Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Art and expression essay
Art as expression
Art and expression essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Art and expression essay
Ceramics. It is one of the most moving and appealing subject matters the world has ever established. Not only can it be created by anyone or anything, but also it portrays stories, hold messages and hidden meanings, carries mystery, mirrors history, and contains the essence of the creator’s truth. It is a subject matter that can be analyzed, admired, critiqued, and cherished simultaneously. Ceramics is one of the most influential subject matters the world has ever been able to express.
One of the greatest characteristics of ceramics is the mystery it compasses. I, for one, am enthralled in ceramics that contains disfigured forms and glazes that are unique to the creator which is why I chose a piece by Jean Burnett. She has been a potter for 17 years. She is an artist whose art is displayed at Clayspace in Lisle. Clay Space was conceived by a small group of people who formed a bond while taking continuing
…show more content…
Another reason as to which I love her piece was because the title was named Hot Chocolate Pot. had a few pieces that could be considered as a collection. The ceramics appears to be about 12 inches and displayed on a wooden column block.
Jean first throws her pieces first and then manipulates the forms into what she wants. She has gradually picked up her signature style. Other potters have influenced her throughout her years of pottery. A few of the ideas were inspired from Bill Vandilver for her split/separated rim. Pete Pennell gave her the idea for the long spout.
The glazing part of her piece was the best part. I absolutely love how she experimented with each of the glazes. She uses three different glazes. She first uses charcoal glaze over dips, the bottom side, and handle. She then sprayed hill crystal magic and ten-tone glaze and fired it at cone 6. To achieve the matte look she fire oxidation electric at cone 7 and allows it to slowly cool to get the results she
One of the amazing factors involving Maria Martinez's work has been the incredible length of time that she has spent in producing her pottery. Her life has been spent learning, perfecting, teaching and expanding her art, passion and craft. Maria was born in the 1880?s and had been an active potter for over 70 years. Taking in to consideration the difficulties of the environment where she lived and worked, acquiring the needed materials for her work and the labor and physical energy required along with it, the sheer tenacity with which she has produced her work is inspiring.
The plate, which is an exploration of decoration, is liquid clay or "slip pattern" of concentric circles around a valentine heart. This plate was wheel thrown, and glazed with iron oxide and copper red washes. I find it very interesting because it seems to portray more emotion than most of his other pieces. This can probably be indirectly associated with Fairbanks illness and how he was feeling at the time.
The Shang Dynasty invented and, over the years, perfected the technique of casting a bronze vessel from a clay mold assembly, which this wine vessel has also been made from using those techniques (Cantor). This mold was formed around a model of the vessel and was then cut into sections that were carved or impressed in the desired design, in this case the braided or grid design, on the inner or outer surfaces. The decorated clay piece-mold was then fired and reassembled around a clay core. Small bronze spacers were used to hold the piece-mold and the clay core apart. Then, molten bronze was poured into the mold. Using this piece-mold casting technique helped the bronze worker to achieve greater sharpness and definition in any intricate design
The first step in understanding the Attic Black-Figure Ovoid Neck-Amphora and other black figure pottery is to understand how the pottery is made. The artist started by digging a place in the ground to hold water in. After the large hole was filled by water, he would throw in a large amount of dry clay into the water. Then he would wait for the sun to evaporate the water leaving water pliable clay. The next step was to compact the clay and squeeze out and extra water. He would do this similarly to crushing grapes to get out the juice by stepping and walking on it. After this process, the clay would be ready to a make the vase.
The wide rimmed ring of space located at the top of the lekythos was commonly decorated with a pattern called palmette. Discovering a palmette pattern is not unusual to find on a lekythos, and many other types of ancient Greek pottery. The different variations in color, design, pattern, intricacy and brushstroke can help determine the ancient painter. Because the colors were not fired directly on the white-ground, they are not necessarily as permanent as the black gloss; therefore overtime the vivid colors and detailed decoration will
The object pictured above belongs to a group of artifacts known as incantation bowls, demon bowls, devil-trap bowls, or simply magic bowls. They were crafted by the first millennia Anno Domini people of Mesopotamia and are found, perhaps exclusively, in modern day Iraq. They can be dated as early as 3rd century AD and as late as 8th century. The majority date between 400AD and 700AD. Known pieces in public collections number around 2000 with several times that number likely to exist in private collections. (Saar 2) This report will expand on these statements as well as explore incantation bowls’ production, their function, and what little is known (or provided) of the particular bowl from the Kelsey museum. First, however, we’ll look at the historical setting of the location and era.
Maria Martinez and her son Popoui Da begin their traditional process by seeking supplies out in New Mexico’s wilderness. They appear to find their customary clay and sand sources near their home in the Pueblo San Idefonso in Black Mesa country, as demonstrated by this particular batch. In the desert, Maria scatters sacred coins along the ground as an offering to the Great Spirit. Clay is gathered, and blue sand is gathered to act as a binder from another location in the desert. Before packing up their desired sand, they sieve the sand to separate the sand from any other material. Then, Maria mixes equal parts blue sand and red clay, and water is slowly added. Water must be expertly controlled, as to avoid crumbling or nonbinding clay. She works the clay until it is pliable, and she kneads, divides, and presses the clay until the air is worked out. The now smooth clay is left for a day, during which it is occasionally kneaded.
With works in every known medium, from every part of the world, throughout all points in history, exploring the vast collection of the Museum of Modern Art was an overwhelming experience. The objects in the Department of European Sculpture and Decorative Arts are an important historical collection, reflecting the development of a number of art forms in Western Europe. The department's holdings covered sculpture in many sizes, woodwork and furniture, ceramics and glass, jewelry, and tapestries. The gallery attracted my appreciation of the realistic qualities of the human body often portrayed in sculpture.
The Rococo idiom began to have an impact the American colonies. The Rococo styles were applied to on vessels. The silver trays had designs around that are carefully designed. The flat part of the silver tray had designs that interact with each other. The Tea server design is astonishing. The way the design are being mold on it. There is not any part of the tea server that has no design. I am surprised on how the people are able to design this piece of work. In reality, these items are pieces of artwork. My mother as well was astonished on the details the silver-plated tray and silver tea
On the Warka Vase shown on register 4 naked men carry three types of pottery and at least three of these pottery pieces hold some objects, this implies that all three types of pottery are holding some object or objects, since the men are taking the pottery to the same location. One of these pottery pieces appears to be a piece made to pour, and hold, liquids. This pouring vessel is again seen in an image on another vase (20), this vase seem t...
She also uses the shadowing technique to make the figures look 3D, and to emphasize the foreground and background. She uses bright colors in the clothing and sunlight to brighten up the painting to make it known they are outside. She used a lot of detail in their clothing, and even on the table they are playing chess on. I also noticed on the side of the chess game, she engraved her name on the side, along with some other words I cant make out.
1420. Tempera on wood, gold ground, 25 1/8 x 19 in. (63.8 x 48.3 cm). Metropolitan Museum of Art, New York.
Black-figure painting was first established in Corinth, c 700 BCE then Athens was influenced by the technique and got control over it (Cartwright, 2012). The entire process was made out of iron clay found in the area mixed with potash pigment, water and leave it evaporate under the sun until it’s thick and settle. Move on to wedging process where human used energy to make the clay combine together and create the smoothness. The forms of potter are made on the potter wheel and are control by human’s hands, which is fascinating because people will have respect toward a finished product. After shaping the entire form, it’s then bake inside a kiln until it turns black (Britannica, 2014). Black-figure painting usually presents a storytelling by depicting animals or people in silhouette and sometime th...
In modern society, Greek pottery is considered an art which is regarded as much for its aesthetic splendor as its historical significance. However, the role of pottery in ancient Greek culture was far more functional as its primary use was for the transportation and storage of such liquids as water and wine (Encyclopedia Britannica). Due to the durability of the fired clay material, Greek pottery is the only remaining art form that allows us to explore the evolution of this ancient culture. Through that examination, three distinct stylistic periods have been unveiled: Geometric, Orientalizing and Archaic. This analysis will detail these distinct periods as well as three design techniques prevalently used: black figure, red figure and white ground
On display in the beginning of this back room was a bunch of different sizes bowls that were well decorated, crafted, and painted. In this section I learn that “In 1954 Ladi Kwali became the first woman member of a pottery training center established in Abuja, Nigeria and still remains its best known artist skilled in tradition methods of hand-built pottery.” Which is metaphoric because usually the pottery was created by women, crafting its shape, size, and designs all by hand; they used wood to help create and be a mold for the shape of the pots. These pots were used daily naturally for various reasoning’s like cooking and storing water, during dry months or so that the women wouldn’t have to walk far from the villages to fetch the water. Some of them had coloring to them and I’m sure this came from plant dyes, the pottery was known to be very fragile and heavy, which is not hard to understand why given their circumstances. With the coloring the colors can convey important messages but may not always be symbolic or have a meaning depending on the culture. African cultures vary in meaning and traditions as it comes to the design work and colors of their materials and clothing. Bowling making goes hand in hand with the African baskets and weaving which is a huge part of the culture and daily life of African