In Avarind Adiga’s novel, the White Tiger, Balram’s final goal is to move from the darkness to the light, however, he fails to realize that even the light is darkness. Balram wishes to escape the darkness to the light so that he can escape poverty and create a better life for himself. He hopes to create a better life in the light is where the rich are able to live carefree lives, and be ignorant of the consequences of their actions. Light offers hope for a better life, but once the poor who were living in the darkness make it to the light, their lives are as bad, if not worse than as it was in the darkness. The black river – the Mother Ganga, is darkness itself, filling the country with darkness, extinguishing the light. Light cannot exist …show more content…
The darkness is both a metaphorical and a physical darkness. The river is polluted with feces, straw, soggy parts of human bodies, buffalo carrion, and seven different kinds of industrial acids (12). This pollution contributes to the deadly nature of the Ganga river, “[the] river of Death, whose banks are full of rich, dark sticky mud whose grip traps everything that is planted in it, suffocating and choking and stunting it … I am talking of the Mother Ganga, Daughter of the Vedas, river of illumination, protector of us all, breaker of the chain of birth and rebirth” (12). The river suffocates, and kills all life that comes in contact with it. A person’s experience of the river stays with him forever, and is carried as luggage even after leaving the darkness. The sewer in the slum of Delhi, points back to the Ganga river, revealing the movement of darkness into the light. The darkness of the slum is even stronger than that of Balram’s village of Laxmangarh, “The slum ended in an open sewer-a small river of black water went sluggishly past me, bubbles sparkling in it and little circles spreading on its surface. Two children were splashing about in the black water” (222). This moment serves as time to remind Balram and the reader of a quote from the very beginning of the novel, “Everywhere this river flows, that area is darkness” (12). Balram has become part of the river, and everywhere he goes, darkness is brought with him. This creates a world of darkness, unnoticed by a man seeking freedom from
The first two lines of the poem set the mood of fear and gloom which is constant throughout the remainder of the poem. The word choice of "black" to describe the speaker's face can convey several messages (502). The most obvious meaning ...
The Massacre River was, in fact, Danticat’s inspiration to write the book (Wachtel 108). She sees the river as “both sad and comforting” in Hispaniola’s history (Wechtel 107). The river is both a site of grief and a site of hope. Although so many people have died in the river, Haitians still use it to “cleanse their labor’s residue off their bodies, reconnect with their community, and pay homage to their dead” (Shemak 96). Danticat also sees the river as dividing between torment and hope (Bell xi). This idea of water being both divisive and comforting is prominent throughout the novel.
The River is essential in helping Siddhartha come to an important realization of Unity. He hears the river laugh at him, making him realize that he is acting foolish.
It can be argued that the theme of light VS darkness is used to good
The realism movement of the late nineteenth century produced works in literature that were marked by reduced sentimentality and increased objectivity. The goal was to let details tell the story, and remove noticeable bias of the author through scientific and detailed descriptions. While this form of storytelling undoubtedly is most accurate, it creates difficulties for authors to incorporate their themes into the story. This resulted in an increase in symbolism in realist works. The objects and descriptions within the story are the author’s vehicle for displaying the values and themes of the work. Light and darkness are symbols commonly used in literature, and have held specific symbolic meanings for hundreds of years. Simply stated, light commonly symbolizes good, while darkness symbolizes its antithesis - evil. (Cooper) For centuries light vs. dark has been quite possibly the most common symbol in all literature. In Heart of Darkness, Joseph Conrad uses detail to create a feeling that transcends the literal text - most notably through his use of light and dark and the inversion of their traditional meanings. The end goal of this inversion is the establishment of the theme that not everything is as it seems. More specifically, Conrad uses detailed imagery of light and dark to show often times white men can be more savage than the natives.
The opening paragraph of the story contains a metaphorical passage: "I stared at it in the swinging light of the subway car, and in the faces and bodies of the people, and in my own face, trapped in the darkness which roared outside"(349). This reference is significant because it is a contrast to the dismal society that the narrator and his brother Sonny live in. The darkness is the portrayal of the community of Harlem that is trapped, in their surroundings by physical, economic, and social barriers. The obvious nature of darkness has overcome the occupants of the Harlem community. The narrator, an algebra teacher, observes a depressing similarity between his students and his brother, Sonny. This is true because the narrator is fearful for his students falling into a life of crime and drugs, as did his brother. The narrator notes that the cruel realities of the streets have taken away the possible light from the lives of his brother and his students. The narrator makes an insightful connection between the darkness that Sonny faced and the darkness that the young boys are presently facing. This is illustrated in the following quote:
In the novel, The White Tiger, by Aravind Adiga the main character, is Balram, one of the children in the “darkness” of India. Adiga sheds a new light on the poor of India, by writing from the point of view of a man who was at one time in the “darkness” or the slums of India and came into the “light” or rich point of view in India. Balram’s job as a driver allows him to see both sides of the poverty line in India. He sees that the poor are used and thrown away, while the rich are well off and have no understanding of the problems the poor people must face. The servants are kept in a mental “Rooster Coop” by their masters. The government in India supposedly tries to help the poor, but if there is one thing Adiga proves in The White Tiger, it is that India’s government is corrupted. Despite the government promises in India designed to satisfy the poor, the extreme differences between the rich and the poor and the idea of the Rooster Coop cause the poor of India to remain in the slums.
In the book Night written by Elie Wiesel, the main character Eliezer faces the torments of the Holocaust. The author uses night and eyes to represent Eliezer’s struggle against evil. Eliezer and the other character in this novel first fought against evil as shown by the motif of eyes, but as the story proceeds they give in to the forces of evil to protect themselves as shown by the motif of night.
As society continuously expands, building new structures, light pollution becomes increasingly problematic. Paul Bogard addresses this problem and argues against the increasing light pollution in his writing, “Let There Be Dark.” Through his use of the ethos and pathos, Bogard attempts to persuade his audience of the beauty of natural darkness.
In Heart of Darkness, Conrad uses light and dark to symbolize good and evil, respectively. "It is whiteness that is truly sinister and evil, for it symbolizes the immoral scramble for loot by the unscrupulous and unfeeling Belgian traders in ivory and human flesh; the whiteness of ivory is also contrasted with the blackness of the natives whose lives must be destroyed for its sake" (Gillon 25). Two central themes occur in Conrad's Heart of Darkness. The first is the struggle between the white people and the native tribes, which plays into the next theme, that of light versus dark.... ... middle of paper ...
Joseph Conrad's novel, "Heart of Darkness", depicts events in his personal life and how he came to believe that the European invasion of the African Congo needed to end. Joseph Conrad had a boyhood fascination of maps and the blank spaces on the African continent. Therefore, when the opportunity was given to him to become the captain of a small steamship on the Congo River, he jumped at the chance. In addition to Conrad's sense of adventure, he also had a curiosity of King Leopold's actions in the Belgium Congo and had a strong desire to witness firsthand the action taking place. After learning his assigned ship was undergoing repairs, he accompanied another crew on passenger ship assigned to bring back an ailing company agent, George Klein, who later died on the return trip. These events provided the backdrop so to speak of Conrad's novel, Heart of Darkness. The character of "Kurtz" was modeled after the company agent, George Klein. Although, Conrad never names the Congo or other significant landmarks, he later admits the book a "snapshot' of his trip in the African Congo. (Longman p2189).
Aravind Adiga in his psycho-social thriller, The White Tiger, explores issues that modern day India faces, ranging from social mobility to globalization, and morality to corruption. Adiga’s use of an epistolary novel allows his first person narrator to not only provide a commentary on the socio-political and geopolitical problems that India face, but also reflect on the effects of these problems on his own life. Adiga exploits the corruption in India and uses it as device to develop Balram’s character, as he journeys from “the darkness” to “the light”. It is true that Balram becomes increasingly corrupted, and at some points the reader may sympathise with him, however at other points, his actions cannot be justified. Growing up, Balram is tainted
In “The Negro Speaks of Rivers”, the river stands as a symbol of endlessness, geographical awareness, and the epitome of the human soul. Hughes uses the literary elements of repetition and simile to paint the river as a symbol of timelessness. This is evident in the first two lines of the poem. Hughes introduces this timeless symbol, stating, “I've known rivers: I've known rivers ancient as the world and older than the flow of human blood in human veins” (Hughes 1-2). These opening lines of the poem identifies that the rivers Hughes is speaking about are older than the existence of human life. This indicates the rivers’ qualities of knowledge, permanence, and the ability to endure all. Humans associate “age” with these traits and the longevity of a river makes it a force to be reckoned with. The use of a simile in the line of the poem is to prompt the audience that this is truly a contrast between that ancient wisdom, strength, and determination of the river and the same qualities that characterize a human being. The imagery portrayed in the poem of blood flowing through human veins like a river flows ...
Aravind Adiga’s debut novel The White Tiger highlights his views of the injustice and poverty present in India’s class system. He does this through the perspective of Balram Halwai, a fictional village boy from Laxmangarh. In this epistolary novel, Balram narrates his life in the form of a seven-part letter addressed to Wen Jiabao, the premier of China. He describes how he escaped his caste, which was thought to be impossible, and became a successful entrepreneur after killing his own master. The inequality between rich and poor is an important motive of the story. This paper will go in depth into the representation of the poor, the motivation for it and the effects it has on the interpretation of the story.
One piece of the poem hints towards imagery involving slavery, this occurs when the speaker talks about the “charter’d street….charter’d Thames” and later on mentioning “The mind-forg’d manacles”. The street and Thames being described as charter’d shows the power of the government having the control of parts of the city such as a river and the streets. The use of “the mind-forg’d manacles” is symbolic by showing that their brains or minds are being controlled and limited by the government and is a symbol of enslavement. The poem seems to express a lot of imagery about death and sadness, terms such as cry, curse, plagues and hearse are used. The use of such words tells the reader that the soldiers are being forced by the government to kill. Therefore, causing the soldiers despair. Another portion of the poem uses phrases such as “in very infants cry of fear” and “how the chimney sweepers cry” to show an image of child labor. The term “appalls” is used to describe the “blackning Church” to allow the audience to realize that the church is horrified of the child labor. The chimney sweepers are a specific example of child labor. And the use of the word “blackning” suggests that a sin such as child labor is occurring. Lastly, imagery is used in the last stanza to show the horrifying cycle of living in London, England. “How the youthful Harlots curse, blasts the new-born Infants tear” describes how prostitutes are