As Friedrich Nietzsche said; “What does nihilism mean? That the highest values devaluate themselves. The aim is lacking; “why?” finds no answer.” Grendels journey through finding himself, leads him ultimately to becoming a nihilist. After his newfound view on the universe, Grendel steps out in his overly destructive ways only to be shown up by the hero, Beowulf. In John Gardner’s novel, Grendel, it shows Grendel throughout his life, from rejecting the morals and beliefs of the Anglo-Saxons, and his philosophical views on Nihilism. As seen through both Grendel and Beowulf, Grendel shows characteristics of a monster with no motive for destruction. Grendel only strives to live based on his ability to continue terrorizing and destroying all things that don’t believe in Nihilism.
Grendel is introduced to nihilism when he meets The Dragon. The Dragon, who Grendel believes knows "the beginning, the present, the end . all time, all space." (Gardner 62) The Dragon believes that the world and all in it are meaningless, making him the most nihilistic thing there is. Grendel understands the advice from The Dragon, knowing that “the world was nothing: a mechanical chaos of casual, brute enmity on which we stupidly impose our hopes and fears. I alone exist,” (Gardner) He tells Grendel to "seek out gold and sit on it" (Garder 74) basically telling him to discount the world and do his own thing. Grendel has a new sense in self-confidence in now beholding a new view on life. For believing the nihilistic Dragon and his advice to “do whatever makes him happy”, he finds no reason at all to hold back on his desire to terrorize and destroy. Grendels vantage point of life also has a huge impact on on his Nihilistic views and his will to continue l...
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... show remorse, which can be shown through the act of Nihilism. In nihilistic views you do not care about life itself or anything or anyone that inhabits it, which makes sense for Grendel to show no remorse.
Throughout both Grendel and Beowulf, it shows the journey of self-discovery in Grendels life. They all directly link him to being Nihilistic. Grendels will to continue living is based on the societies ability to continue letting him terrorize everyone with no remorse. The Anglo-Saxon society rejected Grendel pushing him farther into a deep trouble spot in his life: terrorization without remorse, the worst act in this society.The rejection of morals, rules and regulation in this society ultimately lead to Grendels downfall, leading Beowulf to ultimately destroy Grendel. Further showing that Nihilism is the biggest aspect as to why Grendel was lead to his downfall.
The philosophies expressed in the Beowulf epic complement the exploration of existentialism throughout the modern work, Grendel, by John Gardner. Both works portray different perspectives of the same story, involving the same characters; Beowulf, the ancient Anglo-Saxon hero who destroys Grendel, and Grendel, the monster who terrorizes Hrothgar’s hall. Beowulf and Grendel act as archetypes that explore humanity’s perception of the world. In the Anglo-Saxon epic, Beowulf and his companions represent good, and the monsters, including Grendel, represent evil. When Beowulf kills Grendel, the world is less evil, but since Beowulf’s companions die in the struggle, the world is also less good. Ultimately, the two forces of good and evil will destroy each other, but the story maintains that God will interfere and save mankind from destruction. In Gardner’s story, the progression of society begins when mankind creates a monster and then creates a hero to fight the monster. Once the greater power of the hero had been established, once the conflict’s resolution strengthened society’s power, than a greater monster developed ...
John Gardner’s Grendel brings a new perspective to the the way the story of Beowulf is told and interpreted. (Grendel’s ability to be influenced by the multiple sources around him changes his outlook on life. It also changes the reader’s ideas of who Grendel is as a character as he develops and changes in the book.) Grendel’s ability to be influenced with ease by multiple characters throughout the book shows his true adolescence and nature to follow others. These multiple characters such as the Dragon, the Shaper, and Wealtheow all are able to use their propaganda to instill into Grendel a new value or trait. Grendel’s adolescence therefore results in multiple sources of propaganda being so influential on him as a character. (is the reason why propaganda from many different sources influences him so heavily.)
Perhaps he would actually like to live a normal life with the humans. “Some evil inside myself pushed out into the trees, I knew what I knew, the mindless, mechanical bruteness of things, and when the harper’s lure drew my mind away from hopeful dreams, the dark of what was and always was reached out and snatched my feet.” (Gardner 54) It seems as though Grendel would like to change things if he could, but some outside force will not allow it. Even if this is true, Grendel is still inherently evil. Despite whatever dreams he may have. The reader simply cannot ignore the fact that he still does evil deeds with evil intentions. He is seemingly unable to feel love, or at least disinterested in it. He enjoys torturing and killing humans and rarely shows mercy. Due to these facts, it is impossible to say Grendel is a hero in this
This ‘beast’, the protagonist of the story, fights an internal struggle, of which is a part of the Hero’s Journey. Grendel is unable to decide what to make of himself and of the world surrounding him. He has only ever known the world as wild and mechanical, yet he is charmed by the artistic brilliance of the Shaper’s words. Grendel ultimately meets a brutal yet peaceful demise. Standing on the face of the same cliff he found himself in the beginning of the novel, surrounded by mindless eyes, he states, “Poor Grendel’s had an accident. So may you all.” (Grendel, John Gardner, pg.174) Previous to this, he questions if what he is feeling is joy. The reader is lead to believe that Grendel must feel nothing but peace. This, is the concluding moment of his
Throughout John Gardner’s Grendel, the audience bears witness to a creature who has been ostracized by the world around him. Throughout his journey, the stories protagonist tries to live out his own life the way he wants to, despite being labeled as evil by those around him. Due to this constant criticism by his peers, he develops an inferiority complex that he desperately tries to make up for as the story progresses. Throughout his development, Grendel very rapidly moves past his existentialist beginning, through a brief phase of forced skepticism, and into a severely nihilistic point of view.
Grendel's interludes with the dragon portray, at their onsets, the dragon as a worldly, wise creature with much to share. The dragon haughtily informs Grendel about his vast store of knowledge as he teases him with how much he knows. As Grendel's interests are piqued, the dragon expends the cumulative result of his travails: "Know how much you've got, and beware of strangers…My advice to you, my violent friend, is to seek out gold and sit on it" (Gardner page #). Although the dragon serves as a vessel to point out the necessity of Grendel and makes some pointed observations about mankind, all his respectability is lost with those two short sentences. The author is making an observation about materialism and the falsehood of wisdom always accompanying age. After all his years of intense scrutiny, the dragon can only grasp from human- and animalkind alike that possessions are the key to life's existence.
Grendel, as a character, has a much more complex identity than just a monster and a human. Some, such as Ruud, classify him as a mixture of three different characteristics, but alone, they tend to conflict with each other. By making the connection that Grendel represents immorality, the previous idea makes more sense, while simultaneously incorporating more aspects of the character into the analysis. In either case, Grendel represents much more than meets the eye, and provides a fascinating insight into
Grendel is born a neutral being, perhaps even good, but nevertheless, without hate. The transition which he undergoes to become evil is due to misunderstandings between himself and humans and also meeting with a dragon who is questionably evil. As a young “monster”, Grendel knew nothing other than the cave he lived in and his mother who could not speak any distinguishable language. He was a playful creature who seemed to be like a “bla...
In the story Grendel, one learns that this monster that seems atrocious and insensitive holds a dark outlook on the world. He often ponders the meaning of life, which seems to plague him. This stems from his painful childhood: “I understood that the world was nothing: a mechanical
...rence between Grendel and Beowulf, like that between heroism and existentialism, is meaning. Grendel kills without meaning, and Beowulf kills with meaning. A small difference, indeed, but it is the symbolic distinction between he that dies and he that survives. From Grendel's point of view, even his own end is meaningless; it is only an "accident" which happens to him. To Beowulf, it is a victory, a triumph, and a rebirth for humankind. Is Beowulf's perspective, according to Gardner, necessarily more valid? No. But Gardner also remarks that nihilism, true or not, must end in denial. Finally, he implies that existentialism is very different from nihilism. In a world where definition and meaning are not always clear, many, including Grendel, find comfort in existentialism and the assumption that people are entirely free in their, hopefully optimistic, quest for meaning.
In Grendel, each character tells of his or her view on philosophy, theory, and life. Grendel is a monster who is not sure where he fits in life. “Grendel is not just searching for one philosophy; he is just searching for the best way to live in the world” (Simmers 183). He goes to extreme limits to discover his character. Grendel shows a self-centered approach to the world as he exclaims, "The world resist me and I resist the world" (Gardner 28). Nothing in the world is going right for Grendel. Grendel feels resistant to life. Therefore, if society does not need him, then he does not need the society. The Dragon also views the world negatively, as a result of his praiseworthy perception of himself. Out of all the characters in the novel, the Dragon is one of Grendel's closest companions greatly impacting Grendel. The Dragon’s destructive philosophy views the world as meaningless. The dragon shares his selfish approach of life with Grendel telling him, "My advice to you, my violent friend, is to seek out gold and sit
In the beginning Grendel’s perspective of himself leads to various encounters that help him discover the meaninglessness to his very own existence. From the beginning through many centuries of pondering Grendel has come to the idea that the world consists entirely of Grendel and not-Grendel. Thus Grendel begins his search for meaning of his very own life with an existential philosophy, the belief that emphasizes the existence of the individual person as a free and responsible agent determining their own development through acts of the will. While Grendel’s overall perspective of nature is that of mindless and mechanical machine, he believes that he is a separate entity from this machine. Furthermore he holds the philosophy that he himself is a god like creature that “blink by blink” creates the world. This philosophy undermined when Grendel notices that events occur before he can think them into existence. Grendel witnesses the death of a deer by the hands of humans: “Suddenly time is a rush for the hart: head flicks, he jerks, his front legs buckling, and he’s dead. He lies as still as the snow hurtling outward around him to the hushed world’s rim. The image clings to my mind like a
In Chapter 8, Grendel exclaims, “I’m a machine. Like all of you. Blood-lust and rage are my character,” (Gardner 123). This profound statement establishes a connection between Grendel and the ambiguous “you,” the reader. The monster, though he confesses to his wrongdoing, asserts that readers are no better than he. Countless bible verses reiterate this concept: “For all have sinned,” (Romans 3:23) “[Humans] are all. .impure with sin,” (Isaiah 64:6). Gardner’s reminder to readers of mankind’s predisposition to sin earns pity for the monster. He expands on these sympathies by describing the nature of Grendel’s lonely existence. “But there was one thing worse,” Grendel states after discovering the dragon’s charm, “no weapon could cut me,” (Gardner 75). In this moment, nihilism overcomes Grendel; if fighting poses no danger, it has no purpose, and neither does he. Any reader who has had an experience which challenged his or her values cannot help but feel empathetic towards the purposeless creature. Perhaps more piteous, however, is the suggestion that Grendel has no choice in being “the dark side. . the terrible race God cursed,” (Gardner 51). The dragon condemns Grendel as “the brute existent by which [humans] learn to define themselves,” telling him that it is worthless to better his character (Gardner 72). It is not until after
Grendel is alone; he can not know God’s love and be comforted. He is an outcast, and the sins of his forefather have fallen upon him. Evil can not stand God being glorified just as the praising of God by the Danes angered Grendel.
The story of Beowulf is a heroic epic chronicling the illustrious deeds of the great Geatish warrior Beowulf, who voyages across the seas to rid the Danes of an evil monster, Grendel, who has been wreaking havoc and terrorizing the kingdom. Beowulf is glorified for his heroic deeds of ridding the land of a fiendish monster and halting its scourge of evil while the monster is portrayed as a repugnant creature who deserves to die because of its evil actions. In the epic poem, Beowulf the authors portrays Grendel as a cold-hearted beast who thrives on the pain of others. Many have disagreed with such a simplistic and biased representation of Grendel and his role in the epic poem. John Gardner in his book, Grendel set out to change the reader’s perception of Grendel and his role in Beowulf by narrating the story through Grendel’s point of view. John Gardner transforms the perceived terrible evil fiend who is Grendel into a lonely but intelligent outcast who bears a striking resemblance to his human adversaries. In Grendel, John Gardner portrays Grendel as an intelligent being capable of rational thought as well as displaying outbursts of emotion. He portrays Grendel as a hurt individual and as a victim of oppression ostracized from civilization. The author of Beowulf portrays Grendel as the typical monster archetype as compared to John Gardner’s representation of Grendel as an outcast archetype.