Embracing Defeat By John Dower

1276 Words3 Pages

John Dower’s Embracing Defeat challenges the idea that history is written from the perspective of the winner, a concept widely taught and promoted as true. Embracing Defeat is far more than simply a history book; it is the examination of the multiplicity of reactions, the outbreak of culture and counter-culture, as well as the development of various stereotypes that the loss in World War II brought upon the Japanese.
Embracing Defeat is incredibly complex and covers a wide range of Japanese responses in the aftermath of the Second World War. While Dower’s research on the variety of elements of the book is astounding, much of it gets lost within the many layers of the narrative. It is easy to forgive some generally confusing or unclear …show more content…

Perhaps the most striking line in the book is when Dower states, “Like insects in amber, lines and phrases from the broadcast soon became locked in popular consciousness” (36). This example of Dower’s mastery of writing is used to show the impact that the Emperor’s speech had on an entire nation. The Emperor urges the nation to “endure the unendurable,” (36) foreshadowing what soon would become true for the nation. Ravaged by hyperinflation, extreme hunger, and a loss of identity Dower takes the reader through the heart-breaking nature of postwar Japan creating a lasting and powerful image of the time by including photographs and poems. However, from this broken nation rose grass-roots activism and …show more content…

Western materialism and consumerism, especially products like lipstick and nylon stockings, became a trademark for the pan pan look. It is with these Western goods that the metaphorical transition of the Japanese image from brutish, masculine dominant threat to the vision of a docile female body was formed. Here Dower explicitly depicts the interconnectivity of Japanese and Western cultures through commercialism.
Additionally, the explosion of poetry and literature published in magazines despite the extreme lack of paper supplies championed Dower’s idea of free expression. As the publishing sector became one of the first to recover, the obsession with the “new” made its way onto the titles of hundreds of magazines. Kasutori, meaning self-indulgence, culture combined both sexual license and literature with the introduction of widespread sexually oriented entertainment. While these trends do not define modern day Japan, it is interesting to note the response to the oppressing militaristic

Open Document