Dystopian And Speculative Fiction In The Handmaid's Tale And Never Let Me Go

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Features of Dystopian and Speculative Fiction in The Handmaid’s Tale and Never Let Me Go The Handmaid’s Tale, Canadian writer Margaret Atwood’s sixth novel which was first published in 1985 is as controversial as Japanese-born novelist Kazuo Ishiguro’s Never Let Me Go that was published for the first time in 2005 in the sense that both works have been the subject of great debate about their genres. The Handmaid’s Tale has been labelled as a science fiction novel by critics like David Langford and writers like Ursula K. Le Guin and Atwood has been severely accused for her rejection of the sci-fi label. Le Guin, in a column in Guardian, claims that several works of Atwood ( The Handmaid's Tale, Oryx and Crake and The Year of the Flood ) “exemplify one of the things science fiction does which is to extrapolate imaginatively from current trends and events to a near-future that's half prediction, half satire.” (Le Guin, Guardian) Atwood, on the other hand, prefers to call her work speculative fiction rather than science fiction and her rejection of the term seems to stem from the difference between the two writers’ descriptions for it. As Atwood makes it clear in her column:
“…I like to make a distinction between science …show more content…

Clarke award in 1987. She's [Atwood] been trying to live this down ever since,” (Langford, SFX) seems pointless. In addition to speculative and science fiction, the novel has also been labeled as dystopian fiction for its use of themes like “power, totalitarianism and war” and its “dream-nightmare quality,” its “characterization,” of its protagonist, its use of “binary oppositions (the eternal conflict between individual choice and social necessity),” (Malak, 10) which will be talked about more later in this

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