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Analysis dystopian literature
Analysis dystopian literature
Analysis dystopian literature
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Our dystopian movie, Oblivion, revolves around a bureaucratic dictatorship (the Society) occurring in the 24th century. It contains futuristic elements in which a totalitarian government uses propaganda and tyrannical force to run the society. Oblivion portrays an alluring depiction of propaganda while instilling a greater image of the reality of survival.
The focus of this investigation is the ability of leaders to appeal to human emotion through propaganda. Propaganda became especially prevalent in the United States of America during the Second Red Scare between 1947 and 1954. Propaganda assisted in the infiltration of anti-communist ideals. This examination specifically focuses on the extent to which film propaganda during this time period influenced anti-communist hysteria. The movies produced during the Cold War glorified American democracy and an evaluation is completed discussing the impact of this glorification on society. The analysis emphasizes how these beliefs infiltrated all genres of moviemaking, according to researchers of film propaganda and American politics. Several secondary sources are used to look at film propaganda produced during the era of McCarthyism and the anti-communist hysteria existing exclusively in this time period.
Any purported ideology pointing to the political emancipation of the people and attempting to make them rebel is criminalized. Authoritarian rule forms the underlying theme in the novel. It should also be noted that human conflict as a major theme that helps to upstage the former (Authoritarian rule) theme. One experiences the satirical self-glorified human thirst for control often driven by greed and corrupt ideologies to build and gain total control over the populace under them. This thought is held to the effect that the Big Brother party is an epitome of authoritarian and dictatorial governance in the modern world founded on deception and lies.
...n Brave New World , John, a ‘savage’ not raised by the society asks the world leader, Mustapha Mond, why they do not show films like Othello. Mustapha cites that not showing that kind of film is the “price we have to pay for stability.” As well, he speaks of the necessity for different classes of people to be in operation, even though more efficient methods through science exist. The prime directive of all these ‘utopias’ is to pacify their public and either thrill them with the collective being of a nation, or sedate them with excitement and drugs.
Words and images were silent weapons used by all governments involved during World War II. Wars are generally fought between soldiers, but the different ideologies often meet on the battlefield as well. The support of the people is crucial during these times since it general knowledge that strength relies on numbers. Propaganda targets people’s emotions and feelings and changes people’s perception about a particular idea, people or situation. Propaganda goes hand in hand with the art of persuasion and convincing; these tools can control and manipulate the collective minds of massive amount of its audience. During World War II, for instance, the elements of war were taken from the location of the military fights and brought to the households of millions of families. Advertising has the power to sell ideas, to give or take away hope, and to boosts people´s morale; the ideas that were presented to the public through propaganda are immortal, they linger in the nation’s memory. Images often displayed in posters and pamphlets during war time, were an essential factor to gain peoples support and trust, images attract people’s attention with more efficiency than word. It is an effective mean to attract attention; it I said that images speak louder than words and this case is not the exception. Media, during World War II, was the catalyst which increased the magnitude of the issue that was being confronted. This event left a mark in our history since its objective was to generate hatred between ethnics. It is in our nature, the human nature, to take our own culture as a point of reference to judge others, this is a phenomenon called ethnocentrism and it is fuelled bye prejudice and stereotyping. Throughout history whenever technologically...
Kurt Vonnegut’s science fiction, short story, “Harrison Bergeron” satirizes the defective side of an ideal, utopian American society in 2081, where “everyone was finally equal” (Vonnegut 1). When you first begin to read “Harrison Bergeron”, through an objective, nonchalant voice of the narrator, nothing really overly suggests negativity, yet the conclusion and the narrator's subtle description of the events show how comically tragic it really is. Vonnegut’s use of morbid satire elicits a strong response from the readers as it makes you quickly realize that this scenario does not resemble a utopian society at all, but an oppressive, government and technology-controlled society. “A dystopian society is a
Propaganda is utilised by the Pre-Crime division of Minority Report to falsify justification for their methods and as a mean of heralding the pre-cognitive technology as a saviour. The Pre-Crime division roots its interests in its own sustenance, and that sustenance can be achieved through the formulation of a societal structure in which all their actions are justified for the betterment of society. Although, unlike in 1984 the people of Minority Report are not devoid of a societal reference point to which they can compare their current lives. Consequently, the Pre-Crime uses propaganda slightly differently, nevertheless to achieve the same result. The strategy is to persuade the public that their lives are better than they were before. The
Through their dystopian texts, Lang and Orwell aim not only to generate imaginative critical thinking about the imminent dangers of their contemporary worlds, but also potentially offer the basis for radical change with real world consequences. Fritz Lang’s Expressionist silent film Metropolis, released in 1927, represents his concerns for the individual under a capitalist hierarchy. His film reflects the economic and political aftermath of Weimar Germany following WWI, to portray the impact of power struggles on the individual. Correspondingly, in the short time-span of only 20 years, George Orwell’s novel 1984, published in 1949, warns of the mechanisms of power in a totalitarian society, cautioning his audience about the eradication of the
Organizations have been leading the world for a recorded 5000 years. 1984 and Fight Club predict that mankind will fall as figurative slaves to large organizations. Both share an identical theme: figurative slavery to organizational bodies. The novel and film mirror the mechanics of figurative slavery in the modern world through various forms of propaganda shown within the plot, the characters’ ideologies revealed in their methods of escapism, and their display of rebellion.
This cover reflects my interpretation of the texts Metropolis (1927) directed by Fritz Lang and 1984 (1948) written by George Orwell.
A utopian society represents a perfect, idealistic civilization, while a dystopian society describes an unpleasant environment for the individuals living within it. George Orwell’s 1984 portrays many characteristics of a dystopian society. Very similarly, Veronica Roth’s Divergent tells the story of a government that forcefully separates and controls its citizens. 1984 and Divergent both share the presence of harsh regulation and control from their respective governments. Orwell and Roth’s novels compare Ministries and Factions, conformity and obedience, Proles and the Factionless, and government regulation, in a similar, yet negative way.
The 2006 film V for Vendetta, a cinematic remake of the classic graphic novel series by the same name, is the epitome of a Marxist fairy tale. The film is complete with a bourgeoisie government who spreads their ideology, via mass media, to a citizenry composed entirely of proletariats, and a hero who sets out to break said citizenry from the prison of false consciousness. If one examines the setting and environment of the film, and follows the main characters as they fight against, or break free from, false consciousness, evidence of Marxist themes are present throughout the film.
The Hunger Games was a critically acclaimed movie when it came out; however, some critics would argue that the movie can be sometimes too violent for its intended audience. In this essay I would dissert Brian Bethune’s essay “Dystopia Now” in order to find its weaknesses and compare the movie Battle Royale with his essay.
One could easily dismiss movies as superficial, unnecessarily violent spectacles, although such a viewpoint is distressingly pessimistic and myopic. In a given year, several films are released which have long-lasting effects on large numbers of individuals. These pictures speak
Dystopia represents an artificially created society to where a human population is administered to various types of oppressions, or a human population lives under the order of an oppressive government. The novel Fahrenheit 451 and the film V for Vendetta both effectively display this dystopian concept in their works. The nature of the society, the protagonist who questions the society, and the political power that runs the society are examples of how the novel and the film efficiently capture the main points of a dystopian society. The authors of the novel and the film use their visions of a dystopian future to remark on our present by identifying how today’s society is immensely addicted to technology and how our government has changed over the past decades. Furthermore, the authors use our modern day society to illustrate their view of a dystopia in our
Dystopian novels can act as a mirror, reflecting our world and exaggerating aspects of it to create their horrific realities. However, dystopian fiction does not intend to simply add to the ugliness and cruelty present in the world. As a matter of fact its actual aim is entirely opposite- to warn against the grave “sin” Arthur Camus describes in his novel The Plague. By exploring a fictional universe, we are shown what could become of our own existence if these warnings are not heeded. The bleak desolation of Cormac McCarthy’s The Road and the utter horror of Richard Matheson’s