Divine Intellect in Dante's Inferno

1911 Words4 Pages

Divine Intellect in Dante's Inferno

In Canto XI of Dante's Inferno, Virgil carefully explains the layout of hell to his student, Dante. Toward the end of his speech, Virgil says that "Sodom and Cahors" are "speak[ing] in passionate contempt of God," (XI, 50-51), and divine will thus relegates them to the seventh circle. The sin of the Sodomites is clear for Dante, who poses no question on the matter, sodomy perhaps being an obvious affront to God which the bible directly addresses. However, the sin of "Cahors," namely usury, is not clear to Dante. He asks Virgil to "unravel" the "knot" in his mind, since there is no obvious reason why a usurer - a money lender essentially - deserves any punishment at all for a crime which does not necessarily involve dishonesty, and certainly is not violent in nature.

Independent of the question itself, the very fact that Dante is comfortable enough to ask Virgil anything reveals a certain intimacy between the two characters. The student-teacher relationship need not be interactive. An interaction implies an equality. Dante could very well have written a Virgil who talks but does not listen, much like the Virgil who wrote the Aeneid; there is no dialogue when one reads an epic poem. Dante's Virgil allows Dante into his intellectual circle, both by listening to Dante, as he does here, and by introducing Dante to other master poets, as he does in Canto IV. Virgil even says that the "pupil imitates his master," which, as we shall see, has an entirely separate meaning, but does refer back to the relationship between this pupil and his master as well.

What is especially remarkable though in the way that Virgil addresses Dante's question is that he...

... middle of paper ...

...we have probed deep enough to finally ascend upwards toward the Divine Intellect as nature had always intended.

Works Cited

Ciardi, John, trans. The Divine Comedy. In The Norton Anthology of World Masterpieces, Expanded Edition. Vol. I. Ed. Maynard Mack. New York: W.W. Norton, 1995.

Holy Bible: New International Version. Grand Rapids: Zondervan, 2010.

Works Consulted

Bergin, Thomas Goddard. Dante. New York: Orion P, 1965.

---. Dante's Divine Comedy. Englewood Cliffs: Prentice, 1971.

MacAllister, Archibald T. Introduction. Inferno. By Dante. New York: Mentor, 1954.

Pinsky, Robert. The Inferno of Dante. New York: Harper Collins, 1994.

Shippey, T.A. "Into Hell and Out Again". Times Literary Supplement, 8 July 1977, .820.

Spinrad, Norman. Introduction to Inferno, by Niven and Pournelle. Boston: Gregg Press, 1979.

Open Document