Throughout the Sophoclean play, Oedipus the King, lies the universal theme of emotional confusion. Sophocles made it prevalent throughout the tragedy that there were major themes of anxiety and isolation and themes of happiness and pleasure. This generally confused the readers. There were also major themes of fate and free will. Unknowing of his adoption, he discovers his doomed fate of his future from an Oracle. Scared for the future, he departs from Colonus to try to escape it. On the road, Oedipus discovers his path blocked by a man, who he thinks is a robber. He ends up killing this man, who turns out to be his father, and ends up unknowingly fulfilling the first part of the prophecy. Soon, arrives at Thebes, which is being terrorized and threatened by the Sphinx. The Sphinx will go up and down the streets around the …show more content…
The best example of the emotional confusion occurs when Oedipus gouges his eyes out with Jocasta's pins. This scene is literally painful in physical ways, and is also emotionally disturbing due to the dramatic irony that Sophocles imposes. Before, Oedipus was emotionally blinded by his intellectual arrogance. Now, he has been changed by his fate and sees his mistakes that he has made, but is literally physically blind. Another disturbing physical condition that Sophocles imposed on the reader occurred when Jocasta committed suicide. Some emotional issues that have been demanding for the reader include Oedipus' hearing of the prophecy and then having to see it unfold and come true even after all the steps he has taken to prevent it from happening. The other demanding condition is Oedipus' search for the truth. The audience knows how Oedipus’ life will end up but he still seeks to find it. This search for the truth creates an overwhelming sense of anxiety and emotional instability in the reader as Oedipus slips unknowingly to his
In Sophocles’ Oedipus The King, King Oedipus of Thebes is confronted. and strangely obsessed with the mystery of who killed Laios. former king of Thebes, for a great plague has overtaken the city of. Thebes because of this murder. During his quest for the truth, he begins to discover that the answer to his query is also the answer to another disturbing mystery about himself, who am I?
Throughout the play, Oedipus thinks of himself as being on the same level as the gods. Oedipus is described as being arrogant, intelligent, and full of great wisdom. One of Oedipus’ greatest accomplishments includes figuring out the riddle of the sphinx, a monster that guards the city. Figuring out the riddle of the sphinx gave Oedipus the fate of the city. Oedipus is rewarded by marrying the queen and becoming king. Oedipus, being all great, believes he can solve who killed the king. Oedipus knows that it has been prophesied that the son of the king and queen would grow up to murder the king and marry his mother. Oedipus believes the kingdom is rightfully his and when his first son is born they chain him up outside the city. Oedipus thinks he has beaten the gods once again, and has escaped his fate. When Oedipus finds out the truth, that he had married his mother, his is so drowned out by his suffering. Oedipus’ former hubris leads to his
Sophocles’ Oedipus Rex introduced the one of the most important tragic heroes of Greek literature. First performed in the fifth century B.C.E., the play is centered around Oedipus, the king of the Greek city-state Thebes, and his struggle to conquer his emotions as he seeks out the true story of his life. This work, inspired by a well-known Greek myth, scrutinizes both the tragic flaws of Oedipus and his heroism. Examples of Oedipus’ tragic flaws abound in the play. In his condemnation of Tiresias and Creon, Oedipus is controlled by his emotions. However, the heroism of Oedipus is also an essential theme of the drama, though it is often downplayed. Despite this, careful analysis can uncover many instances in which Oedipus exhibits his heroism by attempting to control his emotions and discover the truth of his origins. In his finest moments, Oedipus is in complete command of his emotions as he searches for the truth, while at his nadir, Oedipus is completely controlled by his emotions and is absolutely unpredictable. This contrast is, in large part, what makes Oedipus a tragic hero. Oedipus, King of Thebes, is among the greatest Hellenistic tragic heroes because of his fight to overcome his greatest flaw, his uncontrollable anger, as he heroically searches for the truth.
As a young man in Corinth, Oedipus learns from the Oracle at Delphi that he is destined to “kill [his] father, the one who gave [him] life!” (Sophocles). No one informs Oedipus that he is adopted, so he believes that his adoptive father, Polybus, is his biological father. Consequently, he runs away from Corinth in an attempt to beat the prophecy. For years, Oedipus has “given Corinth a wide berth” and Polybus has remained alive (Sophocles). This illusory correlation between Polybus’ survival and Oedipus’ departure causes Oedipus to believe that he has defeated the prophecy. Oedipus ' arrogance swells further when he defeats the Sphinx that terrorizes the city of Thebes. As Oedipus ascends to Thebes’ throne, his hubris escalates. He begins to see himself as more than a mortal. In fact, Oedipus deems himself a god on Earth. When the Chorus prays to the gods to save the city of Thebes, Oedipus responds, “You pray to the gods? Let me grant your prayers” (Sophocles). Oedipus’ arrogance is not challenged by the city of Thebes. On the contrary, Oedipus’ tyrannical rule only illuminates society’s lack of rebellion. The Theban citizens are completely subservient to Oedipus’ will. A priest refers to Oedipus not only as “first of men” but also says that “your country calls you a savior now” (Sophocles). The citizens of Thebes
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
While reading the play Oedipus the King, my response to the work became more and more clear as the play continued. When I finished the play, my reaction to the work and to two particular characters was startling and very different from my response while I was still reading. My initial response was to the text, and it was mostly an intellectual one. I felt cheated by the play because the challenge of solving the mystery of the plot was spoiled for me by the obvious clues laid out in the work. My second response was not as intellectual; instead, it came more from a feeling that the play evoked in me. I felt a strong disappointment in the drastic actions that Oedipus and Jocasta took at the end of the play. My two different responses to Oedipus the King, one intellectual and one not, now seem to feed off and to amplify each other as if they were one collective response.
Insuring the portrayal of his theme, Sophocles targets the tension of his tragic play, Oedipus Rex, through the growth of the main character, Oedipus, rather than the mystery. Utilizing literary devices such as dramatic irony, soliloquies, and foreshadowing, Sophocles reveals to the audience the conclusion to the mystery of Oedipus before the hero has solved it himself; forcing the audience’s attention towards character growth of the hero, over the actual development of the mystery.
Born to King Laius and Queen Jocasta in the city of Thebes, Oedipus is surrounded with controversy after a prophecy shows that Oedipus will be destined to murder his father and marry his mother. Fearing the potential consequences of the prophecy, Oedipus’ parents made the decision to abandon their baby at the top of a mountain to die using one of their servants. The servant’s consciousness, however, causes him to instead deliver the baby to a shepherd, who in turn sends him to King Polybius and Queen Merope of the kingdom Corinth. After raising the child as their own, Oedipus becomes suspicious that these weren’t his biological parents and leaves Corinth upon hearing the prophecy by the oracle Delphi. As he unknowingly travels to his birth city, Thebes, Oedipus murdered a man along with his servants after a dispute between them. Before entering Thebes, Oedipus is confronted by the guardian of the city’s Gates, the Sphinx who presents him with a riddle. If he solves the riddle, he will be able to pass. If he doesn’t, he’ll die. Oedipus’s superior intelligence and cleverness allows him to easily solve the riddle, however unbeknownst to him will be a foreshadowing of his tragic downfall. The citizens of Thebes praise Oedipus and Queen Jocasta offers to marry him since her husband was mysteriously murdered. Upon marry Jocasta and becoming the King of Thebes, a powerful plague decimates the citizens of
Tiresias, from “Oedipus the King” by the Ancient Greek playwright Sophocles, is a blind prophet and whilst he is only on the stage for a little time he plays a major role by what he does and what he represents. Tiresias enters the play after being summoned by Oedipus to tell him of the murderer of Laius, the recent King. Tiresias for the sake of Oedipus does not tell him the truth at the start saying that “what will come will come. Even if I shroud it all in silence”. In is conversation, Sophocles, uses Tiresias as a turning point in the plot as it is the beginning of Oedipus’ downfall. As well as that Sophocles uses Tiresias to represent many of the key ideas in the play. Tiresias represents the idea of fate and how
Sophocles’ use of symbolism and irony is shown in Oedipus Tyrannus through his use of the notion of seeing and blindness. This common motif is extended throughout the play and takes on a great significance in the development of the plot. In an effort to escape his god given prophecy, Oedipus tragically falls into the depths of unthinkable crimes as a result of the mental blindness of his character; thus never escaping his lot.
In Oedipus the King, Sophocles suggests that the impact of seeing the truth is harmful rather than enlightening. Whenever Oedipus strives to discover more to strengthen Thebes’ perspective of him, it leads him closer to his fate as determined by prophesy. Tiresias stands as a model in the play for the individual who is able to see the meaning beyond plot of events although his is blind, and Oedipus represents the oblivious arrogant individual who is never content because they need to be the unsurpassed individual. In the play, Sophocles illustrates the downside of a personality like Oedipus who desires to see the truth by ending the play with the brutality of gouging out his own eyes. Ultimately, the play reinforces that seeing the truth is harmful and being content with what you have, without greedily striving for more, can help avoid fate and a related deposition.
Sophocles’ tragic drama, Oedipus Rex, presents to the reader a full range of conflicts and their resolution after a climax.
Sophocles’ Oedipus is the tragedy of tragedies. An honorable king is deceived and manipulated by the gods to the point of his ruination. In the face of ugly consequences Oedipus pursues the truth for the good of his city, finally exiling himself to restore order. Sophocles establishes emotional attachment between the king and the audience, holding them in captivated sympathy as Oedipus draws near his catastrophic discovery. Oedipus draws the audience into a world between a rock and a hard place, where sacrifice must be made for the greater good.
Oedipus Rex, an ancient Greek tragedy authored by the playwright Sophocles, includes many types of psychological phenomena. Most prominently, the myth is the source of the well-known term Oedipal complex, coined by psychologist Sigmund Freud in the late 1800s. In psychology, “complex” refers to a developmental stage. In this case the stage involves the desire of males, usually ages three to five, to sexually or romantically posses their mother, and the consequential resentment of their fathers. In the play, a prince named Oedipus tries to escape a prophecy that says he will kill his father and marry his mother, and coincidentally saves the Thebes from a monster known as the Sphinx. Having unknowingly killed his true father Laius during his escape, he marries the widowed queen of Thebes, his mother Jocasta. Many events in the story should lead to suspicion of their marriage, but out of pride and ignorance Oedipus stubbornly refuses to accept his fate. Together, these sins represent the highest taboos of Greek society, revealed by Socphocles’s depiction of the already pervasive story. Before the Thebian plays, the myth centered more around Oedipus’s journey of self-awareness; meanwhile, Sophocles shows Oedipus’s struggles with his inevitable desire toward his mother throughout these stages of psychological development.
In the play Oedipus the King, by Sophocles, two themes appear; one that humans have little control of their lives because fate always catches up with them and the theme that when someone makes a mistake, they will have to pay for it.