Desire In The Epic Of Gilgamesh And Genesis

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Human’s Endless Desire
Since childhood, man’s desire to stand out, to be more significant, and to become superior has never ceased. We long to stand out by carrying the latest phones, by having luxurious houses, or simply by obtaining higher social statuses. Likewise, we can find many examples of man’s archetypal desire to become a hero from various generations. In the ancient narratives, The Epic of Gilgamesh and Genesis, we find man’s natural desire to be more knowledgeable as well as to be divinely powerful. Ernest Becker, in his excerpt “The Hero,” establishes a connection between the two narratives and our modern society by explaining man’s natural yearning for heroism. Through these ancient narratives and this modern text, we see how …show more content…

He begins by emphasizing man’s natural narcissism to be heroic in a seemingly limited cosmos. Becker explains, “That man’s natural yearning for organismic activity, the pleasures of incorporation and expansion, can be fed limitlessly in the domain of symbols and so into immortality.” By using the contrasting words “incorporation” and “expansion,” Becker highlights the naturalness of the desire and man’s perpetual urge to satisfy himself through development and uniqueness, which leads to our common desire to become a hero; however, Becker later admits “the heroic seems too big for us, or we too small for it.” Becker again uses antithetical terms to clarify how difficult it is to become a hero within the rules of modern society and how small we are compared to the bigger dreams that we eternally urge for. Becker’s excerpt clearly explains why the characters in the two ancient narratives strived to be heroic and stand out “with a little ribbon or a red boutonniere.” Indeed, we cannot merely blame greed; the characters’ instincts are natural and unconsciously obtained since their creation. In the modern world, symbols of our inherent greed are cars, houses, money, and status, all of which represent our self-esteem and

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