William Shakespeare’s play Othello offers a tragic story regarding manipulation, deceit, love and distrust. We are shown the devotion that Desdemona and Othello share for one another—that rapidly descends into hatred and brutality due to Iago’s falsification. Through Desdemona, we learn that love not only blinds us, but can set us free; for Desdemona an assertive character, quickly becomes a passive victim to Othello’s cruelty.
Near the beginning of the play Desdemona shows her assertive and boldness when she and her father Brabantio have a conversation regarding her marriage to Othello. Brabantio believed that Othello used “black magic” to trick Desdemona into falling in love and marrying him. Desdemona was quick to correct the matter.
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Philip Weller on Shakespeare’s Navigator stated, “Desdemona affirms her duty to her father, who gave her life and education, but asserts that she has a higher duty to Othello, because he's her husband” (Weller, 2011). In addition to Desdemona speaking up to her father, she shows how valiant she is when she mentioned to the Duke of her accompanying Othello to Cyprus. “Let me go with him” (Shakespeare 1.3.277). As the play continues, Desdemona’s assertiveness begins to change.
Othello begins treating Desdemona with disrespect when he began having faith in Iago’s dishonesties regarding Desdemona being “unfaithful.” During a scene in the play, Othello asks Desdemona for a handkerchief—that was taken from Emilia upon Iago’s request. Othello begins to argue with Desdemona because she cannot find the handkerchief. He eventually leaves in rage and Desdemona comments on his behavior, “I ne’er saw this before” (Shakespeare 3.4.107). In another scene, Othello implies Desdemona has been with other men. Desdemona whom is unaware of the reason for his anger towards her—pleads to Iago. Alas,
In one of William Shakespeare’s most renowned and celebrated plays, the story of a General named Othello unravels in tragic form as he falls victim to the lies created by Iago. Once revered as a war hero and wed to the beautiful Desdemona, Othello’s life spirals downward with the untimely death of his beloved in his own hands, ultimately ending with his own demise. Love is the force behind this tragedy. Tragedy is the main driving force that brings happiness and tragedy to the characters within the play. But even as such a prominent force, it lacks clear definition. Love has a different meaning to the characters in the play. Characters like Othello, Desdemona, and Iago all have different perspectives on love, which informs their behavior in different ways.
Throughout the play Othello is convinced by Iago that Desdemona has had an affair with Cassio, when really Iago is trying to bring as much misery into Othello’s life as he possibly can. At one point Othello, Desdemona, and a few others are talking with Desdemona’s cousin and everything that Desdemona says helps to convince Othello that she is in love with Cassio. Eventually Othello gets mad enough and slaps her in which she reacts in a much different manner than most women of that time period would have. “Othello: I am glad to see you mad. Desdemona: Why, sweet Othello - Othello:Devil! [Strikes her.] Desdemona: I have not deserved this (4,1,217-220).” This is not the only time we see Desdemona tell Othello that he is wrong in his actions. Later, in act four, he calls her a “whore” and accuses her of sleeping around and rather than taking the heat and dealing with the verbal abuse Desdemona speaks out. “Othello:...Impudent strumpet! Desdemona: By heaven, you do me wrong! (4,2,81-82).” Desdemona tries throughout the rest of the play to convince Othello that she is faithful to him and loves him, but as hard much as she tries Othello does not believes any of it and ends up killing her. Shakespeare has made this very vocal female character to show women that even if they were to speak their mind and try to defend themselves no man would ever believe
Iago talks about jealousy and deception in this same scene, but never gives any proof or direct descriptions of Desdemona's betrayal. Yet we know that Othello's perception has been sufficiently influenced to make him angry and sick by the end of this conversation. He tells Desdemona he has a headache, but he refuses any help from her. When she puts her handkerchief to his head, he pushes it away saying, "your napkin is too little" (3.3.285). This takes on more significance later on in the play when we find out that this handkerchief is the first token of love Othello ever gave to Desdemona.
In the play Othello (1603) by William Shakespeare, love and hate are two most critical far-reaching themes expressed throughout the play. There is no doubt that whether Othello loves Desdemona during the initial parts of the play and hence they get married. Then as the play progresses, Iago, the villain in the play manipulates Othello, by gaining his trust and injects him with the poisonous seeds of hate and jealousy. Thus, the great love between the couple fades away as hatred, jealously and revenge takes over Othello – which only ends after he murders his wife. Iago’s character was very diabolical from the very beginning of the play and it can be analyzed that Iago’s motivation for wrecking Othello’s happiness and his life arises solely from hatred. But, the real question that we need to focus, is that on whether Iago loved Othello at the same time? Can Iago’s evil actions be compromised if he wished that if he couldn’t be with Othello; Othello shouldn’t be with anyone - even if it included destroying
...3-96. The argument between Desdemona and Othello his tone becomes violent. Othello continues his irrational obsession with the handkerchief where Desdemona unintentionally infuriates Othello’s anger and jealousy. Shakespeare's use of repetition of "the handkerchief” creates great effect in the final scene because of the power of proof the handkerchief beholds. Othello found it so hard to believe and forgive his wife Desdemona, after knowing she had also lied to her own father about marriage neither Barbatio or Othello accepted the fact they had been betrayed . Like Martha Widmayer mentions “ Infidelity is no “small vice” to Othello and Brabantio, each of ho willingly pays the “great price” of the loss of his world, Desdemona, rather than tolerate betrayal.”
Further dramatic tension is created in Lodovico’s polite address towards Desdemona being contrasted with Othello’s domineering commands (pg153). lines 1-10). Dramatic tension is also conveyed through characterisation in Othello’s embodiment of the attitude of a. typically patriarchal man, and Desdemona’s obedient tolerance. Evidently, Othello takes pleasure in publicly victimising Desdemona. who has in turn come to fear Othello.
Othello is a man of romantic nature. He fell in love with the beautiful Desdemona. He was accused of stealing her away from her father. Othello was of a different race and did not fit in with her family. Othello makes a plea for Desdemona and tells his story which wooed her to begin with. Othello tells of the love that her father showed him since his boyish days. This was like a match made in heaven that overcame many obstacles which got in their way. Othello could not understand why he was good enough to work and fight alongside of her father, but was not good enough for his daughter.
Desdemona is a victim of both Othello’s jealousy (the ‘green-eyed monster’) and Iago’s malevolence. However, as a literary construct, she is unable to prevent herself from falling victim to the hamartia of Othello and his hubris, an essential flaw in the tragic hero according to Aristotle. His pride is wounded by the idea that society would consider him emasculate due to having been cuckolded – in this sense, her fate was inevitable. Another of Aristotle’s theories purports that catharsis (often experienced following the death of the tragic victim) is a vital component of tragedy; as a great tragedy, catharsis must certainly be felt by the audience of Othello. However, the purging of emotions should surely only be felt towards characters which are genuinely liked, demonstrating the intricate link between pity and likability and highlighting the paradox in Auden’s statement: the audience must like Desdemona to some extent for her death to have a dramatic effect. Regardless of personal opinions on Desdemona, it is an upsetting final thought for the audience that there seems to be little hope for their own lives if evil can prevail over someone so good and taint something as beautiful as Othello and Desdemona’s love.
In Act 1. Desdemona admits that she fell in love with Othello's eloquence and harrowing adventures; 'I saw Othello's visage in his mind'. This outlines his sense of nobility in language,which empahsis how much of an experienced warrior ans revered noble man he is. Moreover Desdemona reveals Othello's nobility of love, 'She loved me for the dangers I had passed/ I loved her that she did pity them'. She succeeds in unveiling a side in Othello's nature which show him as a loving, respectful husband. He is clearly trustful of Desdemona and is not by any means jealous of him, as he allows her to travel to Cyprus with Iago,' To his conveyance I assign my wife'.
As the details of her recent marriage to Othello unfold, Desdemona appears to be a woman driven by emotions. She marries a man because he has shared his stories of grand adventure. In order to do so, she elopes from her loving father’s house in the middle of the night. These seem like actions of emotion stemming from her love – or possibly infatuation – for Othello. Contradictory to this, when asked to speak about her willingness to enter the marriage, she responds with a very clear and sensible reason for staying with Othello:
Desdemona was the daughter of the Venetian Senator Brabantio. Against her father's wishes, she marries a moor, Othello. "The marriage seems to be monstrous- in the sense that it represents a deviation from that which is natural. How else, Brabantio asks, would Desdemona, so carefully, have brought such scandal upon herself and her father by shunning, the wealthy curled darlings of our nation"(Act 1 Scene 2 Line 68). Desdemona arrives and gently resolves the dispute by acknowledging split loyalties to her father and to her new husband, but making it clear that she now belongs to Othello. For the play being set in the late sixteenth century, Desdemona's defense of her actions is remarkably forthright, spirited, and courageous. She was aware of the great risk involved when she married a moor. She says "She remains bound to her noble father for her life and education; he remains her lord of duty, and she will always honor him as such. Now however, she has a husband, and she must recognize her duties to him just as her mother did to Brabantio"(Act 1 Scene 3 Line 181). Desdemona is a well-born and well educated daughter of a Venetian senator. She has been trained to adapt herself easily to any social situation. You could see how she is headstrong in her choice of a husband and in her defense of him. Desdemona's generous nature tries to help Cassio receive his spot as Liutenant back. This is when her kindness falls for weakness. Using Desdemona and her natural goodness, Iago will "turn her virtue into pitch, and make the net that shall enmesh them all"(Act2 Scene 3 Line 366). It is Desdemona's innocent attempt to reconcile Othello with Cassio that gives Iago the opportunity to wreak vengeance upon Othello, causing the murder and suicide, which bring this tragedy to its violent conclusion.
In fact, Desdemona holds herself in such high regard that she almost seems incapable of believing that anyone else may not. Luckily for her, Othello similarly holds her in high regard, at least until Iago begins to manipulate him. Even before Othello, Desdemona’s own father, Brabantio, thought highly of her. When she elopes with Othello, he never believes that she ran away from home willingly. He believes that Othello had enchanted her until she herself says otherwise. Upon this realization, Brabantio, warns Othello against Desdemona, telling him:
From this point on, Othello insecurity manifests into a seemingly irrational fear of being cuckolded, and his self-perceived worth diminishes exponentially. Othello comments on the likelihood of Desdemona cheating, by explaining how it may be “for [he is] black / And have not those soft parts of conversation / That chamberers have…” (3.3.280-282) Othello’s frustration with the threat of being cuckolded puts strain on his relationship with Desdemona, and she quickly becomes a victim of domestic abuse. For example, Othello acts as an interrogator, demanding to see the handkerchief which he gave her that symbolizes faithfulness and commitment towards Othello. (Quotation) When she is unable to produce their symbol of trust, Othello’s anger manifests inside him. The audience is shown a stark contrast to Othello’s typically cool, collected and composted nature. This abrupt and irrational change in behaviour is emphasized when Othello strikes Desdemona in front of Lordovico, (4.1.245) Othello’s
The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.
The Relationship Between Othello and Desdemona We first learn of there being a relationship between Othello and Desdemona when Iago and Roderigo are telling Roderigo (Desdemona's). Father, that ''an old black ram is tupping your white ewe''. This is referring to Othello and Desdemona having sexual intercourse, and. Shortly after hearing this, we became informed that Desdemona is "Tying" her duty, Beauty, Wit, and Fortunes In an extravagant and wheeling. stranger''.