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Multicultural literature essay
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Transformation is necessary to adapt to any situation. The main characters in American Born Chinese transform their identities in order to deal with and fit into the society they live in. Jin Wang desperately wants to transform from Chinese background to an American. The Monkey King wishes to transform from “just a monkey” to a God. Danny transforms in order to deal with cultural criticism. These characters use these transformations in order to deal with the life they live in and understand who they are.
Jin Wang, the main character in American Born Chinese transforms in order to deal with stereotypes and prejudice. After moving from Chinatown San Francisco to a new school, Jin realizes he is the only Asian other than Suzy Nakamura (31). Jin immediately faces racial stereotypes and slurs, such as “Chinese people eat dogs”, and arranged marriages (31). Even the teachers have preconceived ideas about Jin’s heritage. His third grade teacher Mrs. Greeder has little understanding of the pronunciation of Jin’s name and from where he moved, thinking he came “all the way from China” (30). In order to integrate in his new environment, he assimilates himself into American culture, transformed into a “regular” American. After stereotyped for eating dog, Jin is seen eating without chopsticks, part of his Asian tradition, and begins to eat “normal” American cuisine, such as sandwiches (37). When Wei Chen arrives, Jin tells him “(he’s) in America” and to “speak English” (37). Even though Jin is fully capable of communicating with Wei-Chen, he decides to abandon his previous culture. Jin chooses to fully transform into an American. He tries to completely dispose of his Asian identity and develop a new one. In order to do this he develops the n...
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...s more and more irritated by Chin-Kee. It comes to a point where he has a fight with Chin-Kee (207). At the end of the fight, Danny manages to knock off Chin-Kee's mask, which reveals his true identity as the Monkey King (212). Danny is transformed back to Jin Wang. Jin realizes he should be happy with whom he really is and that transformations are not necessary. Through these back and forth transformations, Jin finally is at peace with his true identity and who he should continue to be.
Transformation is used to deal with the predetermined ideas that their societies have. Jin Wang faces stereotypes that make it hard for him to function in his new neighbourhood. The Monkey King desires to match the others that originally humiliated him. Danny has trouble being tolerated by peers who at first enjoyed his presence. All must transform to handle an unwelcoming society.
Characters are always changing, in speech, thoughts, actions, and looks, whether it is or isn’t for the better. In the story, Code Talker, by Joseph Bruchac, the protagonist, Kii Yazhi(Ned Begay) changes mentally and physically through the story in many different ways from the beginning to the end. Ned is secretive of revealing that he still speaks Navajo, despite being shunned by white people. However, his secretiveness later turns into pride as he leaves school to pursue another path he is sure is right for him. Overall, Ned changed through major events in his life that proved him of his own
Imagine feeling and looking different from all those around you. Imagine if you weren’t understood the same way as the majority. In the book “American Born Chinese”, two characters, Jin and Monkey King who went through the same situations, but in different societies. The Monkey King insight into the impact of society on Jin as they both face social exclusion through experiencing internalized racism. Further as Monkey King transforms into another character, Chin-Kee, which Jin sees as an embarrassing Chinese culture.
Although his parents had no previous knowledge of America’s society, they were able to learn from watching films and reading books. When Liu was born, they decided it was a good idea for him to adapt to this new environment that may benefit his life with better opportunities that the culture provides. Some of these opportunities involved independence and a luxurious lifestyle that they thought was different than the Chinese culture. Liu took pride in believing that he was considered an Asian American when he perceives himself as a unique individual coming from two different cultures. He learns about the daily lives of white people and eventually made friends who were able to support and teach him to fit in with the society. During his life in America, Liu faced struggles and tries to overcome them by learning how to get along with white people, using the social-class to help him make connections with other white people, and getting involved with his internship which provided a good career opportunity while becoming an upper class person. Overall, Liu’s success in achieving his goals of individuality, career opportunities, and lifestyle as well as understanding himself about his Asian American
Your identity is shaped by your desire to be who you want to be. You choose who you surround yourself with. You decide who you want to become, but in the novel the Joy Luck Club by Amy Tan, Jing-mei’s mother already had her identity planned out whether she likes it or not. According to her mother, “you could be anything you wanted to be in America.” Her standards for her daughter were nothing short of the American dream. She wanted her daughter to be a prodigy, to excel in anything, and at first Jing-mei was just as excited as her mother was. She wasn't sure where her daughter's talents rooted, but she was sure that she reeked of potential. Mrs. Woo tried to push her daughter to become an actress, but she soon found out that will get her nowhere. Then
Chang-Rae Lee’s Native Speaker expresses prominent themes of language and racial identity. Chang-Rae Lee focuses on the struggles that Asian Americans have to face and endure in American society. He illustrates and shows readers throughout the novel of what it really means to be native of America; that true nativity of a person does not simply entail the fact that they are from a certain place, but rather, the fluency of a language verifies one’s defense of where they are native. What is meant by possessing nativity of America would be one’s citizenship and legality of the country. Native Speaker suggests that if one looks different or has the slightest indication that one should have an accent, they will be viewed not as a native of America, but instead as an alien, outsider, and the like. Therefore, Asian Americans and other immigrants feel the need to mask their true identity and imitate the native language as an attempt to fit into the mold that makes up what people would define how a native of America is like. Throughout the novel, Henry Park attempts to mask his Korean accent in hopes to blend in as an American native. Chang-Rae Lee suggests that a person who appears to have an accent is automatically marked as someone who is not native to America. Language directly reveals where a person is native of and people can immediately identify one as an alien, immigrant, or simply, one who is not American. Asian Americans as well as other immigrants feel the need to try and hide their cultural identity in order to be deemed as a native of America in the eyes of others. Since one’s language gives away the place where one is native to, immigrants feel the need to attempt to mask their accents in hopes that they sound fluent ...
Similarly, Wong also grew up in America with a traditional Chinese mother. In contrast, Wong’s upbringing involves her mother forcing her into attending two different schools. After her American school day, Wong continues on with Chinese school to learn both cultures. Her mother felt it was her duty to “[. . .] learn the language of [her] heritage” (Wong 144). This puts a burden on Wong as she starts to despise the Chinese culture.
In the end, Bao-yu does experience a transformation. After another experience in the Land of Illusion, Bao-yu is changed, and decides to rehabilitate the house’s reputation. He succeeds in this effort, and leaves thereafter to become a monk. With this revelation, the effect of Taoism on Bao-yu’s character is obvious. The Story of the Stone is one of spiritual awakening, not of success through filiality. Though Bao-yu realizes his efforts by completing traditionally Confucian tasks, he does so only after a compelling spiritual experience in the Land of Illusion. Throughout his life, Bao-yu was forced to remove himself from the trappings of the failing material world he was born into, and only through transcendence of these factors was he finally able to restore honor to the house of Jia.
The second and third sections are about the daughters' lives, and the vignettes in each section trace their personality growth and development. Through the eyes of the daughters, we can also see the continuation of the mothers' stories, how they learned to cope in America. In these sections, Amy Tan explores the difficulties in growing up as a Chinese-American and the problems assimilating into modern society. The Chinese-American daughters try their best to become "Americanized," at the same time casting off their heritage while their mothers watch on, dismayed. Social pressures to become like everyone else, and not to be different are what motivate the daughters to resent their nationality. This was a greater problem for Chinese-American daughters that grew up in the 50's, when it was not well accepted to be of an "ethnic" background.
First, we studied the various conflicts that Chinese Americans face. One way that we did this was by watching a movie regarding this subject called Joy Luck Club, which contains several stories, each one showing different conflicts. The first conflict that we saw was that many times, Chinese Americans do not want to be recognized as Chinese. They feel that it would be easier if they were recognized as American. They do not want to have anything to do with their Chinese side. We saw an example of this in the movie when one of the daughters, Lena, tried to open her eyes as far as possible so that she would appear American. The parents of Chinese American children also face conflict in that they want their children to succeed and have as much opportunity as possible, and so many times they alienate them from their Chinese identity.
People can change their ways overtime in a positive way. Everyone has experienced change once in their life. Some people have acknowledged change over the course of life in a positive way or a negative way. Throughout the novel “The First Stone” by Don Aker, the main character Reef alters his ways a lot positively. Reef is a teenager who changes his lifestyle and makes a huge impact in his life after he meets Leeza. This novel develops the fact that people can change in a beneficial way, no matter what situation they are in.
Chinese-Americans authors Amy Tan and Gish Jen have both grappled with the idea of mixed identity in America. For them, a generational problem develops over time, and cultural displacement occurs as family lines expand. While this is not the problem in and of itself, indeed, it is natural for current culture to gain foothold over distant culture, it serves as the backdrop for the disorientation that occurs between generations. In their novels, Tan and Jen pinpoint the cause of this unbalance in the active dismissal of Chinese mothers by their Chinese-American children.
The protagonist of the story is Jing-mei. She is a flat character who turns out to be dynamic. Throughout her life, she has been very stubborn about accepting her identity. An example of this is when she explains, "I was 15 and had a vigorously denied that I had any Chinese whatsoever under my skin" (857). She shows her dynamic characteristic at the end of the story when she finally does accept her heritage.
...me Americans has been realized. Wong is multicultural and not Chinese. However, when she examines back to her childhood, she feels miserable. Her unhappiness is significant because this feeling shows us her present concept on her initial heritage. She can understand why her mother took them to the Chinese school at this issue. She could be an American and still having Chinese heritage. There are many All-Americans but she likes to be someone who is multicultural, and she had numerous possibilities to hold her Chinese culture. The reason for her unhappiness is that she missed these possibilities. She thought that maintaining more than one backgrounds is interesting. Through being an All-American Girl and departing her Chinese culture, she came to realise the importance of her original heritage and the factual significance of being multicultural.
Gish Jen’s In the American Society is, on the surface, an entertaining look into the workings of a Chinese American family making their way in America. The reader is introduced to the life of a Chinese American restaurant owner and his family through the eyes of his American-born daughter. When we examine the work in depth, however, we discover that Jen is addressing how traditional Chinese values work in American culture. She touches on the difference in gender roles, generation gaps between immigrants and their American-born children, and the hesitance of these immigrants to conform to the American way of life.
Lindo Jong provides the reader with a summary of her difficulty in passing along the Chinese culture to her daughter: “I wanted my children to have the best combination: American circumstances and Chinese character. How could I know these two things do not mix? I taught her how American circumstances work. If you are born poor here, it's no lasting shame . . . You do not have to sit like a Buddha under a tree letting pigeons drop their dirty business on your head . . . In America, nobody says you have to keep the circumstances somebody else gives you. . . . but I couldn't teach her about Chinese character . . . How to know your own worth and polish it, never flashing it around like a cheap ring. Why Chinese thinking is best”(Tan 289).