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Features of modernism in hemingway's farewell to arms
Hemingway writing styles
Features of modernism in hemingway's farewell to arms
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Ernest Hemingway (1899 – 1961), was a notable American writer of the twentieth century. Hemingway had a unique, simplistic style of short sentences, few adjectives, simple verbs, and powerful, and precise words. Hemingway’s modernist literature pioneered a new style of lean, clear prose by replacing the elaborate prose of the 19th century Victorian era. His prose was based on action rather than reflection. He also used a technique by which he would exclude essential information of the story because he believed that omission can sometimes add strength to a narrative. Hemingway, one of the greatest American writers of the twentieth century, had a unique literary style that continues to influence films, art, and countless other writers.
In the passage a servant describes the class difference between himself and his masters. He is discontent servant whose ideas about his masters portrays his belittling and resentful attitude towards them.
Because of the above, it is helpful to have some understanding of his theory. In Death in the afternoon, Hemingway (1932,191) points out that no matter how good a phrase or a simile a writer may have, he is spoiling his work out of egotism if he puts it in where it is not absolutely necessary. The form of a work, according to Hemingway, should be created out of experience, and no intruding elements should be allowed to falsify that form and betray that experience. As a result, all that can be dispensed with should be pruned off: convention, embellishment, rhetoric. It is this tendency of writing that has brought Hemingway admiration as well as criticism, but it is clear that the author knew what he was doing when he himself commented on his aim:
Meter, M. An Analysis of the Writing Style of Ernest Hemingway. Texas: Texas College of Arts and Industries, 2003.
It was Ernest Hemingway’s belief that “for a true writer each book should be a new beginning where he tries again for something that is beyond attainment” (Nobel Prize Speech). This means that each time someone puts pen to paper, he should strive for such realness that it seems unreal. Rhetoric, or use of language, is the most critical aspect of writing. This is because a skilled use of rhetoric not only allows the writer to convey his ideas to an audience, but also manipulate the way the audience perceives them. Hemingway is extremely well-known for his use of rhetoric, which includes his figurative language, syntax, and other types of literary devices. Hemingway uses syntax, figurative language, and the placement of his stories and chapters
Ernest Hemingway was an immensely skilled writer that left his everlasting mark on the writing community. He is an inspiration to young and old writers everywhere. Hemingway was taken away from the world too soon (at the age of 61) when he was killed by “self-inflicted gun wounds.” It is still unclear today whether it was suicide or accidental while cleaning his favorite shotgun. It is also unclear what stories Hemingway still had to offer the world and what writing would be like today if he released a couple more novels and short stories to the public. One things for certain, Hemingway had a way with words that turned ordinary things, like leopards or goats or elephants, into things unimaginable that can only be experience while reading his works.
The writing expertise of Hemingway and Faulkner, commonly referred to as Hemingwayesque and Faulknerian, are both styles that seem to parallel off of one another. One of the best ways to understand Hemingway is to read Faulkner, and vice versa. The obscurantism of Faulkner and the attentiveness of Hemingway foster their syntax and diction, as well as their similarities and differences. Faulkner displays Gothic remnants in Absalom, Absalom!, while Hemingway creates a more minimalist prose. Hemingway and Faulkner, as seen in The Sun Also Rises and Absalom Absalom! both possess uniquely different writing styles, while being able to hold the ability to parallel off of eachother's themes and diction.
Ernest Hemingway was a great American author whom started his career humbly in a newspaper office in Kansas City at the ripe, young age of seventeen. Once the United States joined World War One, Hemingway deemed it fit to join a volunteer ambulance service. During this time Hemingway was wounded, and decorated by the Italian Government for his noble deeds. Once he completely recovered, he made his way back to the United States. Upon his arrival he became a reporter for the American and Canadian newspapers and was sent abroad to cover significant events. For example, he was sent to Europe to cover the Greek revolution. During his early adulthood, Hemingway became a member of the group of expatriate Americans in Paris. This is known as the time in his life in which he describes in two of his novels; A Farewell to Arms and The Sun Also Rises the latter of the two being his first work. Hemingway was able to use his experiences of serving in the front during the war and his experience of being with other expatriates after the war to shape both of these novels. He was able to successful write these novels due to his past experience with working for newspapers. His experience with the newspaper seemed to be far more beneficial than just supplying him with an income, with the reporting experience under his belt he also was able to construct another novel that allowed him to sufficiently describe his experiences reporting during the Civil War; For Whom the Bell Tolls. Arguably his most tremendous short novel was a about an old fisherman’s journey and the long, lonely struggle with a fish and the sea with his victory being in defeat.
When a writer picks up their pen and paper, begins one of the most personal and cathartic experiences in their lives, and forms this creation, this seemingly incoherent sets of words and phrases that, read without any critical thinking, any form of analysis or reflexion, can be easily misconstrued as worthless or empty. When one reads an author’s work, in any shape or form, what floats off of the ink of the paper and implants itself in our minds is the author’s personality, their style. Reading any of the greats, many would be able to spot the minute details that separates each author from another; whether it be their use of dialogue, their complex descriptions, their syntax, or their tone. When reading an excerpt of Hemingway’s A Moveable Feast one could easily dissect the work, pick apart each significant moment from Hemingway’s life and analyze it in order to form their own idea of the author’s voice, of his identity. Ernest Hemingway’s writing immediately comes across as rather familiar in one sense. His vocabulary is not all that complicated, his layout is rather straightforward, and it is presented in a simplistic form. While he may meander into seemingly unnecessary detail, his work can be easily read. It is when one looks deeper into the work, examines the techniques Hemingway uses to create this comfortable aura surrounding his body of work, that one begins to lift much more complex thoughts and ideas. Hemingway’s tone is stark, unsympathetic, his details are precise and explored in depth, and he organizes his thoughts with clarity and focus. All of this is presented in A Moveable Feast with expertise every writer dreams to achieve. While Hemingway’s style may seem simplistic on the surface, what lies below is a layered...
Hemingway’s writing style is not the most complicated one in contrast to other authors of his time. He uses plain grammar and easily accessible vocabulary in his short stories; capturing more audience, especially an audience with less reading experience. “‘If you’d gone on that way we wouldn’t be here now,’ Bill said” (174). His characters speak very plain day to day language which many readers wouldn’t have a problem reading. “They spent the night of the day they were married in a Bostan Hotel” (8). Even in his third person omniscient point of view he uses a basic vocabulary which is common to the reader.
Hemingway has a very simple and straightforward writing style, however his story lacks emotion. He makes the reader figure out the characters’ feelings by using dialogue. “‘I haven’t seen you since I’ve been back’ [.]
During his life, Ernest Hemingway has used his talent as a writer in many novels, nonfiction, and short stories, and today he is recognized to be maybe "the best-known American writer of the twentieth century" (Stories for Students 243). In his short stories Hemingway reveals "his deepest and most enduring themes-death, writing, machismo, bravery, and the alienation of men in the modern world" (Stories for Students 244).
Both Hemingway and Fitzgerald capture the essence of the modernist period, and both approach different aspects of the same genre. The goal of the modernist writer was to create an enjoyable piece of literature, while confronting issues that had never before been raised in the literary world to date. The Modernist hoped to wipe away the images of perfection in the imaginary realties of the literary past and create a clean slate filled with the reality of the modernist period. The Modernist authors will always be remembered for their exploration of language and form, and for their dedication to keeping us in a well lit place, in an otherwise deceiving reality.
Ernest Hemingway was born in Oak Park, Illinois in 1899. He was a writer who started his career with a newspaper office in Kansas City when he was seventeen. When the United States got involved in the First World War, Hemingway joined with a volunteer ambulance unit in the Italian army. During his service, he was wounded, and was decorated by the Italian Government. Upon his return to the United States, he was employed by Canadian and American newspapers as a reporter, and sent back to Europe to cover the Greek Revolution. In the 1920’s, Hemingway was a member of expatriate Americans in Paris. In one writing of Hemingway, it reads, “In the nearly sixty two years of his life that followed he forged a literary reputation unsurpassed in the twentieth century” (LostGeneration). During this time, he wrote some of his most important and successful works of literature. Ernest Hemingway is one of the most influential writers of his time. One biography of him said, “His novels and short fictions have left an indelible mark on the literary production of the United States and the world” (TheEuropeanGraduateSchool).
Lindsay Houston Robert Womack ENG-113-110 18 March 2014 Ernest Hemingway Research Paper The birth of American writer Ernest Miller Hemingway on July 21st, 1899 in Oak Park, Illinois occurred during the progressive era and mere months before the Philippine-American war. Raised in the conservative suburbs and vacationing in northern Michigan, the young Hemingway enjoyed the outdoors at his family’s cabin and his experiences there led him to become a sportsman partaking in fishing, hunting, and thrill-seeking. His initial writing skills were divulged when he began writing for his high school newspaper “Trapeze and Tabula” where he took interest in the sports section which would later play a large role in his professional writings as his focus on masculinity and social theories. Born to Dr. Clarence Hemingway and music teacher Grace Hall Hemingway, Ernest Hemingway had abundant mental stimulus for growth throughout his juvenile advances.
Earnest Hemingway's works began appearing in the mid 1920's. He appeared in the time of Gertrude Stein, F. Scott Fitzgerald, and others of the sort (Salter). Having befriended them, he later "broke with almost all his literary friends" (Salter). Hemingway's writing was so highly acclaimed that he was considered the voice of his generation. In relation to his works, what should be noted of his biographical background is a short list of rather important events.