E.E. Cummings
Edward Estlin Cummins was born in Cambridge, Massachusetts, on October 14, 1894 and died on September 3, 1962 in, New Hampshire. He was 67 and was buried at Forest hills Cemetery. He was married twice very briefly, his first wife was Elaine Orr, but their marriage started off as a love affair in 1918 while she was also married to Scofirled Thayer, one of Cummings friend from Harvard. During the course of their marriage Cummings wrote a lot of erotic poetry. During the affair they had a child named Nancy which would end up being Cummings only child. His father was a professor and a minister, and his mother instilled in the youngster, a love of language and play. Two of Cummings inspirations for all of his work were Amy Lowell, and Gertrude. A lot of his inspiration also came from his three month imprisonment because the French military accused him of espionage (the practice of spying or using spies). E.E. Cummings work greatly influenced the transcendentalist movement and changed the way poets approached language and particularly punctuation.
E.E. Cummings was a poet that experimented with poetic form and language to create his own personal style. He also revised grammatical and linguistic rules to suit his own purposes, using words such as “if”, “am,” and “because” as nouns, or assigning his own private meaning to words. This is called a transcendentalist poet, a poet that completely ignores the rules of poetry. Up to his death Cummings held a prominent position in the twentieth century poetry. Cummings was such a great poet that Malcolm Cowley said “Cummings has written at least a dozen poems that seem to me matchless. Three are among the great love poems of our time or any time”. Cummings was not the only one...
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...ard University, and at the University of Texas at Austin. He gave a lecture called “Charles Eliot Norton Lectures” in 1952 and 1955 that later was collected as “six nonlectures”. During his last decade of his life he spent time at his summer house and traveled, fulfilling speaking engagements. He died on September 3, 1962 at the age of 62 in North Conway, New Hampshire of a stroke at the Memorial Hospital. He was cremated and had his remains buried in lot 748 Althaeas Path, in Section 6, in Forest Hills Cemetery. His third wife died in 1969 and was buried in an adjoining plot.
I can now see why. E.E. Cummings work greatly influenced the transcendentalist movement and changed the way poets approached language and particularly punctuation. Many people may not think his work was great at the time but decades later he became one of the best poets of the 20th century.
“Victorian poets illustrated the changeable nature of attitudes and values within their world and explored the experiences of humanity through these shifts.”
Throughout history there have been many poets and some have succeeded while others didn’t have the same luck. But in history e.e. Cummings has stunned people with his creativity and exposure to the real world and not living in the fantasy people imagine they live in. Cummings was a great poet, and was able to make his own way of writing while he was also involved greatly in the modernist movement. But he demonstrates all his uniqueness in all and every poem, delivering people with knowledge and making them see the world with different eyes as in the poem “Since feeling is first”. Biography Born on October 14, 1894, E. E. Cummings an American poet was born at home in Cambridge, Massachusetts.
The poem “anyone lived in a pretty how town” by E.E. Cummings talks about the cycle of life and the importance of structure, symbolism, and language of the poem. For instance, the poem has nine stanzas, which has a rhyming pattern of AABC. The rhythm of the poem is significant for it supports one of themes, the cycle of life. Cumming uses season to explain the poem's progress. “spring summer autumn winter” (3) and “sun moon stars rain” (8) symbolizes time passing, which represents life passing. In the poem, as the seasons and skies rotate, life continues along with them. In addition, the uses of the words “snow” (22), “buried” (27), “was by was” (28), and “day by day” (29) leading to death. Towards the end of the poem, the depression of death was mention, but Cumming was just stating the n...
great reputation and he was awarded the Nobel Prize for Literature in 1983. He died of heart
Michael Gray’s analysis of Dylan’s lyrics being a contrast between hackneyed expressions and “beautifully done” are exemplified in the song “Just Like a Woman.” Dylan’s lyrics “she aches just like a woman but she breaks just like a little girl” is given the harsh description of “maudlin platitude” and deemed to be a “non-statement.” If Dylan’s lyrics cannot uphold against meaningful music of the same category, how can they be expected to stand against literature written for a different field. John Lennon had his own critiques of Dylan’s works, calling out how the abstract nature of his lyrics, having loose definition, never achieved an actual point. Lennon’s definition of “poetry” referred to “stick[ing] a few images together” and “thread[ing] them” in order to create something meaningful. It once again boils down to the fact that Dylan’s music that was written and intended to be received as a live performance. The acknowledgement that “…you have to hear Dylan doing it” is a recognition of his composition’s failure to come across as a normal literary work. It’s all part of a “good game.” This in itself should disqualify Dylan as a possible candidate for the Nobel Prize.
Literature has played a large role in the way we perceive the world and it can affect the way in which we think about things. Edgar Allan Poe along with Mark Twain are two of the most influential authors that our world has ever seen. Their descriptiveness and diction has had a huge impact on their readers for centuries. Poe’s gothic style of writing was very enthralling and suspenseful; it left you wanting to know what was going to happen next. Whereas, Mark Twain was a very humorous author that intended to amuse all that read. The descriptiveness that was incorporated by these world-renown authors is tremendous.
Edgar Allan Poe once said, “I would define, in brief, the poetry of words as the rhythmical creation of Beauty”("BrainyQuote"). Poe has been known for his fantastic and eerie short stories, but he also wrote poetry. In fact, it was poetry that started his career. Throughout Poe’s life, poetry was a big part of him, and with his passion he created great works like “The Raven”. With Poe’s life story, poetic vision, and great poems, he has changed the literary world forever.
During E. E. Cummings ' life, he made many arguments in favor of individualism and condemned conformity. During a speech at Harvard, he once stated, "So far as I am concerned, poetry and every other art was, is, and forever will be strictly and distinctly a question of individuality" ("E. E. Cummings"). His unique writing style is also a testament to how he valued individuality and creativity—how his poetic style was drastically different from most of the poetry that had been written before him.
Edward Estlin Cummings was born in Cambridge, Massachusetts on October 14, 1894. He earned a BA from Harvard and volunteered to go to France during World War I with the Ambulance Corps. After the war, he stayed in Paris, writing and painting, and later returned to the US. He died in Conway, New Hampshire, in 1962. Cummings is one of the most innovative contemporary poets, he used unconventional punctuation and capitalization, and unusual line, word, and even letter placements - namely, ideograms. Cummings' most difficult form of poetry is probably the ideogram; it is extremely terse and it combines both visual and auditory elements. There may be sounds or characters on the page that cannot be verbalized or cannot convey the same message if pronounced and not read. Four of Cummings' poems "la," "mortals," "!blac," and "swi" illustrate the ideogram form quite well. Cummings utilizes unique syntax in these poems in order to convey messages visually as well as verbally.
Edward Estlin Cummings, commonly referred to as E. E. Cummings, was born on October 14, 1894 in Cambridge, Massachusetts. He was a source of vast knowledge and was responsible for many creative works other than his poetry, such as novels, plays, and paintings. He published his first book of poetry Tulips and Chimneys in 1923. Many of his poems are known for the visual effects they create through his unusual placement of words on the page, as well as, his lack of punctuation and capitalization. The manner in which Cummings arranges the words of his poems creates an image in the reader's mind of the topic he is discussing, such as a season or climbing stairs. His visual style also brings emotions, such as loneliness or cheerfulness, to the reader's mind. Due to this creativity, Cummings won many awards, such as the National Book Award and the Bollingen Prize in poetry (Marks 17).
Emerson’s wife died in 1831, an event that likely pushed him towards a path of self-discovery. At the end of 1832, Emerson left for Europe. While there, he had the opportunity to meet some of his literary idols: William Wordsworth, Samuel Taylor Coleridge, and Thomas Carlyle. These relationships would continue to inspire Emerson as he forged his unique relationship with the universe.
Marianne Moore’s most popular poem, which is also her most ambiguously titled poem, is called “Poetry.” In this poem Moore decisively strayed away from her conventional writing style of contrariety and the bizarre, but it does seem to share other characteristics of her earlier poetry. Moore’s apparent purpose in writing “Poetry” was to criticize the present social outlook on the entire idea of poetry, to come up with a universal definition of poetry and of genuine poetry, and ultimately to convince those who dislike poetry of its benefits. She attempted to present this criticism and definition by means of blatant irony, and even though she desperately wants to describe the seemingly trivial activity of poetry, she fails to provide a definition that is not caught up in the negative.
Holbrook, David. Llareggub Revisted: Dylan Thomas and the State of Modern Poetry. Cambridge: Bowes and Bowes, 1965. 100-101.
...eme” (Spring and All 179). It is not enough to accept Williams’s words in Spring and All as a sound argument for the direction of poetry or as a proper list of what poetry shouldn’t be. One must examine the work as a reactionary piece to the issues of the time period it was written in while insuring that it carries along the ideals it intends to redefine, without question.
...for another man, and he still loved her with all his heart, that shows how much passion he had in his life. He transferred this passion throughout all of his work. This passion in my opinion is what made his poems as good as they are. Without that passion, and how devoted he gets to people and things, he never would have been as successful of a poet as he was, and still is to this day.