her denial that her father had joined the dearly departed and her unsettling knack for necrophilia. She does not want to let go of her significant other because he is all she has left, she harbors his body because she does not know how to cope with change, much like Eveline. Emily is the Eveline that remained with her father that would later be described as “with nothing left she would have to cling to that which had robbed her” (Faulkner 3). She fails when seeking affection within someone other than her father. The pair have no grasp or understanding of their own feelings, so they shelter themselves in damnable familiarity. Comparatively, Mrs. Mallard and Mrs. Wright are the Eveline that chose to pursue a more fitting future. A future that they find is incredibly similar to that of the past. Eveline remains oppressed, however, now, it is not by her father, but by her lover. Mrs. Mallard, the older, anxiety stricken, Eveline, “afflicted with heart trouble”, experiences unparaled relief and glee upon hearing of her husband’s death. She is finally, “…free, free, free!”, from he who governs her. The freedom is short lived, as she perishes …show more content…

The most eminent, arguably, being the male characters and shockingly enough, windows. In Eveline and Story of an Hour, the protagonists look from their windows, an action that is seemingly insignificant. Nevertheless, to these women, windows represent the fracturing of patriarchal confines, they represent a promising future. Men embody what they are symbolic of—oppression and hypermasculinity. An aspect that Is imperative to each personalities’ characterization. The plot moves because of their existence, simultaneously, damning the female characters as it progresses. Evidently, women’s oppression is a very predominant theme within each narrative. These women have been condemned in some aspect by men. They are subject to a world of draconian gender roles, separated by these roles, men and women are portrayed in a world, dominated by men, in which social expectations and restrictions serve to further perpetuate gender stratification. Essentially oppressed women are to beat the home, bound to their husbands, with little control or identity of their own. Inevitability is yet another theme that can be recognized in each fictional work. It is apparent that these women desperately yearn for sufferance, even so, the reality is that it is something that they will not be able to achieve, their fate is inescapable, seeing as one woman cannot singlehandedly combat a whole

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