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The influence of slavery
Effects on african slavery in america
Effects on african slavery in america
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During the period of colonization, an ongoing process by which a central system of power dominates the land and its components, many music genres adopted a mixture of various culture influences. One of the many genres famous for doing this is cumbia. Cumbia originated from the Caribbean coast of Colombia with African, Amerindian and Spanish influences. Through time, cumbia experienced a drastic change where it historical value and instruments were either replaced or completely eliminated due to the new technology, making it easier to internationalize cumbia. Therefore cumbia went from being traditional to expanding and becoming more modernized. Thus it is with great importance to compare both traditional and modern cumbia to witness the impact this great shift had on cumbia’s historical value and instrumentation. As colonization of Colombia approached, Spaniards trespassed into Colombia accompanied by African American slaves to take over the lands. Due to that, traditional cumbia began as “folklore dance amongst the black, indigenous and mixed population” (Hernandez 2016). …show more content…
The Vertical duck flute was the indigenous instrument that had two versions of it; it was either a hembra with five holes (the lead instrument) or a macho with one or two holes and was played along with the rattle (D’amico 2013: 29). These two versions usually functioned as one and are meant to sound like a bird. The cane flute was only played when the vertical duck flute was not (D’amico 2013: 33). The cane flute is considered an African decent instrument along with the rest of the instruments listed, which demonstrates the African influence in cumbia. However, once commercialization begun and the radio grew an interest on this genre, the elements that created traditional cumbia began to be
Canciones de arargue, or songs of bitterness – was the original name for the creolized form Bachata. Many closely associate Bachata with the other Caribbean styles of the African diaspora such as merengue and son. In Intro to Music Cultures of the World we were tasked with attending a world music concert. I chose to attend a Bachata concert because I already had an interest in Caribbean music. The concert was not as I had expected, but was rather intriguing and thoroughly enjoyable. In this report I hope to analyze Bachata’s roots, report on its concert style, and compare it to another piece in the genre.
Perrone, Charles A., and Christopher Dunn. Brazilian Popular Music & Globalization. Gainesville: University of Florida, 2001. Print.
The Native American flute is the third oldest known musical instrument in the world, with bone flutes dating back over 60,000 years. The first instrument found were drums, then varies whistle were made. Over time, the instrument evolved with many different materials and shapes. And these difference and changes reflect the culture of that time. Virtually, flutes were used all types of hardwoods and softwoods in history.
Gottschalk’s unique blend of exotic cultures was key to perpetual fame during his time. By examining the compositions Bamboula (Op. 2) and Souvenir de Porto Rico (Op. 31), I will demonstrate how Gottschalk’s musical style represents an integration of Creole, New Orleans, West Indian, and Afro-Caribbean backgrounds he was exposed to throughout his life.
Over the course of history, music has developed from a personal, academic pursuit to an extension of a global marketplace and an attribute of this global community. In order to better address this conversation and the surrounding idea, Feld utilizes the platform he has developed to pose the argument that music has long been cultivated as a means of communication and interaction. This relationship is developed and analyzed as a case study in this article, which happens to be in discussing a traditional lullaby first developed in the Solomon Islands, which was in turn recorded by a European pop group that sold millions of copies of a rendition of the song. Furthermore, the article goes to show the trend of music to be redistributed and developed in the sense that it is later reused by a popular jazz musician in Europe. Feld then begs the question about the nature of the redistribution of music and whether this facilitates a hybridization of music or an alienation and artistic degradation of the original work for the indigenous artists.
Throughout the years Latin music has slowly made an impact in the music industry in the United States, from the traditional mariachi to the vibrant Rock en Español. But it is the controversial folk-music genre called narcocorridos that has made a major impact in the last few years in the United States, mainly the southwestern states that border with Mexico. Also called drug ballads, this subgenre of the traditional corrido has emerged since the 1990’s as the principal instrument to chronicle the odyssey of Mexicans across the Rio Grande in a drug-infested universe (Stavans). Played by the tuba, an accordion, drums and a guitar, narcocorridos are about violent confrontations between cartels and the luxury lives of powerful drug lords. With the violent drug wars in the last ten years in Mexico, narcocorridos have been the music trend to many, mainly the young generation. People get influence by this music and want to live the expensive and exotic life these drug lords live by. In this research paper I am going to explain how the emergence of narcocorridos has influenced the young generation and societies in the United States and Mexico.
“How Musical is Man?” was published in 1974. This book was written by John Blacking, a musician turned social anthropologist. His goal in writing this ethnography, and several other papers during this same time period, was to compare the experience of music-making that takes place within different cultures and societies throughout the world. In this book, he discusses and describes the musicology of the Venda people in South Africa. Though he does go to Africa to research and learn about the Venda people and their music, he specifically states that his book is “not a scholarly study of human musicality” (ix), but rather it is a summary (written from his point of view), which is both expressive and entertaining, of several different issues and ideas that he has seemingly been contemplating for some time.
Music has shaped the lives of people throughout history. Even in its earliest forms, music has included use of instruments. One of the oldest musical instruments known is a variation of the flute; the original flute is thought to date back nearly 67,000 years ago. Tonight we are going to move throughout the eras with a history of instrumental music. This concert will begin with the Renaissance Era and continue through time until we have reached modern instrumental music.
Throughout the semester, various styles of music and the aspects of culture associated with these styles have been analyzed. Musical elements such as dynamics, texture, form, timbre, melody, instruments, etc., have been used to thoroughly explore each kind of music from different areas of the world, with an emphasis in music from Africa, India and Indonesia. These aspects of music go far beyond just music itself. Culture also plays a huge role in music and the accompanying musical elements. Each country and culture has a different style and distinctiveness that add to what makes the music of that certain culture unique. Music in Africa may differ dramatically from music in Indonesia or India not only due to those certain elements but also due to how it is interpreted by people and what it represents for those people. In addition to this, what one may consider music in one culture may not be music to another. These differences have been made apparent in the several demonstrations that we have been exposed to in class.
This paper will be discussing the origin, roots history and evolution of Salsa music. The paper will also discuss some of the most successful Salsa musicians including Celia Cruz, Edi Palmeiri, Willie Colon and the Fania band or Fania All Star.
I have always wondered about the history of Latin American dance. In this informational report, I am going to share with you the origins of the Latin American culture of dance.
Which lead to very promising development in music in Latin America. A second major historical event came from slavery in the eighteenth century and before. The colonizers brought hundreds and thousands of slaves from Africa into North and South America. Along with the slaves came various musical influences like that of the drums, various performing forces like drums, and various other instruments. These, among others, are just a few major historical events which made a massive influence on Latin American
Caribbean music is formed based on the tradition of Calypso, Soca, Zouk, and Reggae. They own a diversity style music since being bordered by the islands of Jamaica, Haiti and Trinidad. Morden community has fight for their independence and some islands won their or being a part of invading country only. Specially is the freedom of Cuba, Haiti and Jamaica with their self-sufficient and others now belong to the United States. These things had happening at the sametime that broke the Caribbean culture apart and created a diversity history.
Music is a form of communication, letting others knows what is going on in the country, political, social or economic and any other problems the people of the Caribbean faced. With so many different ethnic backgrounds in the Caribbean, they are people with Asians, Indians, and Africans descents. This created a language and culture barrier but each ethnic background shared a common link music. Music bridged the gap between the different ethnicities Music is part of everyone’s culture especially here in the Caribbean. Our culture is recognized worldwide for its music. The Caribbean has different genres of music such as calypso, reggae, dance hall, zouk and many others. Our music has roots in both African and European cultures. The drum rhythm comes from the African in...
Music has played a role in society since the dawn of man. Said to be the beginning of communication in early civilization, music and dance have influenced how we think, act and treat members of our own society. Song and dance is used in rites of passage ceremonies such as births, weddings and funerals throughout the world. Jamaican and Yoruba cultures have made many contributions to our society. The uses of this music as a vehicle for political issues, values, and beliefs have been used by many musicians from different cultures. I intend to discuss the Contribution of these two contemporary cultures music and their effect on society.