In her 2006 memoir, “The Horizontal World”, Debra Marquart displays her undeniable love, pride, and appreciation she has for the upper midwest. Through her multiple anecdotes and characterization of the Midwest she conveys these feelings about “the Heartland” clearly. First quoting Sylvia Griffith’s poem, “we are the folks presidents talk to when times require”, this anecdote explains the value of the midwest even as they “struggle to recover” from being pinned as “the great american desert” as edwin james put it. It highlights that although it has a plain and vast nature, its importance is equal to that of any state in the union. Additionally, Marquart uses the settling of the her grandparents in the west as a way to convey her pride for …show more content…
She list some of the best known names to come out of the Midwest, including “garrison Keillor's and The coen brothers” emphasizing the relativity of the land, and immediately follows it with a stereotypical generalization of the land, calling it “devoid of stories” and “a flyover region one must go through to get to more interesting places”. This juxtaposition reasserts her love for the midwest while simultaneously accusing the well known generalizations as false and mythical. Moreover, Marquart goes on to inform how the Midwest achieved this boring reputation quoting a piece of nonfiction by Richard Manning voicing the history of the land, “the place was a mess, and it became a young nation’s job to fix it with geometry, democracy, seeds, steam, and water” this perfectly lays the ground for juxtaposition in the subsequent paragraph which includes how incoming russian immigrants felt blessed to have received land with such potential, even naming a space in south dakota “eureka” which accentuates her overall feeling appreciation for the midwest and all that it has to
In Part II of A Sand County Almanac, titled "The Quality of Landscape," Leopold takes his reader away from the farm; first into the surrounding Wisconsin countryside and then even farther, on an Illinois bus ride, a visit to the Iowa of his boyhood...
The Frontier Thesis has been very influential in people’s understanding of American values, government and culture until fairly recently. Frederick Jackson Turner outlines the frontier thesis in his essay “The Significance of the Frontier in American History”. He argues that expansion of society at the frontier is what explains America’s individuality and ruggedness. Furthermore, he argues that the communitarian values experienced on the frontier carry over to America’s unique perspective on democracy. This idea has been pervasive in studies of American History until fairly recently when it has come under scrutiny for numerous reasons. In his essay “The Trouble with Wilderness; or, Getting Back to the Wrong Nature”, William Cronon argues that many scholars, Turner included, fall victim to the false notion that a pristine, untouched wilderness existed before European intervention. Turner’s argument does indeed rely on the idea of pristine wilderness, especially because he fails to notice the serious impact that Native Americans had on the landscape of the Americas before Europeans set foot in America.
Grant Wood was a Regionalist artist who continually endeavored to capture the idyllic beauty of America’s farmlands. In 1930 he had been roaming through his hometown in Iowa searching for inspiration when he stumbled upon a house that left him spellbound. From this encounter came America’s iconic American Gothic. Not long after Wood’s masterpiece was complete the once ideal countryside and the people who tended to it were overcome by despair and suffering as the Great Depression came to be. It was a time of economic distress that affected nearly every nation. America’s stock market crashed in 1929 and by 1933 millions of Americans were found without work and consequently without adequate food, shelter, and other necessities. In 1935, things took a turn for the worst as severe winds and dust storms destroyed the southern Great Plains in the event that became known as the Dust Bowl. Farmers, who had been able to fall back on their crops during past depressions, were hit especially hard. With no work or way or other source of income, many farms were foreclosed, leaving countless families hungry and homeless. Ben Shahn, a Lithuanian-born man who had a deep passion for social injustice, captures the well-known hopelessness of the Great Depression through his photograph Rural Rehabilitation Client. Shahn and Wood use their art to depict the desperation of everyday farmers in America due to the terrors and adverse repercussions that the Great Depression incited.
There are many ways in which we can view the history of the American West. One view is the popular story of Cowboys and Indians. It is a grand story filled with adventure, excitement and gold. Another perspective is one of the Native Plains Indians and the rich histories that spanned thousands of years before white discovery and settlement. Elliot West’s book, Contested Plains: Indians, Goldseekers and the Rush to Colorado, offers a view into both of these worlds. West shows how the histories of both nations intertwine, relate and clash all while dealing with complex geological and environmental challenges. West argues that an understanding of the settling of the Great Plains must come from a deeper understanding, a more thorough knowledge of what came before the white settlers; “I came to believe that the dramatic, amusing, appalling, wondrous, despicable and heroic years of the mid-nineteenth century have to be seen to some degree in the context of the 120 centuries before them” .
One example to depict Los Angeles as a frontier town is how “Other sidewalk booths, like those ordinarily used as dispensaries of hot doughnuts and coffee, offered wild-cat mining shares, oil stock and real estate in some highly speculative suburb” (29). This shows the developmental activity in Los Angeles due to the real estate, the oil stock, and the wild-cat mining shares. Many people come to Los Angeles hoping to become rich and strike gold. Los Angeles is a frontier town that has a plethora of oil. In Adamic’s “Laughing in the Jungle,” he characterizes some of LA’s citizens as seeing “a tremendous opportunity to enrich themselves beyond anything they could have hoped for ten or even five years ago, and they mean to make the most of it” (52). This characterization of LA’s citizens is another way of Adamic depicting LA as a frontier town due to the exploitative activity that he describes. Another example of how Adamic portrays LA as a frontier town is because “Los Angeles is America. A jungle. Los Angeles grew up, suddenly, planlessly, under the stimuli of the adventurous spirit of millions of people and the profit motive” (54). Adamic clearly depicts the exploitative activity associated with LA as a frontier town. Another author who illustrates the exploitative activity to establish LA as a frontier town is Upton Sinclair. In
In the world of Appalachia, stereotypes are abundant. There are stories told of mountaineers as lazy, bewildered, backward, and yet happy and complacent people. Mountain women are seen as diligent, strong, hard willed, and overall sturdy and weathered, bearing the burden of their male counterparts. These ideas of mountain life did not come out of thin air; they are the direct product of sensational nineteenth century media including print journalism and illustrative art that has continuously mislead and wrongfully represented the people of Appalachia. These stories, written and told by outsiders, served very little purpose to Appalachian natives other than means of humiliation and degradation. They served mostly to convince readers of the need for so-called civilized people and companies to take over the land and industry of the region, in particular the need for mineral rights, railroads, and logging as the mountain folk were wasting those valuable resources necessary for the common good.
A number of ideas, suggestions, and points can be extracted from “Illinois Bus Ride,” a passage from Aldo Leopold’s collection of essays entitled A Sand County Almanac and Sketches Here and There. However, there must be one main thesis that the author is attempting to get through to his audience. Leopold argues that we Americans have manipulated the landscape and ecosystem of the prairie so that it seems to be nothing more that a tool at our disposal. All aspects of what was once a beautiful, untamed frontier have been driven back further and further, until they were trapped in the ditches.
According to the thesis of Fredrick Jackson Turner, the frontier changed America. Americans, from the earliest settlement, were always on the frontier, for they were always expanding to the west. It was Manifest Destiny; spreading American culture westward was so apparent and so powerful that it couldn’t be stopped. Turner’s Frontier Theory says that this continuous exposure to the frontier has shaped the American character. The frontier made the American settlers revert back to the primitive, stripping them from their European culture. They then created something brand new; it’s what we know today as the American character. Turner argues that we, as a culture, are a product of the frontier. The uniquely American personality includes such traits as individualism, futuristic, democratic, aggressiveness, inquisitiveness, materialistic, expedite, pragmatic, and optimistic. And perhaps what exemplifies this American personality the most is the story of the Donner Party.
...to Americans: if their prospects in the East were poor, then they could perhaps start over in the West as a farmer, rancher, or even miner. The frontier was also romanticized not only for its various opportunities but also for its greatly diverse landscape, seen in the work of different art schools, like the “Rocky Mountain School” and Hudson River School, and the literature of the Transcendentalists or those celebrating the cowboy. However, for all of this economic possibility and artistic growth, there was political turmoil that arose with the question of slavery in the West as seen with the Compromise of 1850 and Kansas-Nebraska Act. As Frederick Jackson Turner wrote in his paper “The Significance of the Frontier in American History” to the American Historical Association, “the frontier has gone, and with its going has closed the first period of American history.”
As history cascades through an hourglass, the changing, developmental hands of time are shrouded throughout American history. This ever-changing hourglass of time is reflected in the process of maturation undertaken by western America in the late nineteenth century. Change, as defined by Oxford’s Dictionary, is “To make or become different through alteration or modification.” The notion of change is essential when attempting to unwind the economic make-up of Kansas in the 1880’s and 1890’s. Popular culture often reveres the American cowboy, which has led him to become the predominate figure in America’s “westering” experience (Savage, p3). However, by 1880 the cowboy had become a mythical figure rather than a presence in western life. The era of the cowboy roaming the Great Plains had past and farmers now sought to become the culturally dominant figure and force in the American West. Unlike the cowboys, farmers were able to evolved, organizing and establishing the Populist Party. The farmers’ newly formed political organization provided them with a voice, which mandated western reform. Furthermore, the populist ideas spread quickly and dominated western thought in the 1880’s and 1890’s. The period of the 1880’s and 1890’s marked the end of the American cowboy and gave farmers a political stronghold that would forever impact the modernization of the West.
...Thesis in 1893, the process of the Frontier is still a predominant force in American culture. The Frontier Thesis is less about settling the West than it is about Americans adapting to their environment in order to capitalize on resources. Because of this, the new Frontier lies in cyberspace. In cyberspace, Americans are changing their skills and personality traits in order to capitalize and utilize available resources for personal benefit. This process not only defined how the Frontier became civilized, but it also explained the development of the characteristics of the ideal American. In a response to their savage environment, settlers developed certain characteristics that are distinctly American. Because of this, the process of the West can be seen as a social evolution which helped to advance traits that are uniquely American – even in contemporary America.
The monotony of life has waged war against the narrator in Alice Munro’s “Miles City, Montana.” The author depicts the narrator as a brittle woman in search of a personal identity among a community of conformity. This battle between domestic responsibility and personal satisfaction reeks havoc on the soldier of this mother and wife. Munro is a master of characterization, and through the protagonist she depicts the complexities of human nature.
Over the years, the idea of the western frontier of American history has been unjustly and falsely romanticized by the movie, novel, and television industries. People now believe the west to have been populated by gun-slinging cowboys wearing ten gallon hats who rode off on capricious, idealistic adventures. Not only is this perception of the west far from the truth, but no mention of the atrocities of Indian massacre, avarice, and ill-advised, often deceptive, government programs is even present in the average citizen’s understanding of the frontier. This misunderstanding of the west is epitomized by the statement, “Frederick Jackson Turner’s frontier thesis was as real as the myth of the west. The development of the west was, in fact, A Century of Dishonor.” The frontier thesis, which Turner proposed in 1893 at the World’s Columbian Exposition, viewed the frontier as the sole preserver of the American psyche of democracy and republicanism by compelling Americans to conquer and to settle new areas. This thesis gives a somewhat quixotic explanation of expansion, as opposed to Helen Hunt Jackson’s book, A Century of Dishonor, which truly portrays the settlement of the west as a pattern of cruelty and conceit. Thus, the frontier thesis, offered first in The Significance of the Frontier in American History, is, in fact, false, like the myth of the west. Many historians, however, have attempted to debunk the mythology of the west. Specifically, these historians have refuted the common beliefs that cattle ranging was accepted as legal by the government, that the said business was profitable, that cattle herders were completely independent from any outside influence, and that anyone could become a cattle herder.
One of the more romantic elements of American folklore has been the criss-crossing rail system of this country – steel rails carrying Americans to new territories across desert and mountain, through wheat fields and over great rivers. Carl Sandburg has flavored the mighty steam engine in elegant prose and Arlo Guthrie has made the roundhouse a sturdy emblem of America’s commerce.
The movement westward during the late 1800’s created new tensions among already strained relations with current Native American inhabitants. Their lands, which were guaranteed to them via treaty with the United States, were now beginning to be intruded upon by the massive influx of people migrating from the east. This intrusion was not taken too kindly, as Native American lands had already been significantly reduced due to previous westward conquest. Growing resentment for the federal government’s Reservation movement could be felt among the native population. One Kiowa chief’s thoughts on this matter summarize the general feeling of the native populace. “All the land south of the Arkansas belongs to the Kiowas and Comanches, and I don’t want to give away any of it” (Edwards, 203). His words, “I don’t want to give away any of it”, seemed to a mantra among the Native Americans, and this thought would resound among them as the mounting tensions reached breaking point.