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Feminism in dracula 1992
The great Victorian era
Feminism in dracula 1992
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During the Victorian Era, one of the leading concerns was the role of women and how they were placed in society. In this hair-raising novel Dracula, Bram Stoker analyzes the female characters, through literary devices such as archetypes and tone. When reading between the lines in this novel, readers tend to see how Stoker portrays the difference between men and women during the 19th century by painting a picture of what society was like throughout Dracula.
During the Victorian Society, women that were innocent and chaste were favored. While women who were the exact opposite, were not pure or chaste, they were looked down upon and were not able to participate in social events. This resembles to the women in Dracula. The sexual and impure women
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Men were often seen more superior and braver than women. In Dracula, readers notice that men are the ones to save women. For example, Jonathan takes care of Mina through everything. He stays by her side through her sickness, when she gets hypnotized, sleepless nights, Jonathan was there through it all. The archetype of a “man”, is a strong, handsome, financially stable, person. Jonathan fits this stereotype. Another example would be Arthur. He was deeply in love with Lucy. In Dr.Seward's diary, Arthur expresses his love for Lucy when he states “Tell me, and I shall do it. My life is hers, and I would give the last drop of blood in my body for her”(Stoker 98). Stoker displays his tone be very loving and caring. In the novel Arthur was also the one to ultimately end Lucy’s “life”. Because Arthur cared for Lucy, he felt as though it was his duty to take her away from the pain. Also, in the end of the novel Jonathan Harker kills Dracula for Mina. He does not want her to be taken away from her like Lucy was take away from Arthur. This shows that he was brave enough to fight Dracula, knowing that Dracula was stronger than
Science has proven that anatomically, women’s physical strength is generally less in comparison to men’s enhanced muscularity. This anatomic disadvantage that women suffer has led to negative stereotypes of gender. Women are considered weaker, or less intelligent than men based on an impression that women are minuscule in comparison to men. In the novel Dracula, Bram Stoker sheds light on gender inequality, establishing that not all women are inferior to men, in fact, they should be seen as equals. Notably, Stoker reveals society’s ambivalence to women’s fortitude by providing an abundance of Victorian gender stereotypes and their inaccuracies throughout the novel. In addition, Stoker downplays female cliché’s, disclosing that women
Bram Stoker’s “Dracula,” came to print in 1897, at the height of Nineteenth century Victorian life in Europe, a progressively modern era that saw much medical and technological advancement. This era brought with it the contentious idea of an empowered woman, the “New Woman,” a woman who aspires to be educated as well as sexually and economically independent. Stoker gives a contrasting view of this notion in “Dracula.” While the main characters, Lucy and Mina, are clearly opposite in personality, they are both portrayed as unequal, defenseless objects that are to be protected and desired. However, one woman’s fate is determined by her weakness, while the other is determined by her strength.
In order to discuss the decline in masculinity (or manhood) and moral values, synonym of religious values in both books, it becomes necessary to define what Late-Victorian society considered them to be. In Dracula, masculinity is defined almost exclusively by contrasting it with femininity. The men in the book are praised when they show the opposite qualities that women are described as possessing. While women are shown as obedient and complacent, men are stern and in command of themselves and situations. Men are expected to protect women while women expect and cherish the protection of men. While men are expected to face the unpleasant facts of life, the darkness and the evil, with integrity and courage, women are to be sheltered from danger to avoid the breakdown of their fragile characters. When the group headed by Van Helsing starts their mission of vanishing the Count and all the dangers he brings for England, the men unanimously decide to hide all the unpleasant facts f...
Humphrey, Robert. "Ideals of the Victorian Woman as Depicted in ‘Dracula’." The Artifice. N.p., 11 Mar. 2014. Web. 6 May 2014. .
Victorian Women were highly held back in their full potential. Their main role in the household was to “be happy - a sunbeam in the house, making others happy” (Hardy, E.J. 1887). On top of this, Women in the Victorian era were not allowed to display their sexuality or “tempt” men in public; they were meant to be submissive and meek (Causey S., 2008). The Victorian era lasted from 1837 til 1901, with women being punished everyday for crimes that are nowadays just part of living for a woman. Bram Stoker was born during this era and wrote his most famous novel, Dracula (Miller, E. unknown). One of the main discourses in this novel is that of Women and their Morality of the time.
In Dracula, Bram Stoker explores the fantastic image of a sexually dominant woman within a patriarchal society. The battle between good and evil within the novel very much hinges upon feminine sexuality: Lucy and Nina are embodiments of the Victorian virtues, which Dracula threatens to corrupt,
In Bram Stoker’s novel Dracula, Stoker’s use of inverted gender roles allows readers to grasp the sense of obscureness throughout, eventually leading to the reader’s realization that these characters are rather similar to the “monster” which they call Dracula. Despite being in the Victorian era, Stoker’s use of sexuality in the novel contributes to the reasoning of obscureness going against the Victorian morals and values. Throughout the novel the stereotypical roles of the Victorian man and woman are inverted to draw attention to the similarities between Dracula and the characters. Vague to a majority of readers, Bram Stoker uses Dracula as a negative connotation on society being that the values of the Victorian culture are inverted amongst the sexes of characters, thus pointing out the similarities of the characters and the so called “monster” which they call Dracula.
Stoker uses phenomenal imagery to produce a late nineteenth century setting, located somewhere within eastern Europe. Transylvania, the infamous home to Dracula himself, is described in great detail in Harker’s journal. There, Stoker purposely and meticulously outlines Dracula’s castle and the surrounding town. Stoker manages to do this with a very gothic tone, immediately lowering the societal status of women. In conjunction with Dracula’s gothic tone comes the understanding of male and female traditional roles of the era. The reader sees that there is no hesitation differentiating between the two, as Stoker “ cast[s] men as rational, strong, protective and decisive…[and] women as emotional (irrational), weak, nurturing and submissive.” (Tyson, 82).
Dracula is susceptible to death and does not want to attack the men when he does not have to. Dracula may have attacked Mina and Lucy because he thought he was helping them escape the Victorian society. Living a life as a woman in a Victorian society is no life at all. The women in England must abide by the men and keep to themselves, or else they will be deemed whorish and impure. .The
In reading Bram Stoker's Dracula, I find the treatment of the two main female characters-- Lucy Westenra and Mina Harker-- especially intriguing. These two women are two opposite archetypes created by a society of threatened men trying to protect themselves.
The Victorian England setting and culture of “Dracula” by: Bram Stoker attributes to many stylistic components and character behaviours in the novel. One of which is the behaviour and actions characters express that are a result of sexual repression. In Dracula, sexual repression is best expressed by the character’s desire to create. This desire is exemplified by the way Dracula creates other vampires, Lucy’s sexual desires, and the men’s expression of aggression. The creation of other Vampires is evident through events including Dracula’s aggressive encounters with Lucy and Mina, and the fact the Dracula is building up a Vampire army. Lucy’s sexual desires are exemplified through her longing to have sex with multiple men and how she compares
Women were expected to set the example for their children, satisfy the needs of their husbands, and it was unheard of for women to express their sexual desires. During this time women were placed into two categories, they were either virgins or married, any woman who did not fit into either of these categories was considered a whore and this meant she was essentially useless. “If a woman went into a hansom alone with a man who was neither her father, nor her husband […] her reputation was irretrievably lost” (Swisher, 181). This shows that even though people did not know the whole story, they judged others by the appearance of things. Most of the Victorian culture was centered on these things that women were expected to do or not to be seen doing. Scientists believed that men were the active ones who were supposed to use all of their energy, while women were sedentary and were supposed to conserve energy. “According to Wollsto...
As the saying goes, “Women can do everything Men can do.” In the Gothic Novel Dracula by Bram Stoker, there is a constant theme of sexuality, from both male and females in society. In the Victorian era, the roles of male and females have caused a lot of tension. After reading Dracula, some would argue the roles men and women hold in society. As mentioned in Dr. Seward’s Dairy from Val Halsing., “Ah, that wonderful Madam Mina! She has man’s brain—a brain that a man should have were he much gifted—and a woman’s heart. The good God fashioned her for a purpose, believe me, when He made that so good combination” (Stoker and Hindle, 2003 250). A women’s mind is not the always the first thing on a males mind. Some would overlook what a woman really has to offer.
Imagine a world where there are no cellphones, televisions, or even a cure for the common cold. This is what life was like in the Victorian era. Throughout the novel Dracula, evidence can be found that is a constant reminder of the time period in which the novel takes place. The characters, setting, and plot all have a vast impact on the recognition of the Victorian era in the novel Dracula by Bram Stoker.
Podonsky, Amanda M. "Bram Stoker's Dracula: A Reflection and Rebuke of Victorian Society." Student Pulse: The International Student Journal. N.p., 2010. Web. 25 Mar. 2014.