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Is edna suicide viewed as a final awakening
Critical Analysis of The Awakening Essay
The awakening summary essay
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Edna’s Choice in Kate Chopin's The Awakening
The text of Kate Chopin’s The Awakening often makes Edna Pontellier appear selfish and unfeeling, especially towards her children. Chopin does, however, allow for the possibility that Edna’s final act may be one of unselfish love for her children. It is Edna’s inability to assume the role society has chosen for her that leads her to act as she does. Edna really had no other choice in the end.
It is very easy to perceive Edna as a selfish, cold, unfeeling woman. Chopin gives many examples in the text that lead the reader to feel no sympathy towards Edna. She is often indifferent to her husband’s affections, a cause of concern for Mr. Pontellier: "He thought it very discouraging that his wife, who was the sole object of his existence, evinced so little interest in things which concerned him, and valued so little his conversation" (12). Is Edna really "the sole object of his existence"? How does he show her that he really cares for her? Leonce shows no great displays of affection for his wife at any time, nor does he profess his love for her or seek to spend a great deal of time with her. Leonce, very materialistic and image-conscious, believes he is showing affection for his wife by giving her money and buying beautiful, expensive things for the house. When he is not working, he usually opts to spend his spare time at a men’s club, rather than with his wife. This is so obvious that Madame Ratignolle sees the necessity of telling Edna "It’s a pity Mr. Pontellier doesn’t stay home more in the evenings. I think you would be more . . . united, if he did" (115).
Edna reveals early in the story that she was not passionately in love with her husband when she married him, ...
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...ife. If Edna could only be content to be just a wife and mother, to find true happiness in this, she could resolve the conflict in her marriage. This is not possible for Edna.
It is Edna’s inability to reconcile her true self with the woman that society and her husband expect her to be, that leads to her actions in the end. If Edna were a selfish, uncaring woman, she would simply have left her family to pursue her own interests. The stigma this would have placed on her children would have been harsh. It is because she loves her children that she comes to the decision to take her life. She tells Madame Ratignolle, "I would give my life for my children; but I wouldn’t give myself" (80). Forced to have to choose between the two, she obviously chose that which would hurt her children the least.
Works Cited
Chopin, Kate. The Awakening. New York: Avon, 1972.
In The Awakening, Edna Pontellier is a selfish character. She wishes to live her life the way she wants without anyone interfering. She did not start selfish, but grew selfish as her hidden desires were awakened. Her selfishness comes from her complete disregard for anyone’s happiness besides her own. Edna refuses to attend her sister’s wedding, describing the event as lamentable. Even if Edna did not want to attend, a wedding is for the bride and groom’s happiness. She is unable to compromise any of her own desires for the happiness of others. Edna’s own marriage was an act of rebellion for marrying outside of what was expected, and came with the titles of wife and mother. Edna abandoned her relationship without trying to resolve any difficulties with her husband before satisfying her needs. She does not discuss with him her unhappiness or seek his approval before moving to the pigeon house. She develops her relationship with Arobin only to fulfill her own physical needs.
Social expectations of women affected Edna and other individuals in Kate Chopin’s novel The Awakening. The protagonist, Edna Pontellier, struggles throughout the novel in order to become independent and avoid her roles as mother and housewife in American Victorian society in 1899. This was because women during the 19th century were limited by what society demanded of them, to be the ideal housewives who would take care of their families. However, Edna tries to overcome these obstacles by exploring other options, such as having secret relationships with Robert and Arobin. Although Edna seeks to be independent throughout the novel, in the end she has been awakened but has not achieved independence.
Essentially, Edna is not able to fulfill any of the roles that are presented by Chopin in the novel: mother, sister, daughter, wife, friend, artist, lover to either man, and finally the traditional role of a woman in society. She does not quite fit into any niche, and thus her suicide at the end of the novel is the only way for Edna’s story to end. Chopin must have Edna die, as she cannot survive in this restrained society in which she does not belong to. The idea of giving yourself completely to serve another, Edna declares “that she would never sacrifice herself for her children, or for any one” (47). However, her awakening is also a realization of her underprivileged position in a male dominated society. The first sign that Edna is becoming comfortable with herself, and beginning to loosen the constrictions of not being an individual is when she asks Robert, her husband, to retrieve her shawl: "When he returned with the shawl she took it and kept it in her hand. She did not put it around her" (30). Edna is trying to establish herself as an artist in a society where there is no tradition of women as creative beings. For any woman to suggest a desire for a role outside the domestic sphere, as more than a mother or housewife, was perceived as
Throughout Kate Chopin’s The Awakening, Edna Pontellier, the main protagonist, experiences multiple awakenings—the process in which Edna becomes aware of her life and the constraints place on it—through her struggles with interior emotional issues regarding her true identity: the confines of marriage vs. her yearning for intense passion and true love. As Edna begins to experience these awakenings she becomes enlightened of who she truly and of what she wants. As a result, Edna breaks away from what society deems acceptable and becomes awakened to the flaws of the many rules and expected behavior that are considered norms of the time. One could argue that Kate Chopin’s purpose in writing about Edna’s inner struggles and enlightenment was to
In Kate Chopin’s, The Awakening, the reader immediately notices the sexual undertones of Mrs. Mallard and Robert’s relationship and the strained relationship between Mr. and Mrs. Mallard. There are always going to be women who do not want the routine “married with children” lifestyle, unfortunately in Edna’s time period that was the primary role of women. Had she been living in today perhaps she would have been without a husband and children, possibly totally devoted to a career in the arts and totally single. Back to her reality though: I believe she is unsure if she wants that one true love (supposedly Robert) or if she just wants anyone who will pay her a little attention and is fun (supposedly Alcee Arobin). Edna wants to be Wild and Free, not saying that there is anything wrong with that, but she needs to recognize it for what it is because she is really fooling herself.
Susan Glaspell in Trifles explores the repression of women. Since the beginning of time, women have been looked down upon by men. They have been considered “dumb” and even a form of property. Being physically and emotionally abused by men, women in the early 1900’s struggled to break the mold formed by society.
Additionally, Edna’s sacrifice helped her established an identity for herself. “I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn’t give myself, I can’t make it more clear; it’s only something which I am beginning to comprehend, which is revealing itself to me” (Chopin 57). She realizes how much she valued herself and how she would handle herself. As well as, this emphasizes on the meaning of The Awakening, of how women are able to define themselves as something more than a
In The Awakening, by Kate Chopin, Edna Pontellier is a married woman with children. However many of her actions seem like those of a child. In fact, Edna Pontelliers’ life is an irony, in that her immaturity allows her to mature. Throughout this novel, there are many examples of this because Edna is continuously searching for herself in the novel.
In the novel The Awakening, Kate Chopin tells of Edna Pontellier's struggle with fate. Edna Pontellier awakens from a slumber only to find that her life is displeasing, but these displeasing thoughts are not new to Edna. The actions taken by Edna Pontellier in the novel The Awakening clearly determine that she is not stable. The neglect of her duties as a wife and mother and as a woman of society are all affected by her mental state. Her choices to have affairs and disregard her vow of marriage represent her impaired judgment. The change in her attitude and interests becomes quite irresponsible, and that change along with her final decision to commit suicide tell the reader that Edna Pontellier is not capable of making valid judgments. Had Edna Pontellier been of sound mind and body, she would not have ended her young life by suicide. The fact that she can clearly and easily turn to such an alternative suggests that she is depressed and obviously in opposition to the church. The thoughts and actions of Edna Pontellier are solely determined by her manic depressive state, her apparent repressed abuse from her childhood, and her abandonment of Christianity.
Chopin carefully establishes that Edna does not neglect her children, but only her mother-woman image. Chopin illustrates the idea by telling the reader, "...Mrs. Pontellier was not a mother-woman" (689). Edna tries to explain to Adele how she feels about her children and how she feels about herself, which greatly differs from the mother-woman image. She says, "I would give up the unessential; I would give my money; I would give my life for my children; but I wouldn't give myself. I can't make it more clear; it's only something I am beginning to comprehend, which is revealing itself to me" (720).
Could the actions of Edna Pontellier in Kate Chopin's novella The Awakening ever be justified? This question could be argued from two different perspectives. The social view of The Awakening would accuse Edna Pontellier of being selfish and unjustified in her actions. Yet, in terms of the story's romanticism, Edna was in many ways an admirable character. She liberated herself from her restraints and achieved nearly all that she desired. Chopin could have written this novel to glorify a woman in revolt against conventions of the period. Yet, since the social standpoint is more factual and straightforward, it is the basis of this paper. Therefore, no, her affairs, treatment of her family and lovers, and suicide were completely unwarranted. She was not denied love or support by any of those close to her. Ultimately Edna Pontellier was simply selfish.
From the beginning the women of “Trifles” by Susan Glaspell do not seem to have a significant role in the play. These women appear to just be along for the ride while their husbands do the dirty work of searching through the crime scene. In the end even though they serve as secondary characters to their husbands, Mrs. Hale and Mrs. Peters play a large role in portraying the theme of this play, and without them the plot would not have been conducted nearly the same way to get the message out to the audience.
Edna marries her husband, not out of love, but out of expectation of society and her family’s dislike of him. She is a young woman when they marry; she has never had a great romance. The closest thing to passion she
In Trifles, the play takes place at an abandon house at a farm where John Wright and his wife, Minnie Wright lived. John was killed with a rope around his neck while his wife was asleep. The neighbor, county attorney and sheriff came to the crime scene for investigation. Along with them came their wives, Mrs. Hale and Mrs. Peters; they were told to grab some belongings for Mrs. Wright that she may need while she’s in custody. Once they all entered the home the men dismissed the kitchen finding it as unimportant. The three men focused more on legal regulations of the law. The play was mostly revolved around the women, discovering the motive through “trifles” and other symbolic things that had significance to Minnie’s guilt. When Mrs. Hale and Mrs. Peters understood the reason behind the murdering they hid the evidence from their husbands, and kept quiet. Many readers would visualize this play as a feminist point of view due to women’s bonding in discovering Minnie’s oppressive life after marriage. However Glaspell, provokes two ethical paradigms that have different perspectives of justice. Glaspell uses symbolism to characterize women’s method in a subjective way, by empowering themselves through silence, memories of her and their own lives as well as having empathy about her sit...
Susan Glaspell’s Trifles (1916), is a play that accounts for imprisonment and loneliness of women in a patriarchal society. The plot has several instances where women issues are perceived to be mere trifles by their male counterparts. The title is of significant importance in supporting the main theme of the story and developing the plot that leads to the evidence of the mysterious murder. Trifles can be defined as things of less importance; in this story dramatic, verbal and situational irony is used to show how the insignificant trifles lead to a great deal of truth in a crime scene investigation. The title of the story “Trifles” is used ironically to shape the unexpected evidence discovered by women in