Contrast of Gertrude and Ophelia in Hamlet
Queen Gertrude and Ophelia, the main female characters in Shakespeare’s dramatic tragedy Hamlet, have a variety of contrasting or dissimilar personal qualities and experiences. This essay, with the help of literary critics, will explore these differences.
John Dover Wilson in his book, What Happens in Hamlet, discusses what is perhaps the greatest dissimilarity between Ophelia and Gertrude – their morality:
His [Hamlet’s] mother is a criminal, has been guilty of a sin which blots out the stars for him, makes life a bestial thing, and even infects his very blood. She has committed incest. Modern readers, living in an age when marriage laws are the subject of free discussion and with a deceased wife’s sister act upon the statute-book, can hardly be expected to enter fully into Hamlet’s feelings on this matter. Yet no one who reads the first soliloquy in the Second Quarto text, with its illuminating dramatic punctuation, can doubt for one moment that Shakespeare wished here to make full dramatic capital out of Gertrude’s infringement of ecclesiastical law, and expected his audience to look upon it with as much abhorrence as the Athenians felt for what we should consider the more venial, because unwitting, crime of the Oedipus of Sophocles (39).
Quite opposite the criminality of the king’s wife is the innocence of Ophelia, who might be called a “broken lily” (O’Donnell 241). In the Introduction to Twentieth Century Interpretations of Hamlet, David Bevington enlightens the reader regarding this dissimilarity between the two ladies:
Characters also serve as foils to one another as well as to Hamlet. Gertrude wishfully sees in Ophelia the b...
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...ffs, NJ: Prentice-Hall, Inc., 1968.
Boklund, Gunnar. “Hamlet.” Essays on Shakespeare. Ed. Gerald Chapman. Princeton, NJ: Princeton University Press, 1965.
Coleridge, Samuel Taylor. Lectures and Notes on Shakspere and Other English Poets. London : George Bell and Sons, 1904. p. 342-368. http://ds.dial.pipex.com/thomas_larque/ham1-col.htm
O’Donnell, Jessie F. “Ophelia.” The American Shakespeare Magazine, 3 (March 1897), 70-76. Rpt. in Women Reading Shakespeare 1660-1900. Ed. Ann Thompson and Sasha Roberts. New York: Manchester University Press, 1997.
Shakespeare, William. The Tragedy of Hamlet, Prince of Denmark. Massachusetts Institute of Technology. 1995. http://www.chemicool.com/Shakespeare/hamlet/full.html No line nos.
Wilson, John Dover. What Happens in Hamlet. New York: Cambridge University Press, 1999.
Let’s begin by talking about how Shakespeare uses other characters in the play as foils to Hamlet’s character. There are three distinct characters that are used as...
Similarities are an important part of being a foil. One similarity that Hamlet and Ophelia share are that they both are children of controlling parents. [SV - 1] Hamlet's father, who is murdered, comes back as a ghost to tell him who his murderer is. This news is his father's way of controlling him from the grave. Hamlet's mother and stepfather are also controlling him by persuading Hamlet not to go to Wittenburg. Ophelia is also controlled by her father. She tells him how Hamlet has tried many times to express his affections for her. Ophelia's father does not believe Hamlet is sincere and orders her to stay away from him. Ophelia obeys her father's wishes. Women were expected to do as they were told and believed what they were told to be true.
Shakespeare, William. The Tragedy of Hamlet, Prince of Denmark. Massachusetts Institute of Technology. 1995. http://www.chemicool.com/Shakespeare/hamlet/full.html
Almost as soon as the cold cloths had been wrapped around his head, Mozart lost consciousness. He left no great last words; his final utterance was an attempt to express a drum passage in the Requiem, a sound that would haunt Sophie Haibel for the rest of her life. Perhaps, in his last semi-conscious moments, the sounds of the completed Requiem were sounding inside Mozart's head, the perfect performance of his final masterpiece and swan-song that would never be heard.
While Hamlet may still be feeling depressed Hamlet moves into the stage of denial and isolation. Hamlet feels the effects of denial and isolation mostly due to his love, Ophelia. Both Hamlet’s grief and his task constrain him from realizing this love, but Ophelia’s own behavior clearly intensifies his frustration and anguish. By keeping the worldly and disbelieving advice of her brother and father as “watchmen” to her “heart” (I.iii.46), she denies the heart’s affection not only in Hamlet, but in herself; and both denials add immeasurably to Hamlet’s sense of loneliness and loss—and anger. Her rejection of him echoes his mother’s inconstancy and denies him the possibility even of imagining the experience of loving an...
Wolfgang started learning music at a very early age from his dad Leopold, who was a violin player. At the age of six he began composing and by eight he had written symphonies. His father toured Mozart and his sister around for the entertainment of nobles across Europe. From 1963 to 1973 Mozart went on tour with his father and family. He performed both publicly and privately for nobles of the time and often was asked to write music for weddings and other special occasions. While his father was often inflexible and hard to deal with, the tours that he went on were mostly improvised. “In 1777 Wolfgang went on a tour with his mother to Munich, Mannheim, and Paris. It was in Paris that his mother died suddenly in July, 1778. With no prospects of a job, Mozart dejectedly returned to Salzburg in 1779 and became court organist to the Archbishop.”(Sherrane, 1.2)
Mozart’s father Leopold Mozart was a somewhat know composer and violinist who recognized Wolfgang’s talent for the piano early in his life. The father quit his job to make sure that his son could meet the best musical education possible, however he was not only thinking of the well-being of his son, he was also focusing on the financial benefits that could come from his young prodigy son. Wolfgang also had a very musically talented sister, Maria Anna; their father took them both on concert tours all over Europe, starting when Wolfgang was six years old. Maria Anna eventually decided to quit touring, possibly because she lived under her brothers shadow, and realized that, because she was a woman, her musical opportunities were limited. While Wolfgang was touring Europe, his mother became very ill...
Hamlet shows much anger and disrespect to the women in his life. Ophelia’s believing her father’s words breaks Hamlets heart, being the reason for his treatment towards not just her but his mother. Ophelia
Shakespeare, William. The Tragedy of Hamlet, Prince of Denmark. Massachusetts Institute of Technology. 1995. http://www.chemicool.com/Shakespeare/hamlet/full.html
Hamlet has the disillusion that women are frail after his mother’s rushed remarriage as shown by “Frailty, thy name is woman!” He also believes women do not have the power to reason. (“O God, a beast that wants discourse of reason.”) Ophelia has the power to change his view but her unexplained rejection of him only adds to Hamlet’s disillusion. The ghost’s revelation that Gertrude dishonored Hamlet’s father but also their marriage by the adultery with Claudius is contemplated by Hamlet until he goes into Ophelia’s room to look upon her. As Hamlet searches Ophelia’s face for some sign that might restore his faith in her, he instead believes her face shows guilt and thinks she is another false Gertrude.
Apart from the ambiguity surrounding her death and her love for Hamlet, Ophelia is described by all as an innocent child, grappling with situations her youth is unprepared for. Even if she had consummated her love for Hamlet, I can still picture Ophelia as a vulnerable and innocent child who has to cope with situations beyond her control in a world where the role of the female is passive. It is this helplessness which Gertrude wants to look after as she “hoped thou should’st have been my Hamlet’s wife” and her madness which Gertrude wants to save her form by allowing Ophelia to make the decision over life and death.
In the play “Hamlet,” Gertrude and Ophelia share similarities and they are also contrasting characters. Gertrude, the mother of Hamlet, is a loving, honorable, protective mother. Ophelia, Hamlet’s love interest, is young, foolish, and underestimated. One of the main stances, to which they both contrast, is their love for Hamlet.
Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet, however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression.
In the mid-1763, Mozart’s father, Leopold, decided to leave his position as deputy Kapellmeister (which was quite well paying) , so he and his family could set out on a prolonged tour across Europe. Not surprisingly, soon the Mozarts’ set out on the tour, where Amadeus and his sister played at almost all the main musical centers of Western Europe: Munich, Stuttgart, Augsburg, Mannheim, Brussels, Frankfurt, Mainz, Paris, and London (where the Mozart’s spent 15 months). They returned to Salzburg only in November 1766, being ...
Shakespeare, William. The Tragedy of Hamlet, Prince of Denmark. Massachusetts Institute of Technology. 1995. http://www.chemicool.com/Shakespeare/hamlet/full.html No line nos.