Emily Dickinson's Because I Could Not Stop For Death

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Emily Dickinson may have had a very developed sense of style and a very eloquent way of writing poetry, but she was certainly confused on the subject of death, for in over a range of different poems, her views are either confused, pessimistic, positive, or romantic.
Though many people fear death, Emily Dickinson sometimes expressed in her poems that she does not, and that she sees it as a place of passivity and minimal fear or happiness. According to Jerome Loving, the Emily Dickinson saw the dead as just dead, just casual subjects of time who have achieved the fate meant for all people (Loving 30). In “I Heard a Fly Buzz –When I Died—,” Dickinson has no emotion, even as she lies on her deathbed, surrounded by her loved ones in her last moments. …show more content…

At first, she explained that she could not make herself to available for death, so death had to present himself to her, in a carriage nonetheless. She was so unbelievably busy with her life that she would not slow down, but despite her life being so busy and so full of tasks to complete, she not once describes even a moment’s hesitation at going with death. Perhaps she is easily seduced by the idea of death; perhaps she simply does not care about dying. Getting in the carriage with death is no bigger a deal than getting in the carriage with her father. As she sits in the carriage, she sees a school, children having fun, and beautiful facets from nature such as fields of grain. As the poem continues, her tone does not change, but the objects and places she is describing become further and further away, solidifying what Jack L. Capps explains as the showing of death being a significant theme that she does not mind leaving the aforementioned school and children playing for. Though the objects seem distant eventually and the sunset, Dickinson does not seem to care that she is …show more content…

People generally think of the grave as a tight, constricted area in which one barely has wiggle room, but Dickinson said that the grave is “ampler than the [sun],” meaning she is more unrestricted in eternity, which is where many of her poems lead after death (Dickinson). This poem also addresses how she felt while she was alive on a wide and expanding “diminishing plane,” where she not only suffered morbidly, in the educated opinion of Rebecca Peterson, because of her plain looks, but also where she did not have the burdens of the unknown, like her questions about religion and even death itself (Peterson 75). Most likely because of the restricted and reserved way she lived her life, Emily Dickinson felt that death would come as a reliever of her questions and her failure to adapt to a society she herself called a “failing ratio,” thus explaining why a coffin that would lock up her body would leave her free in eternity (Loving 17). Both this poem and “The Bustle in the House” address life on earth, whether it be because of pain or one’s position in society, having restrictors for everyone, no matter if that person is a wife who

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