Choices, options, decisions, whatever one chooses to call them, he is aware that he has them. In reading Kate Chopin's The Awakening and Henrik Isben's A Doll's House it is clearly seen that the choices made by the two female protagonists, Edna and Nora, stem from their perception of themselves and their capabilities. Furthermore, it is that view of self that leads each to make either a life-altering or life-ending decision.
In Chopin's The Awakening, the title itself is symbolic of the awakening that Edna undergoes throughout the course of the story. The story opens with Edna's first visit to Grand Isle, it is here that Edna will begin to awaken to herself. It is implied, and said, throughout the story that Edna is not the motherly type. "In short, Mrs. Pontellier was not a mother-woman." One might wonder then what exactly is Edna awakening to if not to her motherly instincts? According to the story, it is the awakening of "the sleeping places of her soul." In this time, women were expected to lay their sexuality aside as if it were a mere bag of flour. In return, they were given the joys of being a loving wife and mother. However, for a non - motherly woman such as Edna this would prove to be too great a price to pay for financial security.
Throughout the story Edna takes many risks. While at grand Isle, she risks the dangers of the sea so that she might learn to swim. Furthermore, Edna risks impropriety by spending so much time alone with Robert. Upon returning home, Edna continues to be the risk taker. One must ask himself, however, what exactly is Edna risking with her, at times, juvenile behavior? In truth, she is risking nothing more than humiliation. Edna knows that her husband will never leave her nor will he allow her to leave him.
While Edna may be considered a risk taker, it is easy to see that the risk Nora, in A Doll's House takes far greater risks. While it is clear that Nora's husband does not see her as a person with a mind for anything beyond decoration, the reader quickly sees that Nora knows far more than maybe she should know. Torvald constantly shows his superiority over his wife with the use of "pet" names such as: "my little dove" or "chipmunk.
Throughout Kate Chopin’s novel The Awakening, the main protagonist Edna Pontellier, ventures through a journey of self-discovery and reinvention. Mrs.Pontellier is a mother and wife who begins to crave more from life, than her assigned societal roles. She encounters two opposite versions of herself, that leads her to question who she is and who she aims to be. Mrs. Pontellier’s journey depicts the struggle of overcoming the scrutiny women face, when denying the ideals set for them to abide. Most importantly the end of the novel depicts Mrs.Pontellier as committing suicide, as a result of her ongoing internal
In fact, Edna seems to drift from setting to setting in the novel, never really finding her true self - until the end of the novel. Chopin seems highly concerned with this question throughout her narrative. On a larger scale, the author seems to be probing even more deeply into the essence of the female experience: Do women in general have a place in the world, and is the life of a woman the cumbersome pursuit to find that very place? The Awakening struggles with this question, raising it to multiple levels of complexity. Edna finds liberation and happiness in various places throughout the novel, yet this is almost immediately countered by unhappiness and misery.
Social expectations of women affected Edna and other individuals in Kate Chopin’s novel The Awakening. The protagonist, Edna Pontellier, struggles throughout the novel in order to become independent and avoid her roles as mother and housewife in American Victorian society in 1899. This was because women during the 19th century were limited by what society demanded of them, to be the ideal housewives who would take care of their families. However, Edna tries to overcome these obstacles by exploring other options, such as having secret relationships with Robert and Arobin. Although Edna seeks to be independent throughout the novel, in the end she has been awakened but has not achieved independence.
Kate Chopin’s The Awakening takes place in the late 19th century, in Grande Isle off the coast of Louisiana. The author writes about the main character, Edna Pontellier, to express her empowering quality of life. Edna is a working housewife,and yearns for social freedom. On a quest of self discovery, Edna meets Madame Ratignolle and Mademoiselle Reisz, falls in and out of love,and eventually ends up taking her own life. Kate Chopin’s The Awakening shows how the main character Edna Pontellier has been trapped for so many years and has no freedom, yet Edna finally “awakens” after so long to her own power and her ability to be free.
Throughout Kate Chopin’s The Awakening, Edna Pontellier, the main protagonist, experiences multiple awakenings—the process in which Edna becomes aware of her life and the constraints place on it—through her struggles with interior emotional issues regarding her true identity: the confines of marriage vs. her yearning for intense passion and true love. As Edna begins to experience these awakenings she becomes enlightened of who she truly and of what she wants. As a result, Edna breaks away from what society deems acceptable and becomes awakened to the flaws of the many rules and expected behavior that are considered norms of the time. One could argue that Kate Chopin’s purpose in writing about Edna’s inner struggles and enlightenment was to
Reading through The Awakening for the first time, a passage in chapter X intrigued me: Edna’s first successful swim. I begin my close reading halfway through page 49, “But that night she was like the little tottering, stumbling, clutching child, who of a sudden realizes its powers, and walks for the first time alone, boldly and with over-confidence.” Her success is sudden and in spite of assistance from “the men and women; in some instances from the children” throughout the summer. Robert himself had devised a system of lessons. But her triumph does not result from any such assistance, but from her own abilities. By comparing the experience to a child’s first steps, it conjures imagery she herself must have experienced with her own children, which is emphasized by referring to “the” child rather than “a” child. Before her triumph, she totters, stumbles, and literally clutches at any “hand nearby that might reach out and reassure her,” always requiring the assistance or reassurance of others. But on this night, her powers, which by virtue of the strength of such a word choice suggests its relevance to far more than swimming, overtake her. It is significant she does it alone, and her over-confidence possibly foreshadows the conclusion.
In Chopin's Awakening, the reader meets Edna Pontellier, a married woman who attempts to overcome her "fate", to avoid the stereotypical role of a woman in her era, and in doing so she reveals the surrounding. society's assumptions and moral values about women of Edna's time. Edna helps to reveal the assumptions of her society. The people surrounding her each day, particularly women, assume their roles as "housewives"; while the men are free to leave the house, go out at night, gamble, drink and work. Edna surprises her associates when she takes up painting, which represents a working job and independence for Edna.
In The Awakening, by Kate Chopin, Edna Pontellier is a married woman with children. However many of her actions seem like those of a child. In fact, Edna Pontelliers’ life is an irony, in that her immaturity allows her to mature. Throughout this novel, there are many examples of this because Edna is continuously searching for herself in the novel.
Kate Chopin's novella The Awakening tells the story of Edna Pontellier, a woman who throughout the novella tries to find herself. Edna begins the story in the role of the typical mother-woman distinctive of Creole society but as the novelette furthers so does the distance she puts between herself and society. Edna's search for independence and a way to stray from society's rules and ways of life is depicted through symbolism with birds, clothing, and Edna's process of learning to swim.
Unlike María Eugenia, Edna in Kate Chopin’s The Awakening chooses not to fill her family’s expectations. As she takes her final steps into the sea she thinks to herself: “they need not have thought that they could possess her, body and soul” (655). Edna treasures her autonomy and chooses death over familial subjugation. However her transformational journey, alluded to by the title of the novel leads to more than the rejection of her self-sacrificing familial roles as wife and mother and her death.
Kate Chopin's The Awakening tells the story of Edna Pontellier, a young wife and mother living in the upper crust of New Orleans in the 1890s. It depicts her journey as her standing shifts from one of entrapment to one of empowerment. As the story begins, Edna is blessed with wealth and the pleasure of an affluent lifestyle. She is a woman of leisure, excepting only in social obligations. This endowment, however, is hindered greatly by her gender.
...tionship she had until she was left with literally no reason to live. Throughout the novella, she breaks social conventions, which damages her reputation and her relationships with her friends, husband, and children. Through Edna’s thoughts and actions, numerous gender issues and expectations are displayed within The Awakening because she serves as a direct representation of feminist ideals, social changes, and a revolution to come.
To many people, Nora’s first impression was most likely a money-loving, childish wife. She seems to just want money from her husband and when she was asked by her husband what she wanted for Christmas her response was “money”. Nora also acts childish so her husband, Torvald, treats her like one. Torvald treats Nora more like a house pet instead of his wife. Nora may
Nora is the main doll in the house, but she also refers to the children as dolls. Nora states that Torvald treats her as her own father did. Caring for her but never taking her serious. They treat her as a doll kept for her looks. Although the children aren’t the main idea of the doll in “A Doll House,” Nora sees them as dolls herself.
In Henrik Ibsen’s play, A Doll’s House, women are constantly sacrificing themselves for the sake of not only themselves but for others. Sometimes sacrificing in these situations makes the women unhappy and regretful of their choices. Playing the role of important women in their families and having hearts full of love, Christine sacrifices her love, Nora sacrifices her true happiness and Anne sacrifices her family.