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Analysis of The Godfather movie
Analysis of The Godfather movie
The godfather analysis essay
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Film Review: The Godfather
Francis Ford Coppola’s The Godfather is considered by many to be one of the greatest movies ever produced. This timeless classic has captured the attention and admiration of movie lovers across all age ranges, racial lines, and religious belief systems since it’s release in 1972. The film, set in 1945, follows the story of Don Vito Corleone, an old mafia boss who is at the head of the most powerful mafia family in New York. There comes a point in the film when Don Corleone retires, and relinquishes his control over the Corleone family to his youngest son, Michael. The film is wildly captivating and extremely entertaining from beginning to end, but there are also many different sociological themes at play throughout
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Set in 1945, this classic film tells the story of an old mafia don, Don Vito Corleone, who commands the most powerful mafia family in New York. Don Corleone is eventually forced to retire due to failing health, and surrenders his control over the Corleone family to his youngest son, Michael. Not only is this timeless classic wildly captivating and extremely enjoyable from start to finish, but there are also numerous different sociological themes at play throughout the movie. One of the main sociological themes at play throughout the film is the difference between the leadership styles of Vito Corleone, who believes in the values of intimacy, exclusiveness, and privacy, which are characteristic used by German sociologist Ferdinand Toennies to describe Gemeinschaft, and his son Michael, who values the opportunity for the growth of business and the expansion of the Corleone family’s power, which are both values held in
Like most things captured on film for the purpose of being marketed, the richness of gangster life, with sex, money, and power in surplus, is glorified, and thus embraced by the audience. And as a rule, if something works Hollywood repeats it, ala a genre. What Scarface and Little Caesar did was ultimately create a genre assigning powerful qualities to criminals. Such sensationalism started with the newspapers who maybe added a little more color here and there to sell a few more copies, which is portrayed in Scarface’s two newspaper office scenes. Leo Braudy denounces genres as offending “our most common definition of artistic excellence” by simply following a predetermined equation of repetition of character and plot. However, Thomas Schatz argues that many variations of plot can exist within the “arena” that the rules of the genre provide.
The movie, The Outsiders, starts with the Curtis parents on their weekly, Saturday evening drive to the baking store to buy some ingredients for their boys’ favorite Sunday morning, breakfast treat: chocolate cake. The Curtis boys love their chocolate cake for Sunday breakfast not only because they love it, but also because they appreciate how hard their parents have to work to save the monies necessary for the morsels that put smiles on their faces!
In film, many times the auteur often uses the medium to convey a moral or make a social commentary. In the case of Howard Hawkes’s original version of Scarface, there is more being portrayed through the characters then merely the story. Hawkes makes a statement about the façade of organized crime, and the farce of the American Dream.
The famous film based on Mario Puzo’s novel, is based on the crime of the Sicilian family, the Corleone’s. The film was directed by Francis Ford Coppola and successfully released in the year of 1972. The Corleone’s are known for their dedication in their family business, and led problems with the women in the film and novel. Women played no at all role within the family business, they never had a say in it or allowed to even hear about it. Their task was to simply be caregivers. These concepts can be expressed through Kay and Connie.
The gangster genre within films in America has accomplished numerous positive criticisms and constant willing audiences due to containing outstanding spectacles and mind-blowing action. The Godfather, being second on the IMDb Top 250 Movies, has set a new popular concept to life within the Mafia from their point of view. Doing so, creating a positive association. Yet within Italy, the same topic contains a complete different view. Movies such as I Cento Passi demonstrate unenthusiastic view by those whom are outside yet negatively affected by those members. Unlike American films, the gangsters are not as often viewed at the protagonist and are the main causes for the problematic events. But how different is Italian Mafia and American Mafia in cinema?
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.
Many of the film’s important scenes begin with one key character, Don Vito Corleone and the word “Godfather…” The setting is very dark as the film opens and a man is asking for the Godfather’s help. Though the Don is not happy about the request he grants it, letting the man know that when the time comes he will have to do him a service as well. As the movie continues the audience is shown that it is a very special day; it is Connie Corleone, the Godfather’s daughter’s wedding day. This is an important factor in understanding why Corleone has granted this request, because of the tradition that “no Sicilian can refuse anyone’s request on his daughter’s wedding day.” With this line comes the insight that the family and the culture find old world tradition very important. Throughout the movie several people come to Vito Corleone asking for favors and services to be rendered.
“A&P” and “Godfather Death” are stories that fall under two different categories in reading. While “A&P” is a short story and “Godfather Death” is a folktale, it is clear that there are differences between the two stories. Despite their differences, there are some similarities shown through the protagonists of each story. Sammy, the protagonist of “A&P”, is an all-around character who is close to his family but makes poor decisions. The godson, the protagonist of “Godfather Death”, is also an all-around character and loves his job but takes advantage of his godfather, Death. Although Sammy and the godson are the protagonist in each story, they have differences regarding their work ethic and heroism, but they also share a few similar personalities.
Connelly, Marie. "The films of Martin Scorsese: A critical study." Diss. Case Western Reserve University, 1991. Web. 07 Apr 2014.
In the fairy tale “Godfather Death” contained in the book Grimm’s Tale for Young and Old: The Complete Stories as translated by Ralph Manheim, the central theme is betrayal. The apparent betrayals take place seven times in the course of a man’s life, mainly for personal gain. Each person doing the deceiving, whether for the good of the family or kingdom, truthfully ends up lying to others in order to gain something of significant value. In the end, a father deceives his son twice, the son deceives his royal family and his own godfather twice and the godfather deceives his godson once.
People have many different dreams, and many different ingredients for happiness. Some people relay on love, others lean towards money, it may be achieved through money, relationships, or even the misfortune of others, but why does power have the persuasion to change a person and what drives them to gain more?
In 1903, Nicola Gentile, a native of Siculiana, Sicily, finding no occupation in his village, came to America as a stowaway on a ship to soon begin his life full of crime. Although barely able to read and write, he believed that he possessed an uncommon strength of will to be sinister. This trait would soon help him to rise to the high rank in the Mafia. After arriving in America, he was amazed at the grand vastness of the buildings and streets he was surrounded by, but moreover, by the attitude of the new people around him. They walked briskly, giving him the impression that all had an urgent mission to perform.
It is the Godfather that demands the family stick with family and never side with any one out side of the family no matter the situation. Vito the Godfather would remind them family is family and no one will miss treat or use any member of the family. He proves this point when his godson comes to him about a problem with a director name Jack Woltz. Because Jonny Fontane is the godson the Godfather Corleone will send his step son who is consigliere to the family to California to advise the director to hand the part over to Fontane.
I believe the reason that, 'The Godfather', is such a great film is because it lets audiences decide whether they like the characters or not. Too many movies made about organized crime begin with some seemingly random act of violence. 'The Godfather', however, lets it be known from the start to judge the characters in the film based on what type of person they are instead of the criminal activities they may engage in.
CRITICAL ANALYSIS ON "GODFATHER DEATH", A FAIRY TALE WRITTEN BY JACOB LUDWIG GRIMM AND WILHELM CARL GRIMM