Soul on Ice is an autobiography by Eldridge Cleaver, introduced by Maxwell Geismar. Cleaver writes this novel when he does time in Folsom State Prison. He discusses his experiences in and outside of prison. After several religious experiences in prison, Cleaver becomes a Muslim preacher and a follower of Malcolm X. Once he becomes a Muslim, he begins to look deep inside himself and decides he wants to change and live a better life. He shares his thoughts about soul food, experience being a catholic, and experience learning about Christianity. He also talks about the oppression of African Americans in the United States. In concluding chapters of his novel, he discusses how racism is taught to future Caucasian generations by past Caucasian generations, and he accounts for the experiences of African Americans in Hollywood. Cleaver’s presentation of letters and is use of anecdotal data, imagery, and hyperboles are all parts of his literary design. He uses these methods effectively, for they capture the interest of readers and give them a clear understanding of his life experiences. Cleaver presents letters that he writes in prison throughout his novel. Geismar contends, “Eldridge fittingly opens these letters from prison with the section called “on Becoming” in 1954, when he was eighteen years old” (xi). Cleaver displays his letters effectively, for it shows that he wants to send a message to his audience about how his experiences impact his life. In one of his letters he writes, “That’s why I started to write, to save myself” (15). This shows that writing opens a new door for him, and creates a path of change for him. This is a creative way for Cleaver to share his experiences with his audience. Gaines uses a similar method for one ... ... middle of paper ... ... and well-known African Americans. The imagery he uses is a painting of his experiences, and his thoughts and feelings of those experiences. His use of hyperboles is a connection of dot from his experiences and his emotions. Now that we have seen Cleaver’s literary design, we now understand how his experiences affect his life. We also understand the messages that the other authors mentioned in this essay are trying to send. Like Cleaver, they use certain literary methods for certain reasons, whether their literary methods are to express their feelings or to teach us things we may have not known before. Although the other author’s appear to have different reasons for using certain literary methods than those reasons of Cleaver’s, Like Cleaver, their aim is to get a point through to us; therefore, they too, create a successful literary design.
...eir lifehave felt and seen themselves as just that. That’s why as the author grew up in his southerncommunity, which use to in slave the Black’s “Separate Pasts” helps you see a different waywithout using the sense I violence but using words to promote change in one’s mind set. Hedescribed the tension between both communities very well. The way the book was writing in firstperson really helped readers see that these thoughts , and worries and compassion was really felttowards this situation that was going on at the time with different societies. The fact that theMcLaurin was a white person changed the views, that yeah he was considered a superior beingbut to him he saw it different he used words to try to change his peers views and traditionalways. McLaurin try to remove the concept of fear so that both communities could see them selfas people and as equal races.
...oncluding passage to his narrative for a specific purpose: to create a more profound connection with his audience on the basis of his experiences and thoughts. He creates a vision of relief in the beginning of the passage by means of diction, similes, and an impeccable amount of imagery. Douglass also applies an approach for the application of syntax, diction, and connotative sense to amplify the feelings of loneliness and paranoia presented after emancipation. The result is the masterpiece that fluently runs from one state of mind following his escape to another. It is a masterpiece with a timeless sense of moral values being unconsciously taught to its audience, whether or not they succeed in deciphering it.
Lester, Julius. “Morality and Adventures of Huckleberry Finn.” Satire or Evasion?: Black Perspectives on Huckleberry Finn. Ed. James S. Leonard, Thomas A. Tenney, and Thadious M. Davis. Durham, N.C.: Duke University Press, 1992. 199-207. Rpt. in Twentieth-Century Literary Criticism. Ed. Thomas J. Schoenberg and Lawrence J. Trudeau. Vol. 161. Detroit: Gale, 2005. Literature Resource Center. Web. 18 Feb. 2014.
James Baldwin was born in Harlem in a time where his African American decent was enough to put more challenges in front of him than the average (white) American boy faced. His father was a part of the first generation of free black men. He was a bitter, overbearing, paranoid preacher who refused change and hated the white man. Despite of his father, his color, and his lack of education, James Baldwin grew up to be a respected author of essays, plays, and novels. While claiming that he was one of the best writers of the era could be argued either way, it is hard to argue the fact that he was indeed one of the most well-known authors of the time. One of his intriguing skills as a writer is his ability to intertwine narration and analysis in his essays. James Baldwin mixes narration and analysis in his essays so well that coherence is never broken, and the subconscious is so tempted to agree with and relate to what he says, that if you don’t pay close attention, one will find himself agreeing with Baldwin, when he wasn’t even aware Baldwin was making a point. Physical placement of analytical arguments and analytical transitions, frequency and size of analytical arguments, and the language used within the analytical arguments are the keys to Baldwin’s graceful persuasion. Throughout this essay, I will be using Baldwin’s “Notes of a Native Son” for examples. “Notes of a Native Son” is an essay that Baldwin wrote which focuses primarily on his life around the time his father died, which also happens to be the same time his youngest brother was born.
The reader is first introduced to the idea of Douglass’s formation of identity outside the constraints of slavery before he or she even begins reading the narrative. By viewing the title page and reading the words “The Narrative of the Life of Frederick Douglass, An American Slave, written by himself” the reader sees the advancement Douglass made from a dependent slave to an independent author (Stone 134). As a slave, he was forbidden a voice with which he might speak out against slavery. Furthermore, the traditional roles of slavery would have had him uneducated—unable to read and incapable of writing. However, by examining the full meaning of the title page, the reader is introduced to Douglass’s refusal to adhere to the slave role of uneducated and voiceless. Thus, even before reading the work, the reader knows that Douglass will show “how a slave was made a man” through “speaking out—the symbolic act of self-definition” (Stone 135).
Examination into the true heart of experience and meaning, Charles Johnson’s Middle Passage looks at the structures of identity and the total transformation of the self. The novel talks about the hidden assumptions of human and literary identity and brings to view the real problems of these assumptions through different ideas of allusion and appropriation. As the novel tells Rutherford Calhoun’s transformation of un-awareness allows him to cross “the sea of suffering” (209) making him forget who he really is. The novel brings forth the roots of human “being” and the true complications and troubles of African American experiences. Stuck between posed questions of identity, the abstract body is able to provide important insight into the methods and meanings in Middle Passage.
There are a lot of ways that writers and authors explain and get there message to the reader, ways where they connect and make the reader picture what they wrote in their minds. The way these authors write their work for the reader can really change the aspect of how the reader thinks and looks at the image in their heads. One of the ways that these authors and writers are able to give the reader what it looks like and the feelings that are there is through figurative language. The figurative language gives effect and meaning to what the writer's work has said. In this aspect and essay I will be focusing on documents from Early American Literature, specifically Dekanawida's Iroquois Constitution and Jonathan Edwards' Sermon Sinners "In the
Baldwin and his ancestors share this common rage because of the reflections their culture has had on the rest of society, a society consisting of white men who have thrived on using false impressions as a weapon throughout American history. Baldwin gives credit to the fact that no one can be held responsible for what history has unfolded, but he remains restless for an explanation about the perception of his ancestors as people. In Baldwin?s essay, his rage becomes more directed as the ?power of the white man? becomes relevant to the misfortune of the American Negro (Baldwin 131). This misfortune creates a fire of rage within Baldwin and the American Negro. As Baldwin?s American Negro continues to build the fire, the white man builds an invisible wall around himself to avoid confrontation about the actions of his ?forefathers? (Baldwin 131). Baldwin?s anger burns through his other emotions as he writes about the enslavement of his ancestors and gives the reader a shameful illusion of a Negro slave having to explai...
In the article, “A Letter My Son,” Ta-Nehisi Coates utilizes both ethical and pathetic appeal to address his audience in a personable manner. The purpose of this article is to enlighten the audience, and in particular his son, on what it looks like, feels like, and means to be encompassed in his black body through a series of personal anecdotes and self-reflection on what it means to be black. In comparison, Coates goes a step further and analyzes how a black body moves and is perceived in a world that is centered on whiteness. This is established in the first half of the text when the author states that,“white America’s progress, or rather the progress of those Americans who believe that they are white, was built on looting and violence,”
America in the mid to early nineteenth century saw the torture of many African Americans in slavery. Plantation owners did not care whether they were young or old, girl or boy, to them all slaves were there to work. One slave in particular, Frederick Douglass, documented his journey through slavery in his autobiography Narrative of the Life of Frederick Douglass. Through the use of various rhetorical devices and strategies, Douglass conveys the dehumanizing and corrupting effect of slavery, in order to show the overall need for American abolition. His use of devices such as parallelism, asyndeton, simile, antithesis, juxtaposition and use of irony, not only establish ethos but also show the negative effects of slavery on slaves, masters and
As a relatively young man, Frederick Douglass discovers, in his Narrative of the Life of Frederick Douglass, that learning to read and write can be his path to freedom. Upon discovering that...
Narrative of the Life of Frederick Douglass, An American Slave, brings to light many of the social injustices that colored men, women, and children all were forced to endure throughout the nineteenth century under Southern slavery laws. Douglass's life-story is presented in a way that creates a compelling argument against the justification of slavery. His argument is reinforced though a variety of anecdotes, many of which detailed strikingly bloody, horrific scenes and inhumane cruelty on the part of the slaveholders. Yet, while Douglas’s narrative describes in vivid detail his experiences of life as a slave, what Douglass intends for his readers to grasp after reading his narrative is something much more profound. Aside from all the physical burdens of slavery that he faced on a daily basis, it was the psychological effects that caused him the greatest amount of detriment during his twenty-year enslavement. In the same regard, Douglass is able to profess that it was not only the slaves who incurred the damaging effects of slavery, but also the slaveholders. Slavery, in essence, is a destructive force that collectively corrupts the minds of slaveholders and weakens slaves’ intellects.
While writing about the dehumanizing nature of slavery, Douglass eloquently and efficiently re-humanize African Americans. This is most evident throughout the work as a whole, yet specific parts can be used as examples of his artistic control of the English language. From the beginning of the novel, Douglass’ vocabulary is noteworthy with his use of words such as “intimation […] odiousness […] ordained.” This more advanced vocabulary is scattered throughout the narrative, and is a testament to Douglass’ education level. In conjunction with his vocabulary, Douglass often employed a complex syntax which shows his ability to manipulate the English language. This can be seen in Douglass’ self-description of preferring to be “true to [himself], even at the hazard of incurring ridicule of others, rather than to be false, and incur [his] own abhorrence.” This is significant because it proves that Douglass can not only simply read and write, but he has actually obtained a mastery of reading and writing. This is a highly humanizing trait because it equates him in education level to that of the stereotypical white man, and how could one deny that the white man is human because of his greater education? It is primarily the difference in education that separates the free from the slaves, and Douglass is able to bridge this gap as a pioneer of the
And, as many of mentioned in Peter Salwen’s article that, “(Twain’s) writing is offensive to black readers, perpetuates cheap slave-era stereotypes, and deserves...
Eldridge Cleaver was a well-known African American writer and political activist. He received considerable recognition for his book Soul on Ice. He was a member of the Black Panthers and was a notable leader in the organization. Eldridge Cleaver was an editor of the Black Panther’s newspaper, which gave him significant influence in the party. He confessed to raping several white women because of his hate for white America. His writings give a unique insight to the consequences of black oppression in American Society. Eldridge Cleaver is an extreme example of the negative feelings that black Americans had at the time. He decided to resort to violence to get his revenge on the white man. Eldridge Cleaver gives a necessary account of his journey