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Gender stereotypes in Othello
The importance of emilia in othello
Gender stereotypes in Othello
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Oftentimes people find themselves looking back on a situation wishing they had said something else or acted differently. If Desdemona and Emilia, characters in Othello by William Shakespeare, were still alive, they would be no exception, since their actions led to their deaths. Although Desdemona and Emilia are best friends, they are a polar opposites in how they respond to the men in their lives, men who eventually kill them. Had Desdemona and Emilia each traded their contrasting actions and tendencies for the other’s, they both would have survived the night.
If Desdemona had been bold to defy Othello’s orders and Emilia had obeyed what Igo commanded her, they both may not have died. Desdemona obeys her husband’s, Othello, every request,
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After Desdemona is smothered by Othello, she miraculously wakes up to say one last line. At this time, she very easily could have exposed Othello for his crime. However, she says, “nobody. I myself,” when asked who did this to her(5.2.152). This once again exhibits Desdemona's loyal and demure personality. If she had acted more bold, like Emilia, and exposed Othello, justice would have been served without the death of a dear friend. On the contrary, Emilia is quick to reveal Iago's true intentions. When Othello says that his evidence for being justified in killing Desdemona is the strawberry embroidered handkerchief, Emilia immediately responds, “He begged of me to steal ’t,” exposing the truth: that Iago had begged her to steal the handkerchief for him(5.2.272). Without hesitation, Iago stabs Emilia for exposing the truth. It would have benefited her to act more like Desdemona in this instance. If Emilia had not been so bold, perhaps she would have exposed Iago when he was not present, and prevented her
As Desdemona constantly denies his accusations, Othello becomes very angry. He asks for her forgiveness (jokingly) and says “I took you for that cunning whore of Venice” (Act IV, scene ii, line 93). Desdemona is left mad by Othello’s ridicule and listens to Emilia’s contrasting attitude.
William Shakespeare: I doth not bethink twas Othello 's fault. Though i knoweth that gent hath killed Desdemona, his actions wast the worketh of 'honest Iago '. That gent wast most unfortunate to has 't fallen into Iago 's trap. Though Othello accused Desdemona of cheating and hath killed that lady, that gent loved that lady with all his heart. Othello spake about how Desdemona would has 't hath lived, hadst the lady nev 'r hath fallen in love with that gent. that gent kissed that lady and hath killed himself, as a form of contrition for killing that lady.
This paper contains 237 words of teacher’s comments. What one perceives is influenced by one’s environment. The setting and commentary surrounding events changes our perception of them. Any innocent gesture can be perceived in the wrong way with enough persuading from someone else. Even if someone has total faith in another person's innocence, they can be persuaded to doubt them through the twisting of events. Once just a small amount of doubt has been planted, it influences the way everything else is seen. This occurs throughout the play, Othello. In this play, Iago influences Othello's perception of events through speeches and lies, making him doubt Desdemona's fidelity. Iago uses his talent of manipulating events to exact his revenge on Othello. Iago's twisting of events in Othello's mind leads to the downfall of Othello as planned, but because he fails to twist Emilia's perception as well, he facilitates his own eventual downfall.
Emilia literally causes Iago's downfall, which is brought on due to Iago's overestimation of Emilia's loyalty.
Emilia, while lying next to her best friend on her deathbed, began to suppress her passive nature and attempts persecute the murderer. Nonetheless, the only woman who stood up for herself got killed in the end by her own husband. Othello and Iago’s wives were thought to be disloyal to their husband, while only one of them was correct in this accusation, Desdemona and Emilia were both murdered by the people they pledged their allegiance to. But, Emilia was the only woman who denounced the authority men had over women and compares the qualities of both men and women. She is fully aware of the gender
These behaviours allude towards tension due to their dissimilarity to the accustomed conduct of Othello and Desdemona. Desdemona’s growing fear of Othello is evident. in the precautions she takes to avoid his anger. Desdemona places the importance of Othello’s commands above her need to confide in Emilia.... ...
responsible for Othello’s behavior, but Emilia is responsible for the person who takes the handkerchief and causes these events to take place ; therefore, she unwittingly is responsible for Desdemona’s death. Work Cited Shakespeare, William, and Alvin, Kernan. The tragedy of Othello. Signet Classics, 1998.
Even on her death bed, Desdemona’s character of an inanimate object belonging to Othello is carried on. It is lead on by Emilia’s question of “who hath done this deed” (5.2.137) referring to Desdemona’s death and her reply, “Nobody. I myself. Farewell. Commend me to my kind lord. Oh, farewell!”(5.2.138-139), overall putting the responsibility of her death upon herself. Leaving the readers impression of Desdemona as one filled with sympathy and rage against her unwillingness to fight her independence as well as against the men of this time period for not realizing the importance of such a woman.
While the majority believes Desdemona is a strong women, a few may argue that she is not for her obedience to Othello shows a sign of weakness. Later on in Othello, Desdemona may be interpreted as a submissive character because of her actions when Othello displays physical strength. However, this is not true because when Othello strikes her, Desdemona is still able to hold her ground towards him, even though he is her husband. After going back and forth with Othello about the situation between her and Cassio, Othello abusively strikes Desdemona for he suspects she has been sleeping with Cassio. This did have Desdemona to retreat, but ultimately had her say, “I have not deserved this” (4.1.269). From these few concise words the audience can
Iago controls Emilia and treats her as less when she does not act as a submissive wife. Therefore, Emilia follows to keep Iago satisfy. Further, Iago tells Emilia to steal the handkerchief; which she follows without knowing his intentions, to then be insulted by Iago calling her a “foolish wife” (3.3.313), and demanding her, “Go, leave me” (3.3.330). Apparently, Iago makes Emilia lesser, and she accepts her role as a submissive wife. Moreover, although Othello proclaims loving Desdemona, he perceives her as inferior as a result of jealousy. As in Act 5, Scene 2 where Othello says to Desdemona, “Down, strumpet!” (89), suggesting that he puts her in an inferior position to kill her reflecting his true perception of Desdemona. And likewise Emilia, Desdemona accepts the role of an obedient wife by using her last breath to take the fault off Othello
Desdemona is a victim of both Othello’s jealousy (the ‘green-eyed monster’) and Iago’s malevolence. However, as a literary construct, she is unable to prevent herself from falling victim to the hamartia of Othello and his hubris, an essential flaw in the tragic hero according to Aristotle. His pride is wounded by the idea that society would consider him emasculate due to having been cuckolded – in this sense, her fate was inevitable. Another of Aristotle’s theories purports that catharsis (often experienced following the death of the tragic victim) is a vital component of tragedy; as a great tragedy, catharsis must certainly be felt by the audience of Othello. However, the purging of emotions should surely only be felt towards characters which are genuinely liked, demonstrating the intricate link between pity and likability and highlighting the paradox in Auden’s statement: the audience must like Desdemona to some extent for her death to have a dramatic effect. Regardless of personal opinions on Desdemona, it is an upsetting final thought for the audience that there seems to be little hope for their own lives if evil can prevail over someone so good and taint something as beautiful as Othello and Desdemona’s love.
First, in order to defend Desdemona's chastity, Emilia challenges the societal norm of silence. Recall the incident when Othello calls Desdemona a "whore" for cheating. In response, Emilia protests loudly against Othello and attempts to disprove his belief that Desdemona is not chaste: "A halter pardon him [Othello]! And hell gnaw his bones! / Why should he call her [Desdemona] whore? (4.2. 143,144). Instead of Emilia conforming to the attribute of Renaissance women as silent, she condemns Othello for his false accusations against her mistress, Desdemona. Later in the play, after finding Desdemona killed, Emilia challenges silence again: "As ignorant as dirt! Thou hast done a deed-... / The Moor hath killed my mistress!" (5.2. 171,174). Although Othello tells Emilia that it would be "best" for her to remain silent, she ignores his request and ridicules him for killing "sweet" Desdemona (5.2. 169).
In Shakespeare’s play “Othello” the main characters Othello and Desdemona suffer a tragic fate due to their actions and unforeseen circumstances. A majority of Desdemona’s suffering is down to Iago’s manipulation. However, it could also be argued that Iago is not completely to blame for the misfortune of Desdemona. We as the readers can see evidence of this at certain points in the play where Iago has planted the seeds of despair and Desdemona and Othello have fallen for his plans. In this essay, I will look at key moments in the play where Desdemona is presented as a tragic victim by the writer and justify why she is a tragic victim using quotes from the play.
I nothing but to please his fantasy" (Act 3 scene 3 Line 343) She betrays her friendship with by stealing her handkerchief and gives it to Iago hoping to satisfy him. This utterly fails, leaving Emilia with the desire to continue to try to please him. Who would not make her husband a cuckold to make him a monarch?
As one of Shakespeare's famous tragedies, “Othello”, is a play that not only shows the love and the humanistic ideal destroyed, but also shows the tragic fortune of women in the era of the patriarchal society. (Snow 384) This play includes several main themes of love tragedies delivered through some contrasting values and characters such as love and jealousy, trust and breach of trust etc. Desdemona, a representative of the perfect embodiment of a faithful loving wife, eventually killed by her suspecting husband. Emilia, an analytical woman that knew to obey the social norms but still carried a sense of inherent moral compass and compassion. How do the characters perceive what is proper and moral in the society they were in? This essay will