The problem of cultural adaptation is extremely complicated. In diverse situations immigrants are forced to question their original belief system due to the pressure of their new environment. Elias Miguel Munoz’s and Omar S. Castaneda’s essays in Muy Macho capture’s two interesting aspects of the internal war happening within the common immigrant. Both essays analyze the effect of the American society on the macho image. However Munoz deals with a second-generation crisis; whereas Castaneda’s essay is interested in the first generation immigrant’s feelings. In other words, while Munoz confronts the macho father, whom he feels disconnected from; Castaneda tackles his own cultural identity. Yet they seem to arrive at different conclusions: the passage from “From the land of machos” points out the deficiencies of holding on to certain traits and customs; whereas the “Guatemalan macho oratory” shows signs of pride in the macho identity. My own immigrant experience in the United States has led me towards thinking that the American society is extremely materialistic. As a result, many immigrants are put into a losing position, as most of them are not representatives of the higher-class. In reaction, some immigrants turn to the use of a more physical communicational strategy. This is what led to the fall of the macho image in the American environment. It is money fighting physical strength and this war divides the immigrant population into sort of “Munozes” and “Castanedas”. Perhaps, the golden way lies in balancing obedience and individuality. If the two behaviors were not considered exclusive, overcoming both types could prove to be useful.
The part of the immigrant population that shares Munoz’s point of view believes the Macho im...
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...bility for their failure towards the American population. As noted above capitalism rewards both Munozes and Castanedas, regardless of the difference between the communicational styles that they represent. The key to successful adaptation might lie within the capacity to adopt. This however requires thorough knowledge of cultural backgrounds. In the end, without the knowledge the immigrant could fail to understand the motives of the American and vice a versa. Yet their lives today are already so interdependent which means healthy communication is surely a requisite for social success.
Works Cited
1. Munoz, Elias Miguel. "From the land of machos: journey to oz with my father." Muy Macho. Ed. Ray Gonzalez. New York: Doubleday, 1996. Print.
2. Castaneda, Omar S.. "Guatemalan Macho Oratory." Muy Macho. Ed. Ray Gonzalez. New York: Doubleday, 1996. Print.
In Sueños Americanos: Barrio Youth Negotiating Social and Cultural Identities, Julio Cammarota studies Latina/o youth who live in El Pueblo, and talks about how Proposition 187, the anti-immigrant law, is affecting Latina/o youth in California (Cammarota, 2008, p. 3). In this book review, I will write about the two main points the author is trying to get across. The two main points I will be writing about are how Proposition 187 is affecting the Latina/o community, and about how Latina/o youth are copping in the El Pueblo barrio. Afterward I write about the two main points the author is trying to get across, I will write a brief description of the author and write about the author’s strengths and weaknesses.
Have you ever disobeyed your families culture? Or ever wanted to forget about something in your past culture? It’s not always easy, to follow traditions, sometimes you want to create or change your lifestyle.In the poem ‘’El Olvido’’ by Judith Ortiz Cofer and ‘’Life In The Age Of The Mimis’’ by Domingo Martinez. The authors of these texts indicate the idea that trying to hide your cultures identity is defiance against your heritage.
Sandra Cisneros “Never Marry a Mexican” and Junot Diaz’s The Brief Wondrous Life of Oscar Wao are stories that reflect on the cultures in which the characters grew up in. In Never Marry, Clemencia, the narrator, reflects on her past sexual relations as well as her childhood. She speaks of her parents’ marriage and then transitions into her relationship with college professor and his son. In Oscar Wao, Yunior, the narrator, gives a second-hand retelling of Oscar’s experiences in New Jersey growing up as well as in the Dominican Republic. A person’s identity is largely influenced by their culture, this is especially the case in Hispanic cultures. The social constraints that these cultures place on social class, sexuality, and gender norms can be very detrimental to a person’s self-esteem.
of the native tongue is lost , certain holidays may not be celebrated the same , and American born generations feel that they might have lost their identity , making it hard to fit in either cultures . Was is significant about this book is the fact it’s like telling a story to someone about something that happened when they were kid . Anyone can relate because we all have stories from when we were kids . Alvarez presents this method of writing by making it so that it doesn’t feel like it’s a story about Latin Americans , when
Harvest of the Empire is a valuable tool to gaining a better understanding of Latinos. This book helps people understand how varied Latino’s in the United States are. The author also helped give insight as to how Americans reacts to differences within itself. It does this by giving a description of the struggles that every Latino immigrant faced entering the United States. These points of emphasis of the book were explained thoroughly in the identification of the key points, the explanation of the intersection of race, ethnicity, and class, in addition to the overall evaluation of the book.
Gonzalez, Juan. Harvest of Empire a History of Latinos in America. New York: Penguin Putnam Inc, 2000.
Although our society is slowly developing a more accepting attitude toward differences, several minority groups continue to suffer from cultural oppression. In her essay “How to Tame a Wild Tongue,” Gloria Anzaldúa explores the challenges encountered by these groups. She especially focuses on her people, the Chicanos, and describes the difficulties she faced because of her cultural background. She argues that for many years, the dominant American culture has silenced their language. By forcing them to speak English and attempting to get rid of their accents, the Americans have robbed the Chicanos of their identity. She also addresses the issue of low self-esteem that arises from this process of acculturation. Growing up in the United States,
This book as mentioned before is a great addition to academia; Dr., García’s thorough research, and vast amount of statistics, give new light to the Mexican immigration into the United States in the nineteenth century, As well as the many contributions of the Mexican people in this country. Which has many times been overlooked by scholars, who choose to focus on immigration from the other side of the Atlantic, as the greater contributor of talent and greatness in this country. García’s book not only includes the struggle of men but also the struggle of the many women who sacrificed much, and had to endure even more while working as domestics for many racist patronas. Dr., Mario García obtained a PhD. At the University of California in San Diego, and is currently a professor of Chicano/Chicana studies at the University of California in Santa Barbara.
Montoya, Margret E. "Masks and Identify," and "Masks and Resistance," in The Latino/a Condition: A Critical Reader New York: New York University Press, 1998.
Many countries have the pleasure of celebrating Independence Days. These historic holidays are filled with nationalistic celebrations and delicious traditional food. In Chile, the natives celebrate their break from Spain with Fiestas Patrias. In Mexico, the president begins the celebration by ringing a bell and reciting the “Grito de Dolores” and he ends his speech by saying “Viva Mexico” three times.
“The Latino male is the bogeyman of the Pioneer Valley" (page 35). In my personal views, I am neutral in the debate of whether the standard Latino male has been dealt a negative hand in the past and present stereotypes. However, those who believe that ...
In the book Drink Cultura by Jose Antonio Burciaga talks about how it is not easy to get into one place and get anything you want in this world or something you wish for, but it’s something you have to work for, like any other person. It also explains how it is being an immigrant, and how it is to grow up in the United States as in immigrant and how had it is, and the obstacles that as in immigrant we have to overcome. Antonio Burciaga specifically talks in his book the Chicano history, the language that we speak as a person, the family values and how we as a Chicano stick together. One quote of Burciaga is “Naces pendejo, mueres pendejo --- You were born a pendejo and you will die a pendejo (Burciaga10)”. This particular quote caught my attention because the author gives you a taste of what he experienced, and what kind of language they used. “When the wells of emotion are filled only by resentment, a crying sense of injustice, racist, affronts, deliberately designed frustrations to personal development and social worthiness (Burciaga131)”. This quote talks about how we as Chicanos have the motivation by bringing in our passion from the past, but as soon as someone brings that wall down of us having that one positive outcome, we can go into a lot of resentment towards other people, and think to ourselves at some point that we are worthiness. In chapter “The Motherland” the author talks about the pride people take about being Latinos, he talks about being back in Mexico and how it’s all so different once you’ve lived on the other side, a quote that gives you a mental picture would be “Many white Euro-Mexican will shrug their shoulders, declare they are 100 percent Mexican do not partition or categorize their ancestry. On the contr...
The contrast between the Mexican world versus the Anglo world has led Anzaldua to a new form of self and consciousness in which she calls the “New Mestiza” (one that recognizes and understands her duality of race). Anzaldua lives in a constant place of duality where she is on the opposite end of a border that is home to those that are considered “the queer, the troublesome, the mongrel and the mulato” (25). It is the inevitable and grueling clash of two very distinct cultures that produces the fear of the “unknown”; ultimately resulting in alienation and social hierarchy. Anzaldua, as an undocumented woman, is at the bottom of the hierarchy. Not only is she a woman that is openly queer, she is also carrying the burden of being “undocumented”. Women of the borderlands are forced to carry two degrading labels: their gender that makes them seem nothing more than a body and their “legal” status in this world. Many of these women only have two options due to their lack of English speaking abilities: either leave their homeland – or submit themselves to the constant objectification and oppression. According to Anzaldua, Mestizo culture was created by men because many of its traditions encourage women to become “subservient to males” (39). Although Coatlicue is a powerful Aztec figure, in a male-dominated society, she was still seen
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