Dos Passos's Mary French: The Mundane Lesson in Socialism

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In "Mary French," Dos Passos draws a definitive line between his feelings on capitalism and socialism, as well as the rich and the poor. The parallel lives of Eveline Johnson and Mary French reveal Dos Passos's distinct attitudes in regards to the upper and lower classes of society.

As a member of high society, Eveline Johnson exemplifies Dos Passos's attitudes of the rich. These attitudes begin to take shape as Mary French enters the party, "Eveline Johnson was ushering them through some sliding doors into a high-ceilinged room dusky from shaded lights and cigarette smoke where they were swallowed up in a jam of well dressed people talking and making faces and tossing their heads over cocktail glasses" (1527). This description tends to lean toward the superficial and a distaste of an extravagant lifestyle. Dos Passos discretely depicts various other guests as "Kings," "Captains," and "Screen stars." Mary French becomes increasingly aware of just how phony and self-centered these guests really are as she watches the party unfold, "Mary was looking at it all through a humming haze like seeing a play from way up in a smoky balcony" (1529).

Simultaneously, Eveline acknowledges that her life, a reflection of self-centered capitalism, is in fact a waste. Eveline admits, "You know it does seem too silly to spend your life filling up rooms with ill assorted people who really hate each other" (1530). This moment is of significance; throughout the story Eveline and Mary have had almost identical experiences. Both women have lost the loves of their lives, but it is Mary, the determined socialist, who puts the ...

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...uotation, "Henry Bradin had left Cornell, where he had been an instructor of economics, and had come to New York to pour the latest cures for incurable evils into the columns of a radical weekly newspaper" (44), makes Fitzgerald a better writer. He acknowledges the evils of capitalism, but realizes nothing can be done about them. Fitzgerald feels there is no need to revolutionize the impossible; Dos Passos argues the opposite.

Dos Passos uses very plain and direct narration to convey his political ideals. Dos Passos's lack of creative language results in a mundane story line. He argues that the evils of a capitalistic society need to be restored with moral socialistic values; therefore, his writing is presented with a greater sense of reality. Dos Passos simply explains the problem and his solution and I find this rather plain.

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