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Analysis of sound as a technique in films
Movie Sounds of Music Analysis
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Francis Lawrence’s I Am Legend is a drama about the sole survivor of a plague who lives in New York City. The sole survivor, Robert Neville, spends his days searching for a cure with his dog, Samantha. The key elements of sound that will be analyzed in this paper on I Am Legend are diegetic sound and non-diegetic sound. Firstly, diegetic sound is very effectively used throughout in several ways. Diegetic sound can be heard at the beginning when Robert is giving Samantha a bath. The song Three Little Birds is playing and Robert begins singing along. Robert plays the song again when he is driving down the road, which is another example. The reoccurring sound is a song Robert uses for comfort because the lyrics tell him not to worry. Secondly,
Crane is contemplating whether she should take the money that is laying on the bed and get out of town. The money was supposed to be put in a safe in the bank, but Crane has another idea of how to use it. The music represents the implied voices telling her to take the money. As she thinks more and more about it, the music crescendos, which the audience can interpret as the voices getting louder. Then, a similar melody as some of the earlier scenes is heard when Crane sees her boss as she is stopped at the stoplight on her way out of town. Her boss perceives she is home with a headache. When Crane realizes the man is her boss, the music speeds up and becomes extremely loud. This continues as she proceeds to head out of town. Soon after, Crane is found asleep in her car by a police officer. He questions what she is doing out in the middle of nowhere sleeping in her car. She skillfully avoids answering most of the questions and seems to persuade the officer that she had just gotten very tired in the middle of the night. As she drives away from him, the non-diegetic music plays with a similar melody as before. However, this time it has a few slight deviations including sharp, short notes from a
Furthermore, to increase dread and trepidation, affect the audience’s feelings, and intensify fear the film director skillfully uses the non-diegetic music. “Filmmakers carefully choose which sounds to include on the soundtrack, knowing that emphasizing a particular sound helps to shape the audience...
Background sounds and music heavily affect who controls the conversation in All Quiet on the Western Front. Comparing the chaotic, almost annoying sounds present during the soldier’s conversations to the heroic marches or absolute silence behind the older generation’s propaganda, the audience and other characters are more easily influenced by the clearly heard
Language is the bearer of meaning and is a universal medium of communication (Evans, 1973; p. 42; Stenlund, 1990; p. 14). With in electroacoustic music, language is used as a 'tool for establishing an aesthetic' (Keane, 1986; p. 118). Pierre Schaeffer considers it as being 'presupposed' (Windsor, 1995; 1.1.1). Although, both talking about language they talk about different aspects of language in relation with electroacoustic music. Schaeffer talks about the creation of music, Keane talks about the process before making music. Schaeffer's theory of language may mask the communication between composer and liste...
In Hitchcock's own words: "I think what sound brought of value to the cinema was to complete the realism of the image on the screen. It made everyone in the audience deaf mutes." Because he is known for his visual techniques, Alfred Hitchcock’s unique use of sound is a topic which does not receive the attention it deserves. This is what this paper will try to accomplish, to explain why his unique use of sound deserves so much attention.
One is faced with endless possibilities when they can compare two things the reality is that almost everything in this world is comparable. Even so, how does a classic romantic novel from the 1800s compare with a cheery musical about a singing Austrian family. Jane Eyre, one of the worlds most famous books, was published in 1847, and although it is a romance novel, it is serious and somewhat slow-paced. The Sound of Music is possibly the happiest musical of all time. Written in the fifties and becoming one of the worlds most famous movies in 1965, the songs are about goat-herds falling in love and whiskers on kittens. Jane Eyre and the Sound of Music have several differences in their moods, settings, and endings, yet they share similarities
Sound as we discuss in our discussion question section, sound plays a significant role in every scene, it helps the audience in many ways such as to know the audience what is going to happen or to get the into the character. Now on days many directors increase realism brought on by sound inevitable forced acting styles to become more natural the scene can be identifying a digetic sound. Many people may think that the sound effect that a director use in a movie, novella or documentary is the same, they are totally confused, its two types of sound such as digetic sound and non digetic sound
Owen starts the octave in a bitter tone as he criticizes the treatment of the dead soldiers. He asks rhetorically what the “passing bells” (1) will sound like to the families of the soldiers who perish. Instead of normal funeral bells that one can expect, the soldiers receive bells in the form...
As an audience we are manipulated from the moment a film begins. In this essay I wish to explore how The Conversation’s use of sound design has directly controlled our perceptions and emotional responses as well as how it can change the meaning of the image. I would also like to discover how the soundtrack guides the audience’s attention with the use of diegetic and nondiegetic sounds.
Sound is an extremely important element to a film. Music, the sound chosen in this scene, is categorized as non-diegetic, which means that the music is not in the story world. The directors use deep, dramatic, intense music when Nick is interrogating Judy about her speech. The music in the scene helps the audience feel the anxiousness that Judy is feeling towards predators, particularly Nick. As the music plays in the background, the intensity of the scene grows immensely. The directors use the music to help heighten the emotion during this encounter and reveal Judy’s inner fear of predators that gets the best of her in this
Since I've settled down and become a family man, however, I have discovered a whole new world of sounds that give me more pleasure than music ever did. Something I never thought possible. I would like to describe for you the world of sound that I experience in a typical day.
Students will be able to retell the fable “The Lion and the Mouse” using vocal elements of volume, pitch, rate, tone, and articulation to express the perspective of the lion or the mouse.
Different from other types of films, the music in Phantom of the Opera was used by all the characters, as a way to tell their part of the story. The music created a convincing surrounding for the film, guided the audiences. The music was constantly a signifier of emotion, as the characters expressed their feelings through the songs. The music score was an emotional and scary score that tied into their diegetic/non-diegetic singing, giving the main characters an identity, specifying situations and places to help connect certain points. When we hear the dark music play throughout the movie, it plays a certain theme, that theme gives the viewers a clear hint of who or what the music is talking about. Another example of signifier of emotion was in The Devil Wears Prada, where the film used either fast upbeat songs for when Andy walks all around the city, running errands for Miranda, or romantic alternative music when Andy is with her boyfriend and true friends (The Phantom of the Opera/The Devil Wears
Neher, Erick. "Movie Music At The Philharmonic." Hudson Review 64.4 (2012): 668-674. Academic Search Complete. Web. 3 Dec. 2013.
Reeves, Alex. "A Brief History of Sound Design." Advertising Week Social Club. The Beak Street Bugle, 21 Jan. 2014. Web. 23 Feb. 2014.