The first theme I chose is differing views in a relationship can play a fatal role in the outcome of it. This directly applies to The Awakening because in the beginning of the story we are introduced to Edna Pontellier and come to learn that she is married and has children. The problem however is that Mrs. Pontellier has no interest in her children nor her husband. Mr. Pontellier says things like “He thought it very discouraging that his wife who was the sole object of his existence evinced so little interest in thing which concerned him and valued so little his conversation.” (12) The reader can see this taking place on page 13 when Mr. Pontellier tells his wife that he believes that one of the children has a fever, but she simply shrugs the notion off and shows little concern in the information her husband has just told her. She even goes out …show more content…
Simply put, this is the action of being un-loyal to a spouse. Throughout the story, this in fact is exactly what Edna Pontellier does. Mrs. Pontellier’s starts becoming close with Robert, another character in the story. While they are vacationing, they start spending more and more time with each other. For example, in chapter 12 the two decide to get on a boat and go attend church. While reading this left me quite confused since Edna was of course married, so why would she be accompanying another man. Edna develops feelings for Robert and he develops feelings for her. The author makes this apparent by having the narrator say things like “The lovers were all alone.” (57) After Robert leaves for Mexico, Edna finds a gap in her love life, and becomes depressed. She finds a new man who can meet her needs, Alcee Arobin. He too is a young man just as Robert was. Arobin starts spending more and more time with Edna. “She was splendid and robust, and had never appeared handsomer then in the old blue gown…” (141) Arobin was clearly interested in Mrs. Pontellier and thought very high of
Throughout Kate Chopin’s novel The Awakening, the main protagonist Edna Pontellier, ventures through a journey of self-discovery and reinvention. Mrs.Pontellier is a mother and wife who begins to crave more from life, than her assigned societal roles. She encounters two opposite versions of herself, that leads her to question who she is and who she aims to be. Mrs. Pontellier’s journey depicts the struggle of overcoming the scrutiny women face, when denying the ideals set for them to abide. Most importantly the end of the novel depicts Mrs.Pontellier as committing suicide, as a result of her ongoing internal
Edna Pontellier was on her way to an awakening. She realized during the book, she was not happy with her position in life. It is apparent that she had never really been fully unaware However, because her own summary of this was some sort of blissful ignorance. Especially in the years of life before her newly appearing independence, THE READER SEES HOW she has never been content with the way her life had turned out. For example she admits she married Mr. Pontellier out of convenience rather than love. EDNA knew he loved her, but she did not love him. It was not that she did not know what love was, for she had BEEN INFATUATED BEFORE, AND BELIEVED IT WAS love. She consciously chose to marry Mr. Pontellier even though she did not love him. When she falls in love with Robert she regrets her decision TO MARRY Mr. Pontellier. HOWEVER, readers should not sympathize, because she was the one who set her own trap. She did not love her husband when she married him, but SHE never once ADMITS that it was a bad decision. She attributes all the problems of her marriage to the way IN WHICH SOCIETY HAS defined the roles of men and women. She does not ACCEPT ANY OF THE BLAME, AS HER OWN. The only other example of married life, in the book, is Mr. and Mrs. Ratignolle, who portray the traditional role of married men and women of the time. Mr. Pontellier also seems to be a typical man of society. Edna, ON THE OTHER HAND, was not A TYPICAL WOMAN OF SOCIETY. Mr. Pontellier knew this but OBVIOUSLY HAD NOT ALWAYS. This shows IS APPARENT in the complete lack of constructive communication between the two. If she had been able to communicate with her husband they may have been able to work OUT THEIR PROBLEMS, WHICH MIGHT HAVE MADE Edna MORE SATISFIED WITH her life.
Forms of physical self expression like clothing are utilized by Kate Chopin throughout the text of “The Awakening” to symbolize the driving purpose of Edna Pontellier’s regression. While both the author, Kate Chopin and the critic, Elizabeth Fox-Genovese, agree that Edna shows progression and regression throughout the entire story; the reasoning behind the regression is dependent on fate and not personal choosing. Fox-Genovese wrote that Edna Pontellier led from a progression to a regression due to her individualism, however, I believe that Edna’s progression is due to her individualism but the regression is fate destined for her. Edna regresses from a state of individualism to fate catching up with her and the rejection of herself as life
Often in novels, a character faces conflicting directions of ambitions, desires, and influences. In such a novel, like “The Awakening,'; the main character, Edna Pontellier, faces these types of conflicting ideas. In a controversial era for women, Edna faces the conflict of living in oppression but desiring freedom. The patriarchal time period has influenced women to live only under the husband’s thumb but at the same time, break away from such repression. These opposing conflicts illuminated the meaning of “social awakening'; in the novel.
In Kate Chopin’s, The Awakening, the reader immediately notices the sexual undertones of Mrs. Mallard and Robert’s relationship and the strained relationship between Mr. and Mrs. Mallard. There are always going to be women who do not want the routine “married with children” lifestyle, unfortunately in Edna’s time period that was the primary role of women. Had she been living in today perhaps she would have been without a husband and children, possibly totally devoted to a career in the arts and totally single. Back to her reality though: I believe she is unsure if she wants that one true love (supposedly Robert) or if she just wants anyone who will pay her a little attention and is fun (supposedly Alcee Arobin). Edna wants to be Wild and Free, not saying that there is anything wrong with that, but she needs to recognize it for what it is because she is really fooling herself.
The time Edna spends in water is a suspension of space and time; this is her first attempt at realizing Robert's impermanence. In a strange way, Edna is taking her self as an object of meditation, where at the extremity of self absorption, she should be able to see through her own selflessness. "As she swam she seemed to be reaching for the unlimited in which to lose herself[emphasis added]" (Chopin 74). Edna has left her earthly existence on the shore and looked forward to a new existence, with the "unlimited", or nirvana as a tantalizing prize on the other shore. Her mistake lies in looking back.
In one’s lifetime, he or she may face an internal struggle. Perhaps the struggle lies in a difficult choice between right and wrong. Perhaps it lies in a decision between want and need. Maybe one must contemplate how much his or her happiness is truly worth. Regardless, every person has internal conflict not easily solved. In The Awakening, Edna Pontellier struggles with two conflicting forces, expectations of her and her own desires, illuminating the meaning of the novella: defying societal expectations in order to seek individuality and independence is always just.
Sacrifices can define one’s character; it can either be the highest dignity or the lowest degradation of the value of one’s life. In The Awakening, Kate Chopin implicitly conveys the sacrifice Edna Pontellier makes in the life which provides insight of her character and attributions to her “awakening.” She sacrificed her past of a lively and youthful life and compressed it to a domestic and reserved lifestyle of housewife picturesque. However, she meets multiple acquaintances who help her express her dreams and true identity. Mrs. Pontellier’s sacrifice established her awakening to be defiant and drift away from the societal role of an obedient mother, as well as, highlighting the difference between society’s expectations of women and women’s
After she returned with Leonce form vacation she never truly returned to reality and her duties as a wife and mother. She abandoned her duties as woman of the house, and when Leonce moved to New York for a few months she began seeing another man, Alcee Arobin. In a way Arobin was her way to live out her fantasy of her and Robert’s relationship, because Robert had moved to Mexico that summer and she no longer had his companionship. At the same time Leonce left for New York, the children were also taken to their grandparents indefinitely. Edna had no responsibilities and carried out her life as if she were a single woman. She moved into her own little house around the corner from the mansion her family lived in. She spent her days walking around town, painting, or visiting friends. She even kissed two men while her family was away (Robert and Arobin). She felt quiet satisfied with this new life of hers, and felt this is where she was supposed to be, not tied down by a family and children whom she did not even fully care
Mac Shaughnessy Mrs. Schroder AP Literature January 2, 2017 The Awakening Essay In the novel, The Awakening by Kate Chopin, many characters are able to influence the protagonist of the novel, Edna Pontellier, through their views on life, culture, class, gender and creed. Social values in the book were very progressive for the time when the novel was initially released, giving a sort of scandalous vibe to readers. With this, Kate Chopin was able to have a wide range of characters from the average, respectable housewife, Adèle Ratignolle, to the free-spirited, frowned-upon single women, Mademoiselle Reisz.
Edna in “The Awakening” portrays almost like a selfish character. Her husband and her have good moments as well as bad moments, and it does not become clear until later in the book what each others intentions are. The relationship between the two is rather odd, and the families of the two disagree with their marriage, even though they have two kids already. Edna is the protagonist of the novel. While Edna and Mr. Pontellier have a "mistaken fancy" of "a sympathy of thought and taste," Edna and Robert have what seems like the real deal.
During the late nineteenth century, the time of protagonist Edna Pontellier, a woman's place in society was confined to worshipping her children and submitting to her husband. Kate Chopin's novel, The Awakening, encompasses the frustrations and the triumphs in a woman's life as she attempts to cope with these strict cultural demands. Defying the stereotype of a "mother-woman," Edna battles the pressures of 1899 that command her to be a subdued and devoted housewife. Although Edna's ultimate suicide is a waste of her struggles against an oppressive society, The Awakening supports and encourages feminism as a way for women to obtain sexual freedom, financial independence, and individual identity.
A typically assumed reason for having an affair is that the person's spouse is, in some way, unsatisfactory. Perhaps by their affair, they are searching for a better source of love. This, however, was not a justifiable cause for Edna's adultery. Mr. Pontellier was a loving husband who tried to show his love for Edna in all of the ways he was able. Léonce showered his wife with valuable gifts. His life revolved around money, and he knew no other way to show his wife how much he loved her. He attempted to compensate Mrs. Pontellier materialistically for the lack of emotional support. While this may not be an ideal solution to the problem, it cannot be denied that Mr. Pontellier was trying to diminish the problems between them. Yet, even though it is understandable that she is upset that her husband lacks family skills, getting married was solely Edna's fault. The history of their relationship is far from perfect. Chopin states "her marriage to Léonce Pontellier was purely an accident... He fell in love...and pressed his suit with an earnestness and an ardor which left nothing to be desired. He pleased her; his absolute devotion flattered her" (18). Edna was not fair to him when she married him without loving him. She "grew fond of her husband" (18), but fondness is not a good reason for marriage.
Being a woman, she is completely at the mercy of her husband. He provides for her a lifestyle she could not obtain on her own and fixes her place in society. This vulnerability stops Edna from being truly empowered. To gain independence as a woman, and as a person, Edna must relinquish the stability and comfort she finds in the relationship with her husband. Mr. and Mrs. Pontellier's marriage comprises a series of power plays and responds well to Marxist and Feminist Theory. Leonce Pontellier looks "…at his wife as one who looks at a valuable piece of property…". He views her as an accessory that completes the ideal life for him. Edna, however, begins to desire autonomy and independence from Leonce, so true to the feminist point of view.
The sexual aspect of Edna’s awakening is formed through her relationship with a supporting character, Robert LeBrun. In the beginning of the novel, Robert assigns himself to become the helper of Mrs. Pontellier and his advances help to crack the barrier in which Edna is placed in due to her role as a woman of the Victorian era. Her feelings begin to manifest themselves as she intends to liberate herself from her husband and run away with Robert. He on the other hand has no intention of having a sexual affair because of the role placed upon him as a man of the Victorian era which is not to destroy families. Her quest for complete independence ultimately brings her to committing suicide at the end of the story. Her suicide does not represent a disappointment in how she cannot conform to the society around her but a final awakening and symbol for her liberation.