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On seeing the elgin marbles analysis
Summary of seeing the elgin marbles
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The Elgin Marbles are a collection of Greek marble sculptures, inscriptions and architectural pieces that were originally part of the temple of the Parthenon in Athens. Lord Elgin (British ambassador to the Ottoman Empire) had agents remove about half of the surviving sculptures of the Parthenon. The Elgin Marbles, also referred to as the Parthenon Marbles, were transported to Britain. In Britain, the acquisition of the marbles was supported by some, while others (including the poet, Lord Byron) related Elgin's actions to vandalism or looting. The British public is, in fact, in favor of returning the Marbles to Greece.
I think the Marbles should be returned to Greece. They should be placed in their original home so people can see them in the location of origin. Though some of these artifacts were bought, some were also stolen from the Greeks. Many Englishmen and women argue that possession is nine-tenths of the law, and therefore the Elgin Marbles now belong to England. This, however, is a preposterous idea because Greece initially already had possession of them.
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In reality though, not only did the British Museum damage these artifacts with their harsh cleaning implements, but also, upon being restored to Greece, the Parthenon Marbles would be kept in a well-equipped museum. The New Acropolis Museum has been recently built specifically to protect the Marbles. It was built to hold the Marbles in natural sunlight that characterizes the Athenian climate, arranged in the same way as they would have been on the Parthenon. This museum lies a mere three hundred meters from the Acropolis, allowing the Parthenon Marbles to be seen basking in the Greek sunlight as
The controversy began almost one hundred years ago. Between 1801 and 1812, Thomas Bruce, 7th Earl of Elgin and British Ambassador to the Ottoman Empire, removed several sculptures from the Parthenon in Athens and shipped them to England, where he sold them to the British Museum in 1816. 167 years later, Melina Mercouri, Greek Minister of Culture, requested that the “Elgin” Marbles be returned. This request sparked one of the greatest debates the art world has ever known. For the past two decades, people have argued over who has the rights to these Marbles. The Greek position is certainly understandable from a cultural and emotional point of view. However, from the standpoint of legality and logic, it is hard to make a solid case against the Marbles’ continued presence in Britain.
Sculpture is a medium that artists in ancient Greek commonly used to express spoken truths in an unspoken form. Every piece of ancient Greek sculpture has more than what the eye sees to explain the story behind the [in this case] marble.
There is an ongoing debate on whether the Parthenon Marbles, now located in London, England, should be returned to their original homeland of Athens, Greece. The marbles were removed from the Parthenon by Lord Elgin from 1801-1812 and transported to England. They were sold to the British government in 1816 and put in the British Museum where they have been for the last 200 years. I believe that the marbles should now be returned to Greece, not only because of the method and circumstances surrounding their removal, but because they are original pieces of the oldest and most symbolic structure in Greek history that epitomizes the pinnacle of Ancient Classical Greece and the beginning of western democracy through artistic ingenuity.
The Parthenon is an amazing Greek temple that was built 2,500 years ago. Even the architects of today have numerous questions about how it was constructed and how it has held up through its eventful past. The Parthenon's detailed appearance is not its only meaningful quality. The Parthenon was constructed as a temple to the goddess, Athena, and as an icon of the Greek people themselves. The Parthenon represents the Greek ideals of humanism, idealism, and rationalism.
... made such a great impression that it has carried through to our present day buildings such as the White House. The Athena Parthenos has been recreated by the Romans and then most recently by recreated by Alan LeQuire which is in Nashville. (See Fig 2.) We can get a glimpse with LeQuire’s recreation of how that statue may have been in ancient Greece standing in the Parthenon with such majestic greatness.
The Pantheon and the Parthenon are two of the most influential building in history. They share some basic styles, pillars, pediment and frieze, even though they share these elements they are vastly different on each building. The Pantheon shows how with the advancement in technology bigger, stronger thing can be built. The Greeks however show great craftsmanship in the Parthenon, with its carvings and reliefs. The fact that these building are standing today is a testament to genius of both the Romans and the Greeks
For years on end, countries have been fighting with big museums from other countries for ancient artifacts that belong to the original countries. The argument of whether or not the museums should be able to keep them still remains. It is the right of the country to have their own artifacts. It is imperative for countries to be able showcase their historical artifacts, therefor museums should return them to their rightful owners.
A diversity of skilled laborers was employed to build a framework required to raise stones required to make ceramic tiles for rooftops. Specialists were utilized to measure the fittings to fortify the block of stones to form the essential paraphernalia for modeled scenes. Athenian sculptors discretely etch sculptures for the roof and columns of the temple’s structures. Columns are made of limestone and marble as a foundation to support the ceilings. For example, the Parthenon, made in 447 B.C. to 432 B.C. in Greece, representation of a municipal designed by architects that took interest in each part of the development. The Greek establishments have been fundamental to the general architectural exquisite components regularly that utilizes of reconstructing a whole building. Despite the fact that the Ancient Greeks constructed numerous buildings, the temple best represents the points and techniques for the designs that the Greeks signify. The temple ordinarily fused on at least one or more sections of columns encompassing each of the four sides. The perpendicular formation of the temple adjusted to a request to alter the course of structures bound together by the standards of symmetry and
Stonehenge is a statue that had been placed on Wessex, England and was not known pre-cisely who built it or for what purpose it was built. As it was told in Caroline Malone and Nancy Stone Bernard’s Stonehenge book “the meaning of the name of Stonehenge is ‘hanging stones’ because people thought the stones were hanging from the uprights” (10). Stonehenge was de-clared as World Heritage Site by United Nations Educational, Scientific, and Cultural Organiza-tion (UNESCO) (Malone, 8). Unfortunately Stonehenge was affected badly by negligent people and much of that bad effect are tourist erosion. Even though deterioration on surface of stones, many archeologists and historians made numerous researches about it. Today one of the facts that we gain is Stonehenge’s age. Thanks to the 21st century technology, we learned that Stonehenge is some 5.000 years old (Malone, 10).
The philosophical ideas of Plato that relate to the Parthenon include whether the structure is an element of the Visible World or the Intelligible World. In my opinion, Plato would view the Parthenon as an object in the Visible World. The Parthenon is a one of a kind monument that is tangible and exists in our real world. The Parthenon is an architectural project and deals with forms of science and mathematics. Plato's view of science and mathematics are categorized as forms in the Intelligible World, which are intangible. Through analysis of illusory tactics, the Tripartite Soul, the simile of the line, and the artistic qualities of architecture, Plato's, as well as my view of the Parthenon will become evident.
Stonehenge is a monument that is located in Wiltshire, England. It is one of the most famous monuments in the world, and is meritorious when it comes to the world’s best monuments. Standing tall in Southern England, the Stonehenge is an arrangement of massive stones that form a circular geometry. No one knows who built it, but medieval tales say that it is the work of Merlin the Wizard, during the age of King Arthur and the Knights of the Round Table. As time passed, it is said that the Romans were responsible for the building of Stonehenge. In more recent times, archaeologists have discovered who really might have built Stonehenge. Archaeologists and scientists now believe that Stonehenge was put together more than 4000 years ago, a long time before Medieval England or the Romans. Modern researchers have come to a new hypothesis: Stonehenge was built by people who lived around the time of the ending of the Stone Age. Although scientists and archeologists have come to some conclusions, no one really knows how this monument was erected. Over time the monument has endured some history, and has given humanity time to discover many things about this mysterious monument known as Stonehenge.
middle of paper ... ... The side lighting emphasises the detail and aesthetic qualities of the sculptures and strongly suggests that they should be viewed and compared with works such as 14th and 15th century Italian altar pieces or eastern Orthodox Triptych icons, regarded as stunning art and, therefore, exhibited in national art galleries, even though their original function was routine religious ceremony, as probably was that of the bronzes. This suggests that the best case for the retention of the British Benin sculptures is to accord them the unique status they deserve as exceptional artworks and exhibit them appropriately in a prestigious national art gallery, for everyone to appreciate fully. Works Cited Flinders, P. and Holman, K. and others, (2012) AA100 'Tutorial Forum Book 3, Weeks, 1 and 2' – Benin, online at http://learn.open.ac.uk/mod/forum/discuss.php?d=900850, accessed between 4 and 17 February, 2015.
The Greeks finished building an exquisite temple to their beloved goddess, Athena in the year 432 BCE. (Sayre 60). The name of this enriched, unique temple was the Parthenon. The Parthenon took the Greeks approximately fifteen years to complete and as Pericles stated, it was built to give gratitude to their goddess Athena for the salvation of their city, Athens and all of Greece in the Persian Wars (Sayre 60). It was also a symbol of their power and superiority among other cultures. It was something the Greeks took great pride in and recognized it to a great extent. The Parthenon was built on the highest point of the city of Athens to look over the precious Greek city. On the exterior walls of the Parthenon there was beautiful artwork that adorned the walls, also known as the Parthenon Frieze (“The Parthenon Frieze”, par 1). According to the National Geographic video, “Parthenon Marbles Battle”, two thousand years after the Parthenon was built, in the late 1600's the Parthenon was blown up during a war between Venice and the Ottoman Empire, which left the Parthenon almost in complete ruins. Then, in the early 1800's, there came Lord Elgin, who was a huge fanatic of Greek history. Because Greece was currently under conquest by the Ottoman Empire, Lord Elgin made the Ottoman Empire a deal and bought the remains of the Parthenon Frieze artwork along with other sculptures as well. Elgin sent these unique sculptures of art work back to his country, England. Since then these sculptures became known as the "Elgin Marbles", and currently sit in the British Museum at London (“What are the 'Elgin Marbles”, par 1). However, do these fine pieces of artwork truly belong to Elgin? There has been a lot of controversy throughout the years of whet...
But the columns and its drums are made of Pentelic marble, a material that was transported from Mount Pentelikon10 to the great capital. The process of building the Parthenon has created thousands of jobs for everyone from stonemasons to sculptors.11 Plutarch even claimed that“every age-group and type of person12” benefited from the economical profits. This symbol of prosperity is also enhanced by the fact that the Parthenon also stored riches in its treasury.1314 Not only did this bring an economical prosperity tint to the temple 's significance, but since every citizen 's effort was poured into this building, the Parthenon was also considered as the unification of all
interior of the Parthenon. "The statue seems to have been over 12 meters tall, nearly 40