Throughout the extract, there is an array of adjectives used to portray Count Dracula. Lines 39-42 is a long description of his hands, and his hands only. Harker describes them as “coarse and broad with squat fingers… The nails were long and fine and cut to a sharp point”. He uses 10 adjectives in the first 2 sentences, which is not commonplace for a sentence. The long description of his hands suggests that he finds his hands shocking or appalling. The words used seem to denote someone that is not human, or alien like. As he is overly describing the hands it is likely that Harker felt uneasy about the hands, as he painted a very detailed image
Lines 24-28 show his fear when he meets the count. The text is structured in a stop-start way using commas, with some clauses totalling 6 words or less, while some total triple this. For example, it is wrote “The strength of the handshake was so much akin to that which I had noticed in the driver, whose face I had not seen, that for a moment I doubted if it were not the same person to whom I was speaking. So to make sure, I said interrogatively, “Count Dracula?” The first sentence in this extract has 3 clauses, 2 of which are very detailed, and one is just 6 words. This gives a sense of stop-start writing, which shows that he may just want
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In this it is wrote “…with high bridge of the think nose and peculiarly arched nostrils; with lofty domed forehead, and hair growing scantily round the temples, but profusely elsewhere. His eyebrows were very massive, almost meeting over the nose, and with bushy hair that seemed to curl in its own profusion…” This gives a sense of horror to the reader, given by Harker. Harker seems to be scared of the Count, and gives a highly detailed image of him. His depiction shows him to be hardly normal, and somewhat, to an extent, non-human. This description of him is a definitive example of an attempt to promote horror by descriptive
For example, when Harker greets Dracula in Chapter 2, he becomes uncomfortable when shaking the Count’s hand, ‘more like the hand of a dead than a living man.’ This shows that Dracula has a deathly aura about him, represented as an inhuman character. Stoker enhances that Harker’s experience of meeting Dracula for the first time is all very strange to him, introducing an unfamiliarity within the element of ‘foreigner’ in the novel. In addition to this, as the characterisation of Professor Van Helsing develops, the reader soon learns that he carries out strange and unexplainable behaviour, ‘his actions were certainly odd.’ This is effective because it provokes an inquisitive response in the reader. More importantly, this quote creates a sense of the unknown and highlights that not all is what it is seems. It could be argued that Stoker may have applied these mysterious attributes to both characters to reflect the widespread fear of the unknown in Victorian society at the time. Conclusively, the threat of invasion of the British Empire may have had a significant influence on the representation of foreigners within the
This fictional character was soon to be famous, and modified for years to come into movie characters or even into cereal commercials. But the original will never be forgotten: a story of a group of friends all with the same mission, to destroy Dracula. The Count has scared many people, from critics to mere children, but if one reads between the lines, Stoker’s true message can be revealed. His personal experiences and the time period in which he lived, influenced him to write Dracula in which he communicated the universal truth that good always prevails over evil. Religion was a big part of people’s lives back in Stoker’s time.
The diary entries or notes used in ‘Dracula’ are fragmented and have an epistolary structure ‘Jonathon Harker’s Journal’. This emphasises each of the character’s feelings of isolation and loneliness, adding to the appeal of the reader. During the entries, Stok...
The presence of racial stereotypes and commentary on the interaction of different races is a cornerstone of the Dracula narrative. In Stoker’s novel, Count Dracula is representative of the growing European culture of xenophobia and anti-Semitism which would rise to near hysteria in the coming decades. The concept of race was not limited to skin color or nationality in the nineteenth century, and was a means of categorizing people by “cultural as well as physical attributes” (Warren 127). Dracula is described as being covetous of ancient gold and jewels, childlike and simple in his malice, and more animalistic than human, traits frequently attributed to the Jewish people by Christian society (Newman). His material appearance is distinguished by extremely pale skin, dark features, a nose with a “high bridge…and peculiarly arched nostrils,” and “bushy hair that seemed to curl of its own profusion.” Stoker’s audience would have recognized...
Anyone who has ever seen one of the several adaptations of Dracula as a movie will know that it was intended to be a horror story. Stoker goes to great lengths in order to create an atmosphere of terror and villainy, while hinting at exciting things to come. Straight from the beginning of the book, foreshadowing is utilized to hint at horrifying future events. As Jonathan Harker was about to depart for Castle Dracula, an old lady accosted him and said, "It is the eve of St. George's Day. Do you not know that to-night when the clock strikes midnight, all the evil things in the world will have full sway?" (Stoker, 4). However Harker leaves anyway, despite the warning. Thus the reader is fully aware that something awful is going to happen to him. This quote makes one's mind think of possible future events, thus creating imagery. Every writer aspires to create good imagery, and Bram Stoker is particularly good at doing so.
Once Jonathan arrives at the castle, he is met by the mysterious Count Dracula, a man described as strong and pale, with bright ruby lips and sharp white teeth. Although Jonathan is unaware of what Dracula truly is, he can already sense that something is amiss, and he gets worr...
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
Grave and somewhat solid in his tone, he is overflowing with purpose. The danger he takes in disclosing his contention's potential defects and testing the readers judgments will yield the uneasiness that penetrates his exposition, as well as additionally individuals' personalities. His dialect and tone, withdrawing from the scholastic investigation of monsters, exhibits a genuine yet energetically inciting demeanor to the group of onlookers. We see the modest, unexpected comical inclination that he has well covered up under the earnestness and details of a
The passage depicts the unnatural occurrence of the female’s sexual advances, and establishes the link between vampirism and sex that is seen throughout the novel: unlike Mina and Lucy, who are idyllically virtuous and pure, these un-dead women are insatiable and dominant. Stoker takes the fantastic image of the sexual woman to its most extreme manifestation, and suggests that Harker would not only lose his reputation by indulging in these sexual acts, but also his life. The three vampires that Harker encounters in Dracula’s castle are embodiments of the ‘beautiful nightmare’ of the male Victorians; they are representations of everything that the Victorian society states that women should not be – they are sexually aggressive, ‘voluptuous’, and seductive. This sexual proficiency, though appealing, is rebuked and seen to undermine the male dominancy within the patriarchal society, and therefore must be destroyed. The notion that a woman can be both attractive and repulsive is also presented by Angela Carter in The Lady of the House of Love. The character of the countess is presented as both the predator and the prey – the victim and the vixen. Just as the female vampire in Dracula is described as “thrilling and repulsive”, the countess is described as “beautiful and ghastly”. Despite her beauty and “fragility”, the countess
Stoker chooses to lay some clues out for the readers in order to help them interpret Dracula. The distinct warning presented on the page before the introduction saying the narrators wrote to the best of their knowledge the facts that they witnessed. Next is the chapter where Jonathan Harker openly questions the group’s interpretations of the unsettling events that occur from meeting Dracula, and the sanity of the whole. Several characters could be considered emotionally unstable. Senf suggests that Stoker made the central normal characters hunting Dracula ill-equipped to judge the extraordinary events with which they were faced. The central characters were made two dimensional and had no distinguishing characteristics other then the...
Although Harker was the protagonist, I didn’t consider him a hero. He didn't actively seek out anything heroic, he just goes with the flow. I was looking at Dracula as an anti-hero in this story. Even though he was technically the villain, I challenged myself to analyze Dracula as the hero in the story. If it weren't for Dracula, vampires wouldn't be so popular in pop culture today. There are a lot of vampire characters that speak on how much of an impact Dracula had on culture (Melton 303).
Stoker has rendered the reader to see the Count as physically strong and powerful, through Jonathan Harker and his confinement and Lucy Westenra and her failing health. Although the reader does not understand all the omniscient powers and control that Count Dracula possesses over people, they are brought to light through Dr Steward’s accounts of his patient R.M. Renfield. The ‘strange and sudden change’ (Stoker, 86), that has happened in Renfield evokes the reader to contemplate the Count’s influence over people. Dr Steward suggests it is as though a ‘religious mania has seized’ Renfield (Stoker, 87), and is controlling him. The reader is aware that Renfield can feel the Counts presence and that there is a connection between them. This eventually leads Van Helsing to recognize the bond between Mina Harker and the Count, which helps them to find Dracula and finally kill him. Dracula’s invasion over Renfield also reveals a weakness in the Counts power. Renfield, an obedient servant of Dracula, claims he is ‘here to do Your bidding, Master. I am Your slave’ (Stoker, 88). Renfield’s devotion is quickly reversed when he sees that the Count is taking life from Mina. It is his care for her that causes him to turn against Dracula and try to fight for her. Again Renfield’s actions mimic that of the other men as it becomes their goal to save Mina from the invasion running through her body. The key to this invasion is the blood.
This piece of criticism has strengthened my arguments as to who the real monster is. It has given me a new way to look at things in the novel. I have since then re-read part of the novel and can now read it much more clearly. It will help me greatly in strengthening my argument for the final paper.
Dracula, by Bram Stoker, is a classic tale of Gothicism. Traditionally, gothic tales only carried single theme of horror. Through Dracula, Stoker breaks this single theme barrier. The theme throughout Dracula is clearly displayed through the characters as they step from ignorance to realization in this tale of horror.
The poem begins by describing the lunatic as a man with very animal tendencies, “with starting pace” and “with wide and hollow eyes” (lines 2-3) These characteristics alone give the reader a vivid image of how this man acts, and immediately sets low expectations for his character in a social and intellectual sense. His primitivism shows as “his cold bed upon the mountain turf” (6) is mentioned, furthering the image of a wildly sav...