Elie Wiesel's Hangings

Prisoners in concentration camps committed small acts of rebellion against the Holocaust that outlived the guards and the Nazis. Even though their acts could not save their lives, they sparked questions that the survivors, such as Elie Wiesel, could recall years after the Holocaust ended. In the memoir, Wiesel remembers a hanging that took place. As the first victim was about to be meet his fate, he shouted out his last words “Long live liberty! My curse on Germany! My curse! My-“ before he could finish his sentence, the Germans let him hang. The death of the unnamed prisoner may not have been important to the prisoners under the circumstances, we see this in a quote from Juliek, another prisoner, “This ceremony, will it be over soon?

The second prisoner was a young boy who was being hanged for the fact that he stole weapons during a power failure. The significance of this particular hanging was the young boy’s lack of rebellion, his quiet fear and the unbearable duration of his torment. The boy had lost all hope and was one of the only victims who wept at the knowledge of their demise. What made this case different from the rest was not only his youth, but also his silence, and emotion and the fact that it took a half an hour for him to die, as a result of the lightness of his young body. Even though he was constantly tortured and provoked by the guards before he was hanged, he still said nothing, unlike the two people who joined him, who both shouted in defiance. His quiet courage really stood out as an unspoken and unannounced rebellion not only for the Jews, but it showed the doubts that some of the guards began to have. “This time, the Lagerkapo refused to act as executioner.” Although this quote is one sentence it still shows the effect the boy had on everyone in the camp. Even though the prisoners had been living with the constant presence of death, the execution of this young boy made them feel emotion they believed they had lost forever. This death was an unsaid act of rebellion in the sense that it showed the audience that there was indeed still some sensitivity left no matter how much both the prisoners and the guards were dehumanized: the prisoners as merely a number, and the guards as ruthless