Da Vinci: Focus On The Real And Beauty Of Nature

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I. Theory analyse.
Da Vinci was focus on the real and beauty of Nature. He thought the beauty of paintings was it can copied down the whole thing that exists in the Nature. He asked his students: “Whoever flatterss himself that he can retain in his memory all the effects of Nature, is deceived, for our memory is not so capacious; there fore consult Nature for everything.”[p.183] however, he also told his students that they should continue thinking while they were painting. As he thought that no person who didn’t use their logos but only used practices and the judgements of eyes were like a mirror, that only could copy the scene infornt of him but know nothing from it [summarize from a treatise on painting]. This means that Da Vinci wanted the painting have highest …show more content…

The second mirror I think was a way to show the experiences. This was a nomenclature of metaphor, to show that artists should record their experiences on pictures. He captured all the details that had shown in objects and recorded them actively, but not just record them. “His mind will in this method to be like a mirror, reflecting truly every object placed before it, and become, as it were, a second Nature.”[p.182]So even though many artists tried to mimic the nature, his pictures were actively and different other artists. This ideas shows experimentalism, that draw pictures and use skills like he did before, he experienced before.
3. The second mirror was the soul, or the feelings to the subject he painted. He focused on the deep meaning, or psychology of his characters. “A painter shouldn’t just copied what the nature have and didn’t know anything.”[Summarize from the History of European Renaissance]. He was more focus on the subjects their selves, and painting skills serve for them. This was accord with the Humanism, to focus on the characters’ inside and psychology. For his landscape, he was focusing on the motion, and didn’t really draw pictures that definitely obey the painting

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