Eat The Other Sherman Alexie

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By analyzing Sherman Alexie’s poem, “How to Write the Great American Indian Novel”, through the lens of Bell Hook’s essay, “Eating the Other”, we can see how commodity culture in the United States uses gender and sexual desire to exploit race and ethnicity. Specifically within the poem, we see Sherman Alexie use irony and stereotypes in a way that puts on display all the racist issues that we find in films and novels as well as the way in which our culture exploits those people and their culture for its own gain. We see from the very first stanza that stereotypes are put in place. It reads, “All of the Indians must have tragic features: tragic noses, eyes, and arms. Their hands and fingers must be tragic when they reach for tragic food”. Alexie …show more content…

They should destroy the lives of any white women who choose to love them. All white women love Indian men. That is always the case. White women feign disgust at the savage in blue jeans and T-shirt, but secretly lust after him.” This confronts the hypocrisy that we face today in our culture. The media does a good job at creating this allure about the “bad guys” that ends up being a double-edged sword. There is so much drama wrapped up within the “tragic” lives of the other that stirs desire (mostly sexual) into our culture. Bell Hooks puts it, “It is within the commercial realm of advertising that the drama of Otherness finds expression. Encounters with Otherness are clearly marked as more exciting, more intense, and more threatening. The lure is the combination of pleasure and danger. …show more content…

Alexie writes, “In the Great American Indian novel, when it is finally written, all of the white people will be Indians and all of the Indians will be ghosts.” This emphasizes how our culture has co-opted the Indian culture (“white people must carry an Indian deep inside themselves”). The “inner Indian” must either be a healer or a warrior but only when it’s within a white person. This correlates with the point Hook makes in her essay about the role of the movie Hairspray. She writes, “When Traci says she wants to be black, blackness becomes a metaphor for freedom, an end to boundaries. Blackness is vital not because it represents the “primitive” but because it invited engagement in a revolutionary ethos that dares to challenge and disrupt the status quo. (37)” When we as a culture take on and appropriate the others we do it for selfish reasons, to heighten ourselves and our own emotions of excitement or whatever it is we are looking for. This happens until finally “white people will be Indians and all the Indians will be

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