Seemingly redefined, art during the time period of Impressionism had astounding beauty, almost unseen at that time. Depicting light and movement on a canvas was a huge part of the Impressionist style. Artists started to use brighter colors, more casual poses, less harsh brushstrokes, and more graceful styles, as shown in Blue Dancers c. 1899 by Edgar Degas. Utilizing vibrant colors like blues, greens, and pinks, an unusual vantage point, and the depth created from the layering of pastels, Degas illustrates a stunning picture of graceful dancers getting ready for their ballet performance. This two-foot-by-two-foot artwork, made from pastels, gouache, and watercolors utilizes a multitude of colors. In Blue Dancers, there are four ballerinas …show more content…
This piece contains darker shades of blue to create a dark, shadowy effect over the ballerinas. Even so, there are bright highlights on the dancers to enhance the sharpness and contrast of their figures. Colors like orange and peach are also highlight colors for the background behind the dancers. The main subjects of the artwork are wearing bright blue and white outfits to contrast with the more subdued greens and oranges of the background. Behind the dancers, Degas puts layers upon layers of pastel to create a realistic depth of color like that which one might experience in real life. The effect of this is quite stunning and adds a richness and intenseness to this piece. This artwork has incredible beauty and exhibits the Impressionism era quite nicely. Impressionists tended to utilize more bold, vibrant colors than those artist of earlier times. Artists living during the Impressionism Era liked to experiment with unusual viewpoints, figures that were painted in casual poses rather than formal ones, and other ideas that were seemingly unheard of during the time period. Degas has shown all of these qualities of an Impressionist artists in Blue Dancers c. 1899 while still creating a stunning, timeless piece of art that will forever retain its extraordinary
The art work by the Cuban painter Wifredo Lam (1902-1982) titled Un coq pour Chango ( A Rooster for Shango) or The Oracle and the Green Bird was created in 1947. This piece represents freedom of art and human beings’ relation, connection to the nature, in particularly animals. I think the art work depicts 2 hybrid figures; audience can grasp from the title that one of them represents a human and another one represents a bird. Present location of the painting is The Museum of the African Diaspora in San Francisco, and it’s original location is The San Francisco Museum of Modern Art. The painting is oil on burlap, it is presented hanging on the wall.
The two focal figures are illustrated with complementary colors, the woman 's dress being orange, and the man’s pants being blue. Benton uses these colors to bring life into the painting. The background is made up mostly of earthy colors like, greens, browns, and greys and a light blue for the sky. Benton seems to add white to every color he uses, which gives the painting an opaque look. The deepest hues found in this painting are the blue one the man’s pants and the orange on the woman’s dress, everything else around them looks washed out and Benton does this to emphasize his focal points
With introduction to “new techniques of scenery construction” (Guest, 14) the Romantic ballet productions were able to explode the spectacle of ballet performance and illusion. Color became a powerful contributor to setting the aura of a scene in a ballet. In Giselle, this is especially evident in the contrast between the earthy, warmly toned town scenes and the ghostly, white, eerie world of the wilis. With the “introduction of gas-lighting” the amou...
The colours used in the artwork are earthy tones with various browns, greens, yellows, blues and some violet. These colours create a sense of harmony on the...
The colors used in the painting are very vivid yet rich in depth. A combination of high chroma and low chroma gives the picture its dep...
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
Henri Matisse was famous for his unique movements and styles of art. He was best known as a Fauve painter, and was a large part of the modern art movement. He contributed to modern art, by keeping up with the artistic movements and trends, but also held on to the classical artistic styles of the past. While his work continued some of the stylitsic qualities of Impressionism and Post-Impressionism, he was interested and involved, mostly, in Fauvism. He, like many other artists of this movement, emphasized strong colors over realistic and basic colors, found in Impressionism. One of his most famous pieces, The Dance (1909-1910) had two versions. The first piece, Dance I, resembled that of more classical styles of art, with its
The sadness and seriousness of the dance is expressed by the color tones in the costumes and lighting. The whole scheme is dark and neutral; there is no color throughout the whole piece. The lighting the entire time is very dim. The background is completely black and a very dim light is shined on the dancers when they are dancing. This makes the tone very somber, and when paired with the music and costumes, really makes the entire mood of the dance come together. The costumes are very plain and simple. They are sleeveless tank tops and gaucho pants for the men, and a plain long brown dress for the girls. It should also be noted that they are barefoot, and have no accessories on. The choice of these costumes sets a realistic backdrop. Additionally, these costumes demonstrate their lack of individuality and freedom since they are all wearing identical
This painting by Vincent Van Gogh is on display at the Art Institute of Chicago Museum, in the Impressionism exhibit. There are many things going on in this painting that catch the viewer’s eye. The first is the piece’s vibrant colors, light blues and browns, bright greens, and more. The brush strokes that are very visible and can easily be identified as very thick some might even say bold. The furniture, the objects, and the setting are easy to identify and are proportioned to each other. There is so much to see in this piece to attempt to explain in only a few simple sentences.
Monet and Degas' earlier works have notably different brush stroke styles. While Monet has tended to lean towards the short, choppy and yet delicate, Degas’ strokes blended virtuously unnoticeable. However, these seem to correspond with their earlier themes and objectives. Monet mastered the art of illustrating waves with his brush stroke style, Degas, the curve of a woman’s body or the sheer coat of a young colt. The colours chosen by either artist’s match the scenes they tend to choose to paint. Degas normally chose colours that would show deep contrast between the background and foreground. Monet chose colours the gently blended and showed vibrancy but that created a kind of stable balance in the greater part of his paintings. Degas’ brushstrokes a...
Impressionism grew out of and followed immediately after the Barbizon school. A distinctive feature of the work of the Impressionists was the application of paint in touches of mostly pure colour rather than blended; their pictures appeared more luminous and colourful even than the work of Delacroix, from whom they had learned the technique. To the modern eye, the accepted paintings of the salon artists of the day seem pale and dull.
Color is used to draw attention to important characters and objects in the painting. The red of Mary’s shirt emphasizes her place as the main figure. A bright, yellow cloud floating above the room symbolizes the joy of the angelic figures. De Zurbaran uses warm colors in the foreground. The room, used as the background for the scene, is painted in dark colors utilizing different hues of gray and brown.
It can be seen in Chagall’s composition the application of these movements principles of arbitrary colour and reorganization of the visual field, but he incorporates these principles with a dream like scape to create his own personal style.
Impressionism can easily be viewed as a captivating and revolutionary art movement, which took place during the Nineteenth century in Europe. Artists of this era began to contend with newer technologies, like the camera, for it possessed the capability to seize a spontaneous moment in time. Impressionists wanted to do the same; they strived to paint the picture of a genuine moment happening in front of them. One famous artist of this time period was Edgar Degas . Degas’ The Rehearsal On Stage, created in1874, reflects the characteristics of the impressionism period style of art as well as Degas’ own personal artistic style. By combining these two influences, Degas was able to produce a painting, which could be used to evoke a feeling of physical, sexual, and moral tension while also depicting modern-day life.
It was made with oil and a canvas. This painting is believed to display fridas feelings at the time of the divorce. It looks like one is traditionally dressed and the other is not. It is a representation of loss and it just gives off a very lonesome feeling. This painting uses the element of art called texture to create an attraction to the piece. Contrast is a principle of design and that is exactly what is used here. Her two figures become the center of attention. These stand out because of the dark cloudy background which is mostly contrasted with the white figures. There is also balance and symmetry in Kahlo’s painting too. She chooses to put the two figures side by side to create symmetry by repeating the figures. She uses these elements help convey a mood. She uses them to create a mood by instead of just one element working by itself she uses them all so that they all could work together. I think the purpose of this piece was to show the sorrow and despair she felt when her husband diego had an affair and they had to file a divorce. I truly think the artist was trying to say that she was know truly alone and that she did not have anyone. This painting feels as if two worlds have crashed. The one who was loved by Diego and the one who was not. I choose this artist because I knew that she could make magnificent things like this actually