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Comedy in the taming of the shrew
Comedy in the taming of the shrew
Comedy in the taming of the shrew
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Am I a lord, and have such a lady?
Or do I dream? Or have I dreamed till now?
I do not sleep. I see, I hear, I speak.
I smell sweet savours, and I feel soft things.
Upon my life, I am lord indeed,
And not a tinker, nor Christopher Sly.
From The Taming of the Shrew (Induction 2.66-71)
Themes of memory and dreams echo throughout the works of Shakespeare, just as these concepts still resonate in postmodern literature. In The Taming of the Shrew the lower class drunken character Christopher Sly is picked up off the streets by a nobleman and, for sheer amusement, dressed up to be a lord. Though at first skeptical of his identity, as Sly remembers who his father is, what his profession is, and what his hobbies are, the poor drunk man soon believes the nobleman that his memories are false and that he is in fact of noble blood. Though the audience knows of the game, and what Sly's background actually is, Sly himself contemplates the difference between his dreams and his memories, blurring the boundaries of the dream world and waking life. Sly ponders, "do I dream? Or have I dreamed till now?" considering the possibility that his memories are nothing more than dreams and that he has now awakened to his true identity. In this sense, Sly is battling with the contradictions of the condition of the liberal human subject. Sly has been taught by society to believe that his memories form his identity, but at the same time his surroundings suggest something other than those memories and thus he no longer is sure of who he really is. Sly is still guided by the notion that memory forms identity and so he assumes that his memories are false and that his new identity has been his all along.
The play continues wit...
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...he fails to allow his dreams to add to his identity (in his case, however, his "dream" appears to actually be his reality). Petruccio, like Neo and Quaid, appears in the play within the play to affirm that "reality" is more than just physical environment (i.e., as he denies the place of the wedding ceremony and his attire to equate his identity). Quaid and Leonard's environments are just as fabricated as Sly's noble environment is, yet even their dreams and implanted memories/mementos shape their identity. All of these texts utilize the notion of autopoiesis and emergence from systems within systems. They acknowledge the validity of implanted memories and dreams to demonstrate that though systems force their inhabitants to view them with limiting lenses, when one is able to acknowledge that they do exist in a system within a larger system, emergence can take place.
In William Shakespeare’s play The Taming of the Shrew, Petruchio acts as a master tamer by depriving Katherine of her necessities, being a mirror image of her, and making her agree with him. Petruchio displays the qualities of a master tamer by making her agree with all of his opinions. Acting as a mirror image, Petruchio proves he holds the role of a master tamer and will do whatever he wants. In order to be a master tamer to Katherine, Petruchio deprives her of all her basic needs and necessities.
William Shakespeare is a master of satire, and it is very evident in his work “The Taming Of The Shrew”. His use of exaggeration is impeccable, and he managed to make the entire work one giant parody. Through this satire, he makes a very important social commentary, using his influence to bring new ideas into people’s minds, and make them realize the flaws in their
find a wife. "I come to wives it wealthy in Padua; If wealthy, then happily in
In the beginning of “The Taming of the Shrew”, some say Shakespeare portrays Katherina as a very shrewish figure. Others may argue that she is not shrewish but just a very strong willed person. At the end of the play some people say she is transformed into a very kind and gentle person, while again others will argue that she is not “tamed” but just putting on an act to “show up” her younger sister Bianca, whom has always been more beautiful and charming. Kate is “like a wasp, like a foal, like foal that kicks from his halter; pert, quick and determined, but full of good heart.” 1. This statement made by one author, shows clearly that he does not see her as shrew-like, even at the beginning of the play. The same author states that at the end of the play she has not really transformed, rather she has just fallen in love with Petruchio, in essence she is free from torment because she is no longer seen as the shrew.
In most societies, women are seen as subordinates to men. During the Elizabethan period of England, men were superior to women, because women were looked upon as less valuable during this period of time. Occasionally, women gained recognition from men. However, men took responsibilities, and were seen as more important. In the Shakespearean comedy, Taming of the Shrew, author William Shakespeare displays disrespect towards women by including sexist remarks. He also portrays women as being obedient to men, who are more significant in that time. Shakespeare portrays women being obedient to their husbands and the men being more appreciated and significant in his play Taming of the Shrew.
The Taming of the Shrew by William Shakespeare What does the play say about attitudes toward love and marriage and about the relationship between the sexes? What might be the reaction of a modern audience to what takes place on stage? It could be said that “The Taming of the Shrew” by William Shakespeare is focused entirely on attitudes toward love and marriage and the relationship between the sexes. This is demonstrated in many ways throughout the play. For example in Act 1 Scene 1, Baptista Minola is telling his younger daughter’s suitors that they cannot pursue her until his older daughter, Katherina, is married.
Taming of the Shrew, had a great story line, which can be related to several movies that exist today i.e. Othello, 10 Things I Hate about You, and The Lion King. In William Shakespeare's play, The Taming of the Shrew, the shrew played by Katherine, had a terrible perspective on life and just about everything else. Her negativity was caused by her younger, more pulchritudinous sister Bianca. Bianca wanted to get espoused. She had all of the men's hearts, Katherine retained none. If Katherine got espoused then Bianca could get espoused. She authentically was a shrew who needed to be tamed.
Over the past 400 or so years since Shakespeare wrote _The Taming of the Shrew_, many writers, painters, musicians and directors have adapted and reformed this play of control and subjugation into timeless pieces of art. In _10 Things I Hate About You_ and Kiss Me Kate from two very different times in the twentieth century, and paintings of Katherina and Bianca from the late nineteenth century, the creators of these adaptations have chosen to focus on the role of the two main female characters in the play. The ideas surrounding these women have changed through the years, from Katherina and Bianca simply being young women who deviated from the norm of Shakespeare’s time to women who embody feminist ideals and stereotypes of the more modern world.
In conclusion, Shakespeare does it again with Taming of the Shrew. On the surface, there is Kate who seems to be off the wall and kinda crazy but at the end of the play, you realize that by acting this way and learning “life’s little secrets,” she gets the life she always wanted.
During the Shakespearean era, obeying husbands and fathers was looked at so highly that it matched obeying the King of England; the uppermost pedestal was reserved for the Shakespearean man. Gender roles lead to the development of self-individualism which divided the men from the women by establishing a deep distrust of women into the men along with an authoritative dominance, and in hand locked women into a permanent submissive position. One of the most oppressed groups throughout history has been women, which were socially, economically, educationally and religiously oppressed during the time period of Shakespearean society. Social normality and political views has been throughout time, arguably the most extreme oppression enforcement over social outcaste subgroups. Society also held a strong grip on artists and the creative messages of the work that artist deliver to the world, which can depict a sometimes hidden, or subtle dropping of opinions of the hard hitting issues at hand during the present time period. Shakespeare is deemed as one of the greatest known writer’s in English history, not only because he was tremendously attentive towards the Elizabethan era and the diverse struggles that haunted the streets of England in everyday life’s routine, but because he did more than just take notice, as he acted upon the travesties he observed by weaving the representation of the world he came to know through his artwork, leaving the world with irreplaceable pieces of literature and insightful history of Shakespearean society.
Power is the capability of influencing others in their behavior. It all connects to him trying to tame Katherine. He wants to change her behavior and he contains the power of doing this because at the end she respects him more than any other female would respect their husband. Throughout the play, The Taming of the Shrew, by William Shakespeare, Petruchio, Katherine 's husband, contains the power in the relationship because he is able to change her behavior.
A long time ago, a drunken man fell asleep outside an alehouse. This man, Christopher Sly, was discovered by a mischievous lord who took him into his home. The witty lord then convinced Sly that he was a lord, as well. The lord then put on a play for him. The play, The Taming of the Shrew, was about the two young daughters of Baptista. The youngest daughter, Bianca, wished to wed but her father, Baptista, would not allow this until his eldest daughter, Katherina, was married. Under normal circumstances, it would be easy to find a husband for Katherina with all her beauty, but all her beauty was covered by her shrewd personality. By this time Bianca's suitors were growing very impatient, so they decide to team up and find a husband for Katherina. In jest they mentioned their plan to a friend, Petruchio, who surprisingly agreed to marry Katherina. All her beauty and wealth were enough for him. Katherina reluctantly was wed to Petruchio and she was taken to his home to be tamed. With Katherina out of the way, Bianca was now allowed to marry Lucentio, who offered her father the highest dowry for her. In the final scenes of the play, Katherina proves that she is tamed by winning an obedience contest at a dinner party. Katherina is now even more in accordance with her wifely duties than Bianca. A fare is a type of comedy based on a ridiculous situation. The Taming of the Shrew, an eminent example of a farce, is the first of three farces written by Shakespeare.
William Shakespeare's The Taming of the Shrew is an interesting story that demonstrates the patriarchal ideas of how a marriage is suppose to be according to society, what is acceptable of a woman's role in a relationship. It's a story that has many things to show for it's been remade, and remade, even slightly altered to better relate to the teenage audience.
In A Midsummer Night's Dream, playwright William Shakespeare creates in Bottom, Oberon, and Puck unique characters that represent different aspects of him. Like Bottom, Shakespeare aspires to rise socially; Bottom has high aims and, however slightly, interacts with a queen. Through Bottom, Shakespeare mocks these pretensions within himself. Shakespeare also resembles King Oberon, controlling the magic we see on the stage. Unseen, he and Oberon pull the strings that control what the characters act and say. Finally, Shakespeare is like Puck, standing back from the other characters, acutely aware of their weaknesses and mocks them, relishing in mischief at their expense. With these three characters and some play-within-a-play enchantment, Shakespeare mocks himself and his plays as much as he does the young lovers and the mechanicals onstage. This genius playwright who is capable of writing serious dramas such as Hamlet and Julius Caesar is still able to laugh at himself just as he does at his characters. With the help of Bottom, Oberon, and Puck, Shakespeare shows us that theatre, and even life itself, are illusions that one should remember to laugh at.
“SparkNote on The Taming of the Shrew.” SparkNotes.com. SparkNotes LLC. 2002. Web. 30 Apr. 2014.