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Character development recitatif
An essay on character development
Character development recitatif
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(Rhetorical device/s)This quotation contains imagery that shows how Dorian gray looks like.(S) Lord Henry has never met Dorian gray in his life. According to what his friend Basil tells him about Dorian in the first chapter, he seems like a smart and a handsome young man. Lord Henry, out of curiosity, asks his friend that he wants to meet this guy. Basil, on the other hand, does not want him to meet Gray, he thinks every word that comes out of his mouth has a bad influence on people. Dorian gray waits for Basil in the room where he is seen sitting in front of a piano. That is where he is introduced to Lord Henry for the first time. Lord Henry, looking at him, believes everything Basil told him, he is handsome, he has this special physical feature that makes anyone who meets him for the …show more content…
There, he meets Lord Henry and they start talking. Basil wants Henry to leave because he knows what will happen if he lets him stay with Dorian, but Dorian insists that he stays because it was boring of him to make a pose for his portrait and not talk to anyone. Dorian finds Lord Henry pretty convincing and becomes interested in what he has to say. He tells him that he is a charming young man and he is unaware about it. He can do a lot better than what he is currently doing. Instead of caring about others, he should be looking after himself because he has no idea about the amount of beauty he possesses. He makes him aware of that in such a way that he feels like his words are acting like poison in his body. It is too much for him to take in. He is stunned because he does not even know Lord Henry as well as Basil but his few words have had more impact on him than Basil ever did. (A) Curiosity has now overtaken Dorian; he wants to know what he is capable of. Lord Henry is the key to that. The beginning of his end has started. His words have triggered the sleeping monster inside of him; a monster that he never knew
... Dorian converses with Lord Henry, and takes everything that Lord Henry said seriously, even though not everything that Lord Henry said was right.
Basil goes to speak to Dorian to tell to him of the rumors they have been spreading. Many people believe him to be immoral and a corrupting influence that must be avoided to keep one’s good name. Hearing such rumors trouble Basil because he worships Dorian so strongly and is so devoted to him. He even refuses to exhibit the portrait of Dorian, the imitation he made, “Because, without intending it, I have put into it some expression of all this curious idolatry.” (13 Wilde) Basil feared that the world would be able to tell how much he adored Dorian. Continuing his conversation, Basil claims “but you, Dorian with your pure, bright, innocent face, and your marvelous untroubled youth—I can’t believe anything against you.” (127 Wilde) Which is to say that Basil believes that when one commits sin it changes the man’s outward appearance, corrupting him and since Dorian is beautiful he is without sin...
With the fateful encounter with Lord Henry, Dorian is ushered into a world of idealistic art and beauty. Lord Henry plays a key role in introducing a new world in which beauty, youth and sensations dominate. First, Lord Henry employs a powerful strategy of developing Dorian's self-consciousness of his ow...
Lord Henry easily influence Dorian because he is young and young people can copy everything what old people say and does. Dorian listened to Lord Henry that being gorgeous is better than to have manners. He showed this like when he just liked Sibyl because she can act but when Sibyl forget about her acting, he unliked her and just dumped her. When Sibyl killed herself, at first Dorian is kind of guilty but then Lord Henry told him that it is not his fault. That Sibyl is only a girl. Also, with the death of James and Basil, he felt really guilty. With James, he feels like because James was the brother of Sibyl so like James is threatening him. Basil also kind of influenced him because he also made Dorian realized or showed Dorian the world of beauty. And with Basil, Basil is the one who knows everything about him and the one who made his portrait that Dorian feels like it is not right because all he see on his portrait is his guilt and every bad thing he did. He blamed Basil for it. He also destroyed the painting because it is not working right and its just becoming worse and worse when his sins are increasing. When he destroyed the portrait, he used the knife that he also used when he killed Basil. At the end, when he destroyed the painting, he also killed himself. The book is
Dorian Gray loses his eternal youth due to his disconnect with the world, but to realize this disconnect the reader must first examine the context for his connections to Basil Hallward and Lord Henry. Nikolai Enders examines these relationships within his article, “Platonic Love and Closet Eros in...
While reviewing The Picture of Dorian Gray many critics have seen it as a debate between two of its major characters, Basil Hallward and Lord Henry Wotton. Basil and Lord Henry represent a choice between good and evil. Basil is good, talented, and conventional. He has faith and pure values. He believes that “the universe is a moral order in which God punishes evil and rewards good, and that human beings be guided by a moral code in which sympathy and compassion are primary values” (Liebman, 1999). He believes in the goodness of man. As a mora...
The Picture of Dorian Gray can be defined as a symbolic representation of a dialectic between two aspects of Wilde's personality. Dorian is an archetypal image by which both aspects are fascinated. This suggests that his behaviour symbolizes Wilde's unconscious (i.e. unacknowledged) attitudes. Dorian is characterized by his evasiveness and his obsession with objets d'art. For example, when Basil comes to console him about Sibyl's death, he is unwilling to discuss the matter. He does not want to admit the possibility that his behaviour was reprehensible. He tells his friend: "If one doesn't talk about a thing, it has never happened. It is simply expression, as Harry says, that gives reality to things" (107). Later, after murdering Basil, he again seeks to avoid acknowledging what he has done: "He felt that the secret of the whole thing was not to realize the situation" (159).
In the beginning of the book, Dorian seems to be an innocent, charming, beautiful young man, and even referred to as “a wonderful creation” (ch 2). Dorian is described as this amazing person, with looks comparable to a God, charm that could swoon any woman, and a mesmerizing persona about him with the ability to draw anyone near, yet he seems to be so imperceptive to himself. His attitude of simplicity causes readers to be fond of him, passing their first judgments that he could not possibly be evil. As the story moves along readers see the first inkling that Dorian may not be so perfect. Dorian comments on “how sad it is…[that he] shall grow old, and horrible, and dreadful. But the picture will remain always young” (ch 2). This statement lets readers inside Dorian’s thoughts, showing how shallow and frivolous Dorian views life to be. He places so much value and esteem on looks alone, forgetting that being painted should be an honor, or at the very least...
Dorian’s beauty is greatly appreciated by Basil, and he is the one who makes Dorian realize his beauty and charm. Henry, being a part of the Victorian Society, values beauty too much. To him, beauty is a sensory pleasure. Henry’s strong views and preference towards beauty greatly influence Dorian throughout the novel. About his friendships and enmities, Henry mentions that he “chooses [his] friends for their good looks, acquaintances for their good characters, and enemies for their good intellects” (Wilde 10)....
In the book, the Story of “The Picture of Dorian Gray” is about a gentleman who deals his soul for eternal youth, and lives a hedonist lifestyle that goes terribly wrong. Dorian Gray loses his fiancé to suicide, which resulted in his first sin revealing itself in the painting. After Sybil Vane dies, her brother, James seeks revenge on Dorian. Subsequent to that, Dorian goes on to kill his friend, Basil Hallward, the painter of his portrait. In the end, Dorian Gray finally accepts his guilt and tries to atone for his crimes by destroying the painting, which is a representation of his soul. A comparison of the film of Dorian Gray (2009) by Oliver Parker and “The Picture of Dorian Gray” by Oscar Wilde shows that book and the movie portrayals differ in the details and purpose.
Although Wilde halts short of stating that Basil and Lord Henry have sexual feelings for Dorian , the language he uses to describe their devotion for Dorian is unmistakably the language of deep, romantic intimacy. “Tell me more about Mr. Dorian Gray. How often do you see him?”. “Every day. I couldn’t be happy if I didn’t see him everyday. He is absolutely necessary to me”. This common motif of homoerotic bonds between men plays a large role in structuring the novel. Basils painting is born from his adoration of Dorians beauty , comparatively Lord Henry is overcome with desire to seduce Dorian. This sense of camaraderie between men fits into Wildes aesthetic values, for it returns him to his past where the philosophy of beauty was not only the basis of society but fundamental to culture. As a homosexual living in an intolerant society, Wilde asserted this philosophy in order to justify his own lifestyle.
He becomes an echo of someone else’s music, an actor of a part that has not been written for him. The aim of life is self-development. ”(Wilde 13). The words of an honored role model can easily persuade even the purest of hearts into the darkness of crime and evil, such as Dorian Gray. At this moment, Gray falls victim to the flourishing words of Lord Henry, who manipulates Gray from a timid and shining boy to nothing but a shallow man who commits capital crimes to conceal his secret.
In analyzing Oscar Wilde’s The Picture of Dorian Gray, concepts such as influence and the origin of evil in Dorian Gray play an exceptionally valuable role in understanding the motives of the characters. Although some critics argue characters such as Lord Kelso significantly influence Dorian’s corruption, Lord Henry Wotton’s toxic personality undeniably impacts Dorian the most. Throughout the course of the novel, Lord Henry remains the ultimate source of evil and uses deception and persuasion to poison Dorian from a naïve boy to a destructive monster.
Basil Hallward, a painter, knows the corruptive influence that Lord Henry can impose upon his model, Dorian Gray. Basil does not want Lord Henry to even meet Dorian because he is afraid that Dorian will be influenced and ruined. Basil begs Henry by saying, "Don't spoil him. Don't try to influence him. Your influence would be bad. The world is wide, and has many marvelous people in it. Don't take away from me the one person who gives to my art whatever charm it possesses: my life as an artist depends on him" (Wilde 10). Right from the beginning Wilde begins to show what type of person Lord Henry is. Lord Henry's influences pose a threat to Dorian. Basil is well aware of this.
Seemingly striving after impersonality and aesthetic perfection in his work, Basil feels the greatest anxiety of having put "too much of himself" into his picture of Dorian (Chapter 1, page 20) that he can't exhibit it. To display his work of art in public would, in a sense, amount to exposure of Basil's attraction to Dorian Gray. This is one reason, and another reason is that he may fear that more people will see and get attracted by Dorian Gray. He admits to Lord Henry that "he is much more to me(Basil) than a model or a sitter."In his deep consciousness, he is quite possessive and self-contemptuous. He refused to introduce Dorian Gray to...