Paradise Lost and the War in Heaven
From the beginning of book 1 the war in heaven seems more than a simple, finished event. In reality, we have the authorized formal side presented: the war was ambitious, impious, proud, vain, and resulting in ruin. Satan’s first speech implies that there was another side-even after we have partly discounted the personal tones of the defeated leader who speaks of the good old lost cause, “hazard in the Glorious Enterprise.” That too is a formal side, presented by the losing actor in the drama. Then Satan goes on, to reveal, before he can pull himself together in defiance, something more:
Into what Pit thou seest
From what highth fal’n, so much the stronger provd
He with his thunder: and then who knew
The force of these dire Arms? (I, 91, ff)
A little later the surprise has been bolstered with a kind of indignation:
But still his strength conceal’d
Which tempted our attempt, and wrought our fall. (I, 641 f.)
We soon learn that we cannot get answers in hell, but we begin to see certain questions, and the possibility that their answers may appear when we see the actual dramatic presentation of the rebellion. For one thing, Satan’s “innumerable force” receives a definite tally later- it is only one third of the angels. And this fact will look different when we learn that God opposes the enemy force with an equal number only, and then puts a fixed limit on the individual strength of the contestants, and then sends only the Son against the rebels, and with His strength limited too. Satan puts so much concentration on having shaken the throne of god, against “His utmost power”-“Who from the terrour of this Arm so late/...
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...s; and then the gigantic niceness of the detail that pictures the mountains, pulled up by the tops, coming bottom side up toward them. In between we are forced to look away, to separate ourselves from the action, and see it as a spectator, not as a participator. In the grand finale of physical ridicule the rebels are again left exposed to laughter by the interrupted point of view. Never do they appear so ridiculous, not even as a timorous flock, as when they are caught isolated between the before and the behind.
This is to be understood metaphorically, as the climax of their physical humiliation. It does not last, any more than their later mass metamorphosis into serpents, with which this is parallel. But it is a punishment, on the material level, for the material nature of their sin. If they regain their form in hell, that is because they regain free will.
Contrapasso is the over-arching theme, which is present entirely throughout Dante’s journey as he descends down Inferno. This theme, which hovers over all of the levels of hell, allows for all sinners to face punishments that are specific to their sins. Whether it is the outer level of hell, in Limbo, or the inner levels, in Judecca, all sinners face the same pain but in several different ways. The presence of a contrapasso strategy in hell demonstrates the idea of a just God, a God who created hell to only serve justice to the ones whom sin.
In John Milton’s Paradise Lost, he makes God the all-powerful, trusted and feared force. His theodicy creates God as a good force, not an evil one, but the way he writes Paradise Lost and the fall of mankind suggests that either Milton did not think God was all that powerful or turned his cheek when evil plotted against Him.God is trusted by humans in this epic poem because Milton writes that Adam and Eve pray often and trust all God has done for them. But once again, the trust was broken when Eve listened to what the serpent had to say about God deceiving the humans by telling them He didn’t want them eating the forbidden fruit from the Tree of Knowledge when He really did want them
Amid the fires and the terrible music, the torture and the torment, mankind finally receives the punishment for their sins. The punishment is made even more terrible because it is a Hell they created for themselves, right here on Earth.
His determination is shown by the quote ‘He circled, four times crossed the car of night’. This makes it obvious to the reader that Satan’s desire for revenge is much more than a simple whim it is lust. In Book 2 of Paradise Lost, Satan’s determination is introduced as he leaves the other fallen angels in Pandemonium to wreak havoc on Earth and orchestrate their revenge. It is now, in book 9, that his efforts come to fruition, as Eve eats from the Tree of Knowledge and convinces Adam to do the same, consequently, man falls. Despite this, Satan does not receive his full punishment until Book 10
John Milton’s Paradise Lost is a great story on the creation of mankind and their ultimate downfall. It heavily depicts Satan’s fall from heaven, along with the other angels that revolted with him. Milton depicts a a few phenomenons that drastically changed after the fall of man. The single action of Adam and Eve eating the apple caused the what many view as the biggest swing in human history. The one thing that could be most heavily altered is the knowledge of mankind on their surroundings and what makes up the world. When God first created man, we were given very little knowledge on how everything works, but had enough to survive. After Adam and Eve ate the fruit, they gained most of the knowledge they oh so desired, that we can still see in modern day life, but only did so with a very heavy price.
Paradise Lost is an epic poem portraying John Milton’s theological standpoints. The theme is knowledge and the fall of man. Milton uses his poem to state some of his theological beliefs and his personal reflections. Milton wrote Paradise Lost in the 17th century but uses influence from classic poets. Milton’s epic is an extremely important piece of literature. The excerpt used in this commentary takes on the subjects of sin and the punishment with regards to the atonement from God’s point of view. Milton’s states many of his own theological opinions but wants the reader to know that God is justified in everything that he does, and also wants them to know that man has free will.
Before any of this happens, Satan is kicked out of heaven. Satan betrays God by raising up an army against Him and Satan is gone. This is an indication of Satan’s bad temper, jealousy, and envy. Satan had been put in charge of so much, but he was always coveting the top position. It was the position with all the power and he wanted it. The day that Satan was kicked out of heaven was the true beginning of the fall that would ruin God’s creation forever. Satan revolted from God and created his own army of ...
Satan frequently characterizes “the tyranny of heaven” and employs negative diction in his depictions of both heaven and God (I.124). His negative portrayals of God and his kingdom highlight his utter dissatisfaction with being subservient to God and, from that, his desire for autonomy. In the exposition of the text, Satan’s emotions toward God make themselves apparent when Satan “throws his baleful eyes / That witnessed huge affliction and dismay / Mixed with obdúrate pride and steadfast hate” (I.56-58). Satan reveals himself to be furious with his continued subjugation to God as well as his inability to truly revenge himself against his subsequent punishment. According to Satan, God’s dissimulation of his power tempted Satan and others to rise
Fragments of glass reflect pieces of her. Lily-white skin. Primped, hanging curls the color of corn. A button nose. Cherry ribbon lips. Opaque forget-me-not blue eyes. The dark pupils dilate and swivel, dilate and swivel, but her eyes are sightless. She sees, but she does not.
Milton's introduction of Satan shows the reader how significant Satan is to Paradise Lost. He uses Satan's heroic qualities to his followers, and his ability to corrupt to show the thin line between good and evil. Satan was one of the highest angels in Heaven and was know as Lucifer, meaning, light bearer. This shows he was once a good angel. Milton makes the reader see him as a leader and a strong influence to all in his presence. He best describes Satan's ways when stating, "His pride/ had cast him out from Heaven, with all his host. / Of rebel angels, by whose aspiring/ To set himself in glory above his peers" (Milton Book I). Satan's pride was the main reason that God banned him from heaven. Satan always tried to be number one and a leader, instead of following in God's shadow. He would of lived a life in Paradise forever, but he had to follow his feelings as he states, "Better to reign in Hell than serve in Heaven" (Milton 31). This shows how strongly he felt about not being above everybody else.
After Satan is worshipped by the other fallen angels, he begins his journey to the new land. He notices that there are nine gates of Hell and approaches the one guarded by Sin and Death. After convincing them to open the gate , he continues on to find Chaos, Night, Confusion, Discord and a few others. He once again uses his rhetorical skills to convince Chaos to show him the way to Earth. Now that he knows where he is going he continues the difficult journey : " So he with difficulty and labour hard/Mov’d on, with difficulty and labour hee;" (1021-1022). Satan will stop at nothing to get to Earth. Milton 's description of Satan 's journey shows us his determination and his intelligence . Even God takes account of Satan 's drive and mentions it to the Son
I'm a child that has room for improvement. A child that will look to the farthest of his limits to succeed in what he wants. Sometimes it doesn't work out the way you want it, but you still need to keep on going, you can't put yourself down. I feel sad in the inside but you keep on going. To tell you the truth I'm not perfect either; I have my mistakes. But I'm not the type of person that never fixes it. You at some point realize that you want to take responsibility for your actions and act upon it and not just leave it how it is. I was taught to act upon your actions. This was taught by my dad.
Paradise Lost is one of the finest examples of the epic tradition in all of literature. In composing this extraordinary work, John Milton was, for the most part, following in the manner of epic poets of past centuries: Barbara Lewalski notes that Paradise Lost is an "epic whose closest structural affinities are to Virgil's Aeneid . . . "; she continues, however, to state that we now recognize as well the influence of epic traditions and the presence of epic features other than Virgilian. Among the poem's Homeric elements are its Iliadic subject, the death and woe resulting from an act of disobedience; the portrayal of Satan as an Archillean hero motivated by a sense of injured merit and also as an Odyssean hero of wiles and craft; the description of Satan's perilous Odyssey to find a new homeland; and the battle scenes in heaven. . . . The poem also incorporates a Hesiodic gigantomachy; numerous Ovidian metamorphoses; an Ariostan Paradise of Fools; [and] Spenserian allegorical figures (Sin and Death) . . . . (3)
Paradise Lost, John Milton’s epic poem about the fall of man and the loss of Eden, is a subtly politically charged writing that reflects his own personal struggles and political viewpoints during 17th century England. There are many similarities between his epic poem and the despair and disappointment experienced during the reign of Charles I and the English Civil War. Through this poem, and with attention paid to the historical context with which it was written, Milton not only produces a great work of English literature, but also the seed for a discussion on civil disobedience and civil war.
John Milton's great epic poem, Paradise Lost, was written between the 1640's and 1665 in England, at a time of rapid change in the western world. Milton, a Puritan, clung to traditional Christian beliefs throughout his epic, but he also combined signs of the changing modern era with ancient epic style to craft a masterpiece. He chose as the subject of his great work the fall of man, from Genesis, which was a very popular story to discuss and retell at the time. His whole life had led up to the completion of this greatest work; he put over twenty years of time and almost as many years of study and travel to build a timeless classic. The success of his poem lies in the fact that he skillfully combined classic epic tradition with strongly held Puritan Christian beliefs.