In his novel The Plague, Albert Camus presents a pseudo-historical documentary of a plague that confines and controls the citizens of Oran within their city gates. The plague possesses the power of life and death over the people, as it determines which citizens will face their death or those who work to stop death. These latter men, personified by the characters of Rieux, Grand, and Tarrau, each struggle endlessly to master the plague's power over their lives, even with the realization they may never succeed. For Camus, this idea of an "impossible struggle" against an unseen power resonates throughout the novel and reoccurs in another "plague" which these men must contend with - the limits of human language. Camus's characters place great emphasis and importance upon the power of language and lament their inability to express themselves clearly. As a result, Camus establishes that human language, like the plague, possesses an elusive power in determining the lives of these men even as they struggle to master and control it.
Camus demonstrates this first through his description of Rieux's struggle to choose words carefully as he recognizes their power to both define and control his work. Next, Camus establishes the power of words in his comical yet poignant portrayal of Grand, whose inability to "find the right words" stifles and confines both his work and his marriage (p.42). Lastly, Camus elaborates upon this power of words through the actions of Tarrau, who directly links the misuse of words with the power to kill. For Dr. Bernard Rieux, the use of human language will eventually help define his work. Therefore, he struggles to choose his words carefully when being asked to describe the mysterious disease.
Through his portrayal of Rieux, Grand, and Tarrau, Camus depicts the power of language as each attempt to master it and are mastered by it. In doing so, Camus pays tribute to language and makes The Plague a commentary on the artistic process, as Camus himself struggles with language in his career as a writer. Thus, Camus's novel also serves as a fable of the written word, as writers must struggle to master the language in their writings. For Camus, the moral of the story warns the reader to be careful when choosing their words as each has the potential power to control lives.
Works Cited:
Camus, Albert. The Plague. Vintage, 1991.
Firstly, The Masque of the Red Death is a short story that dwells on a wide variety of societal issues. On the other hand, The Raven adopts the form of a poem, which is especially notable for its dramatic and melodic properties. The poet uses the refrain of “Lenore” and “nevermore” in order to emphasize the narrators’ troubled interaction with death (Poe, The Works of Edgar Allen Poe). Furthermore, The Raven employs allusion in its attempt to explain the mysteries surrounding death. The poet seeks to know whether there is “balm in Gilead” in reference to the hope of life after death demonstrated in various religious faiths such as Christianity. In The Masque of the Red Death the author addresses death’s inevitability and its wider implication on the society (Poe). The short story addresses the ability of epidemics to wreck havoc on populations. Furthermore, the short story addresses the authority’s selfishness and incompetence when it comes to addressing pivotal issues affecting people. Instead of finding ways of protecting people from further infections, the prince selfishly runs away from the rest of the population. Whereas death finally catches up with everybody regardless of one’s social status, the short story plays a pivotal role in highlighting leadership discrepancies that plague many civilized
implacability of the natural world, the impartial perfection ofscience, the heartbreak of history. The narrative is permeated with insights about language itself, its power to distort and destroy meaning, and to restore it again to those with stalwart hearts.
The power of words can influence many people which results in many characters to be negatively impacted like Liesel. The negative effects of that the theme of the power of words causes Liesel to experience misery throughout her lifetime. Liesel is abandoned by her mother at a young age.
Edgar Allan Poe's short stories, "The Telltale Heart" and "The Masque of the Red Death" are two very different stories. One is about a simple man, perhaps a servant, who narrates the tale of how he kills his wealthy benefactor, and the other is about a prince who turns his back on his country while a plague known as The Red Death ravages his lands. Yet, there are some similarities in both. Time, for instance, and the stroke of midnight, seem to always herald the approach of impending death. Both are killers, one by his own hand, the other by neglecting his country. One seeks peace, the other seeks pleasure, but both are motivated by the selfish need to rid themselves of that which haunts them, even at the expense of another's life. However, the point of this critique will show that their meticulous plans to beat that which torments them are undone by a single flaw in their character - overconfidence.
Based on Three Reasons College Still Matters, there are three main reasons why a college education is so important. From an economical standpoint, an education is most of the time needed to earn enough money to live comfortably. Attending and completing college provides a possibility for future economic stability. Within a highly competitive workforce a college degree can put a foot in the door to a job of a person’s choice. Statistics show that people who obtain a bachelor’s degree or higher get paid more than those who do not obtain one. Many question the worth of a college degree because of how expensive it is, though some say that the money spent is an investment on a person’s future. One can say that the worth of a college education is within the eye of the beholder. Many q...
The Plague (French, La Peste) is a novel written by Albert Camus that is about an epidemic of bubonic plague. The Plague is set in a small Mediterranean town in North Africa called Oran. Dr. Bernard Rieux, one of the main characters, describes it as an ugly town. Oran’s inhabitants are boring people who appear to live, for the most part, habitual lives. The main focus of the town is money. “…everyone is bored, and devotes himself to cultivating habits. Our citizens work hard, but solely with the object of getting rich. Their chief interest is in commerce, and their chief aim in life is, as they call it, 'doing business’” (Camus 4). The citizens’ unawareness of life’s riches and pleasures show their susceptibility to the oncoming plague. They don’t bother themselves with matters not involving money. It is very easy for the reader to realize that they are too naive to combat the forthcoming calamity. The theme of not knowing life is more than work and habits will narrow the people’s chances of survival. Rieux explains that the town had a view of death as something that happens every day. He then explains that the town really doesn’t face towards the Mediterranean Sea. Actually it is almost impossible to see the sea from town. Oran is a town which seems to turn its back on life and freedom. The Plague was first published in 1948 in France. “Early readers were quick to note that it was in part an allegory of the German occupation of France from 1940 to 1944, which cut France off from the outside world; just as in the novel the town of Oran must close its gates to isolate the plague” (“The Plague” 202). When the plague first arrives, the residents are slow to realize the extreme danger they are in. Once they finally become aware of it...
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There are many variations to vampire weather modern or ancient. Some can turn into bats or wolves while others can’t. Some can be killed with holy water and sunlight while others can’t. Some cast a reflection while others don’t. Though there are many variations to the vampire all drink blood and can be killed in some
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