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Othello as a racial stereotype
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There were only two things keeping Othello with the people of Venice as a black man and those are having the opportunity to be the husband of Desdemona and also being there as the general of the army. In addition, the fact that Desdemona confirmed and expresses her love for Othello before her father and the Duke strengthens Othello as well.
Although Desdemona demonstrated how she loved Othello in front of the Duke and the Barbantio the father, Iago still felt no matter how far the couple have reached, Othello’s color does not permit him to posses such a beautiful wife from a good home, hence decided to find every way to break the couple’s marriage. Iago started putting fear in the senator about Othello’s personality since he is a black man; Sex in marriage is a good thing which brings pleasure to both couples but on the part of Othello, Iago made sex look like a crime and pointed it out to Barbantio that sexually Othello is going to use his daughter badly and after the sex her daughter cannot look at the face of Othello. He went on using the nature of sex to threaten the heart of Barbantio. According to Iago since Desdemona has been brought up in a way that she is afraid of foreigners precisely blacks, how come Desdemona is he going to have sex with someone whom she is frightened
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He kills himself because he has nothing to lose. The two important things that make him powerful in this society have come to an end, so he kills himself because without these two things, he is castrated and his life is meaningless. Othello says before he stabs himself: I have done the state some service, and they know 't. No more of that. I pray you, in your letters, When you shall these unlucky deeds relate, Speak of me as I am; nothing extenuate, Nor set down aught in malice: then must you speak Of one that loved not wisely but too well; Of one not easily jealous, but being wrought. (5.2.
Even before Iago exerts his influence over Othello, we can observe the inklings of Othello’s insecurity and the doubt he has regarding his relationship with Desdemona. During his audience with the Duke, Othello describes the circumstances by which he became acquainted with Desdemona. He says on the occasions that he told Brabantio of his life stories, he would also tell Desdemona the same stories. Then, Othello self-consciously proposes that the sole reason why Desdemona loves him is because she pitied his misfortunes: “She loved me for the dangers I had passed, / And I loved her that she did pity them” (I.iii.193-194). Othello feels way because as
The. Iago can’t stand the fact that a ‘black man’ has more. status than a ‘white man’, especially when living in a white society. Othello is also married to Desdemona, who is the daughter of the senator. The senate This is the turning point of the play, Act 3, Scene 3, where Iago.
Othello and Desdemona's Love In Act 1 Scene 3. The scene begins with the Duke and senators sitting around a table in the dukes chamber, the conversation is based around what is going on. in Cyprus the conversation is between the Duke, a Sailor, an Officer, a messenger and senators of the United States. Lots of different people express their different thoughts but in the end the main message is that soon Cyprus will be under attack by the Turks.
Iago proceeds to tell the news of Desdemona and Othello's marriage to a shocked Brabantio. He uses offensive imagery, showing the extent to which he will go to win Brabantio's support against Othello. While not in the company of either Othello or Brabantio, Iago debases the marria...
Othello is the Cultural Other in Venetian society, and while he is very learned, it is probable that he is not fully aware of the social and cultural mores that govern Venice. As a Moor, Othello was reared outside Venice, and thus remains separate and exoticized. Although a great military man, and accepted by the elite of Venice, there is still a foreign-ness to him. The characters in the play, for the most part, call Othello "the Moor" (1. 1. 37, 1. 1. 161, 1. 2. 56). By calling Othello "the Moor," his proper name is taken away and he is left as an object. He is only accepted because of his military prowess, and seems to be used almost as a commodity; he is sent to Cyprus, with little warning--almost at the whim of the Duke. It is only because he is valuable to Venice that he is not punished for marrying the white Desdemona; Brabantio's anger is a clear indication that miscegenation is not an acceptable practice. Therefore, being a stranger to Venetian society, even a vague inkling that he is only a body used to fight may lead to insecurity that only exacerbates the deep-seeded, pre-existing ...
The society in which Othello takes place is a patriarchal one, where men had complete control over women. They were seen as possessions rather than being just as equally human and capable of duties performed by men. All women of the Elizabethan were to obey all men, fathers, brothers, husbands, etc. Which leads me to the most reliable and trustworthy character of Desdemona, whom goes through many trials just to satisfy her love. Shakespeare brings the thought of Desdemona into the play by Barbantio, her father, “It is too true an evil. Gone she is....Oh, she deceives me Past thought! …” (1.1.163)(1.1.168-169), whom has just found she has taken off with Othello and firstly suspects they have been hitched. Shakespeare gives reader the impression Desdemona is a devious imp full of disrespect towards her father. However, surpassing normal tradition of asking of her fathers’ permission to wed, Desdemona ran off and did marry the moor. This in a sense was her emancipation of her father’s possessiveness and oblivion of Othello’s dominance over her. Othello replies to Barbantio’s accusation, sedating or using black magic on his daughter, by saying, “My very noble and approved good masters, That I have ta’en away this old man’s daughter. It is most true.” (1.3.79-81), which brings me to the claim that Desdemona’s character in this tragedy, was only to become and to serve as Othello’s private possession rather than a typical beloved daughter or wife as in modern time. Shakespeare bases this tragedy on the foundation of Desdemona’s character by the symbol of the discrimination of women in the Shakespearean time era. Desdemona even for the first and only time within the play stands up and challenges her inferiority under her father’s aut...
The interracial marriage of Desdemona and Othello is in the forefront of the play. As mentioned above, this was extremely unusual in Elizabethan England. In fact there is one case when an English woman, Millicent Porter, a seamstress, slept with a black man and had to do a public penance for it (Elizabethan England Life). Also just three years prior to the release of Othello in 1603, Queen Elizabeth threw all of the Africans out of England ("Othello- An Interpretation" Critical Essays 39). All of this makes the marriage of Othello, a famous black general, and Desdemona, a senator’s daughter, who is white and beautiful, very bizarre to the viewers in Elizabethan England. Most if not all of the characters seem to be just as appalled at the interracial marriage as the audience. Specifically the racism the other characters show toward Othello is apparent. Rodrigo, a man who pays Iago to hel...
To begin with, Othello’s race and the racism around him ruined his marriage with Desdemona. Othello and Desdemona made a good couple, but you know what they say, all good things must come to an end. Almost everybody had a problem with their relationship. In that time, interracial relationships and marriage was not allowed. While Brabantio (Desdemona’s father) was sleeping, Iago and Roderigo woke him up saying that Othello was having sex with his daughter Desdemona at that very moment (Shake...
The audience at this point know nothing of Othello that is gained by their own opinion, instead we are lead to believe from Iago’s race related description that Othello is a threatening and evil moor, whose beastial sexual appetite, conveyed by Iago’s cries to Brabantio, telling him that ‘an old black ram is tupping’ his ‘white ewe’ (1.1.89), is something of a rapist. Iago’s coarse animal related language conveys Iago’s feelings against Othello’s marriage in a much more pronounced way. The image of an ‘old black ram’ gives the audience nothing but negative images of Othello, especially when this ‘old black ram’ is being associated with the innocence of a ‘white ewe’. Iago then associates Othello with the image of ‘the devil’ (1.1.92) because of Othello’s colour, Iago warns Brabantio that he has ‘lost half [his] soul’ now that Desdemona is married to Othello. Iago here emphasises the biracial nature of the marriage, already showing his ability to manipulate people, in this case he is manipulating Brabantio, to believe in Iago’s own opinions and in theory to eliminate all thoughts that Brabantio might of had of his own about the marriage.
This awareness expresses some of his doubt regarding Desdemona’s faithfulness and true love for him. Cahn argues that “Iago does not plant suspicion inside Othello. Rather the seed is there from the start, and Iago brilliantly cultivates it” (Cahn 111). The objects meaning to Othello is the most important as it is what determines his actions towards his wife.
From this point on, Othello insecurity manifests into a seemingly irrational fear of being cuckolded, and his self-perceived worth diminishes exponentially. Othello comments on the likelihood of Desdemona cheating, by explaining how it may be “for [he is] black / And have not those soft parts of conversation / That chamberers have…” (3.3.280-282) Othello’s frustration with the threat of being cuckolded puts strain on his relationship with Desdemona, and she quickly becomes a victim of domestic abuse. For example, Othello acts as an interrogator, demanding to see the handkerchief which he gave her that symbolizes faithfulness and commitment towards Othello. (Quotation) When she is unable to produce their symbol of trust, Othello’s anger manifests inside him. The audience is shown a stark contrast to Othello’s typically cool, collected and composted nature. This abrupt and irrational change in behaviour is emphasized when Othello strikes Desdemona in front of Lordovico, (4.1.245) Othello’s
Othello and Desdemona’s marriage was destined to be unsuccessful. There are plenty of reasons that made their marriage disastrous: the racial nature between Othello and Desdemona, his lack of a constant home, and Othello’s improper method of his courting. The main intention from Othello, he labels his wife, Desdemona who is superior to himself which prevents him from considering her a human. Othello makes himself believes that his skin color and race brands him as a contaminated person. The vision Othello perceives that Desdemona is a God.
At the beginning of creation, Adam and Eve were placed by God to take care of the earth. After they were told to not eat from the tree of knowledge of good and even, Adam and Eve broke God’s covenant and sin fell upon the world afterwards. Mankind’s blood line was tainted, and God needed a redeemer to save the fallen world. The only option God had was to look for his only Son Jesus Christ to redeem the world for mankind. Jesus’s time on earth was filled with healing the sick, cleansing the lepers, and taking possession of the world once again.
Othello believing Iago of Desdemona’s infidelity so quickly, shows his insecurities. In Act 3, Scene 3 Iago starts planting his plan on Othello to make him believe that Desdemona has been unfaithful. Iago brings up the fact that Desdemona is very young and many other young men would be happy to be married to her but she decides to marry Othello. When Iago says this Othello begins to wonder “Why did I marry” to himself (3. 3. 283). Othello’s insecurities begin to show when he starts wondering why did Desdemona really married him. Desdemona is young and beautiful so Othello doesn’t understand why she would choose him over a younger man. Othello’s insecurities about his own physical appearance bring suspicion about Desdemona. Later Othello says “Haply, for I am black” (3. 3. 303) suggesting Desdemona may have cheated because he is black. Othello saying this shows that he is self-conscious about being black. He believes that because he is black Desdemona would possibly cheat. Othello insecurities with himself cause him to lose control and fall into Iago’s plan. Othello turns from being successful to murderous due to his insecurities. His constant doubt that Desdemona could actually be in love with him controls his thoughts and he begins to believe that she is cheating. Othello’s insecurities consume him to the point that he makes the ultimate mistake of killing
Othello’s jealousy is evident throughout the play. The play was written during a time when racism was prevalent. Racism is evident in Act I, Scene 1, on line 89, Iago refers to Othello as a “black ram” when informing Brabantio, who is Desdemona’s father, of her and Othello’s relationship. (Shakespeare, pg. 987). This is an example of the racism involved. In Act I Scene 3, Brabantio, who is shocked by the news, states “It is a judgment maim’d and most imperfect.” (Shakespeare, pg. 995). This quote gives the impression that Brabantio does not agree with his daughter’s choice. He believes that their love is “imperfect” because Othello is black and his daughter is white. It is possible Othello’s jealousy may have spawned from this belief. Since Cassio is white, it would be easy for Othello to believe that his wife would rather be with him. To Iago, this realization would fit perfectly into his plan. After convincing Othello that Desdemona is having an affair with Cassio, Othello’s jealousy results in impulsive actions that lead to his downfall. Examples of these impulsive actions include the striking of Desdemona. This occurs in the first scene of Act 1 on line 219. After Desdemona asks why he was mad, he refers to her as a “Devil” and then proceeds to strike her. (Shakespeare, pg. 1046). This act occurs in front of many of the other characters. Othello’s striking of Desdemona is the result of jealousy and anger. This clouds his judgment. Instead of approaching the situation in a calm manner, which quite possibly could have exposed the real truth, he chose to react the way he did. This would be a significant factor in his downfall. The most extreme example occurs at the end of the play, when Othello decides to kill Desdemona for her suspected affair. Desdemona’s murder occurs in Scene 2 of Act IV. Othello’s feelings completely take over, causing him to commit the worst act possible. At this time, Othello’s reputation