Cult Of Sensibility Essay

370 Words1 Page
bulb-icon

Recommended: Oppression of women in the 19th century

The concept of sensibility arose in the late 18th century; in particular through the social norms of the upper, refined class of society who were very reliant on larger-than-life emotional expression. The manners of women are most integral to the concept of sensibility. The female anatomy was linked to a woman’s theorised fragility; this concept was furthered by the natural reaction of many females, in that they would blush, weep and faint when confronted with certain situations. The concept of female fragility was sexualised during this period; yet it was accepted as it was considered to better the behaviour of men and in the same way it contributed to the subservient status of women. A sensible man was kind and understanding. Yet, if he too …show more content…

Otis Wheeler describes how the surge in sentimental dramas was a direct reaction to the coarse comedies of the Restoration wherein man was depicted as ridiculous and nonsensical. In contrast “the drama of sensibility” was a display of the infinite promise of man. In this way the beginnings of the Cult of Sensibility is inextricably linked to the birth of Romanticism, yet where Romanticism preferred the superfluous and exaggerated the Cult of Sensibility preferred the delicate, softer emotions that would bring people together in harmony. As such it is fair to say that although these two styles were borne of a similar distaste for the neoclassical, they developed into very different types of drama. Romanticism created antagonistic protagonists, such as Heathcliff in Wuthering Heights. As previously mentioned the anatomy had a great deal to do with how sensibility was addressed. In the comprehension of the cult of sensibility, an awareness of the effects of the nerves in one’s body is imperative. As such, sexual organs had a strong impact on the sensible individual’s thought process. Inasmuch as most novels from the period do not delve into the particulars of the impact of one’s private parts, the charged interactions between characters drew from their particular

Show More
Related

  • Comparison: Frankenstein & The Rime of the Ancient Mariner

    1670 Words  | 4 Pages

    In the late eighteenth century arose in literature a period of social, political and religious confusion, the Romantic Movement, a movement that emphasized the emotional and the personal in reaction to classical values of order and objectivity. English poets like William Blake or Percy Bysshe Shelley seen themselves with the capacity of not only write about usual life, but also of man’s ultimate fate in an uncertain world. Furthermore, they all declared their belief in the natural goodness of man and his future. Mary Shelley is a good example, since she questioned the redemption through the union of the human consciousness with the supernatural. Even though this movement was well known, none of the British writers in fact acknowledged belonging to it; “.”1 But the main theme of assignment is the narrative voice in this Romantic works. The narrator is the person chosen by the author to tell the story to the readers. Traditionally, the person who narrated the tale was the author. But this was changing; the concept of unreliable narrator was starting to get used to provide the story with an atmosphere of suspense.

    Read More

  • Critical Review of 'Sex, Smallpox and Seraglios: a Monument to Lady Montagu'

    1163 Words  | 3 Pages

    Frith's article entitled Sex, smallpox and seraglios: a monument to Lady Mary Wortley Montagu was written in order to show the way life was for a woman in the eighteenth century. Her article illustrates what the role of men and women were during the 18th century. Furthermore, it shows what happened to women when they broke through these societal restrictions. There were three underlying points in Frith's article, she mainly focused on; the restrictions that women had in society, the extreme importance of beauty in western society and the societal differences between western society and eastern society regarding women. Frith is also trying to show that our world has not changed that much in the years since Montagu was alive, and that in the West women are still placed below men in many job situations and beauty is still extremely highly regarded. In the East, the world has changed even less in some ways, where many of the customs from the 18th century are still very predominantly practiced.

    Read More

  • Victorian Sexuality in Stoker’s Dracula, LeFanu’s Carmilla, and Polidori’s Vampyre

    1689 Words  | 4 Pages

    To “be a lady” in Victorian times, women had to repress their “instincts,” meaning that they must not have sex. Lead by the “cult of true womanhood,” which dictated piety, purity and submissiveness in women, females were directed to become almost asexual. Women went into sexuality thinking that it was something not to be talked about, that women were not supposed to have a libido, and that the act of sexual intercourse was not something that they should enjoy.

    Read More

  • The Character of John in The Yellow Wallpaper

    2044 Words  | 5 Pages

    John's fascination with observing his wife can be attributed to a physician's distorted interest in the body. We can certainly speculate that, as physicians at the turn of the century were beginning to explore the female body assisted by "developments" in gynecology, John may have been equally interested in these new techniques of viewing the female body. More so than ever, the patient and her body became subject to the physician's privilege to intimately observe and diagnose her.

    Read More

  • Lady Audleys Secret

    2374 Words  | 5 Pages

    The term melodrama has come to be applied to any play with romantic plot in which an author manipulates events to act on the emotions of the audience without regard for character development or logic (Microsoft Encarta). In order to classify as a Victorian melodrama, several key techniques must be used, including proximity and familiarity to the audience, deceit rather than vindictive malice, lack of character development and especially the role of social status.

    Read More

  • Comparison Essay

    707 Words  | 2 Pages

    The differences of these two plays, gives one a sense that any general idea can be broken into a distinct one and not sway away from its intended idea. This means, a comedy can be made into a tragedy, romance, and other themes, and yet still maintain the purpose of providing laughter to the audience. This shows the development of literature over the years, as many more subcategories result because of the contrasts.

    Read More

  • Sexuality in One Flew Over the Cuckoo's Nest and A Street Car Named Desire

    2387 Words  | 5 Pages

    The capacity of sexual feelings within the individual is central to both the development and fundamental basis of any significant character. As observed in both 'One flew over the cuckoos nest' (AKA Cuckoo's nest) and 'A Street car named desire' (AKA. St. car) sexuality emerges as a principal device used in defining a character to the audience. By the reliance on and close association of the text with the stereotypical characters found within society, the characters presented to the audience can be made more identifiable with. The physical description of a character can therefore be said to be symbolic of its sexuality, "Broad across the jaw shoulders and chest"[1] and in likening a description to a stereotype "I fight and fuh..too much"[2] this can be greater reinforced.

    Read More

  • Motiffs in The Novel Wuthering Heights by Emily Bronte

    858 Words  | 2 Pages

    In the gothic novel Wuthering Heights by Emily Bronte, the author hides motifs within the story.The novel contains two major love stories;The wild love of Catherine, and Heathcliff juxtaposing the serene love of Cathy,and Hareton. Catherine’s and Heathcliff's love is the center of Emily Bronte’s novel ,which readers still to this day seem to remember.The characters passion, and obsession for each other seems to not have been enough ,since their love didn't get to thrive. Hareton and Cathy’s love is what got to develop. Hareton’s and Cathy’s love got to workout ,because both characters contained a characteristic that both characters from the first generation lacked: The ability to change .Bronte employs literary devices such as antithesis of ideas, and the motif of repetition to reveal the destructiveness of wild love versus a domestic love.

    Read More

  • Romance in Shakespeare's Comedy of Errors

    613 Words  | 2 Pages

    What is so interesting about Shakespeare's first play, The Comedy of Errors, are the elements it shares with his last plays. The romances of his final period (Pericles, Cymbeline, The Winter's Tale, The Tempest) all borrowed from the romantic tradition, particularly the Plautine romances. So here, as in the later plays, we have reunions of lost children and parents, husbands and wives; we have adventures and wanderings, and the danger of death (which in this play is not as real to us as it is in the romances). Yet, for all these similarities, the plot of The Comedy of Errors is as simple as the plots of the later plays are complex. It is as though Shakespeare's odyssey through the human psyche in tragedy and comedy brought him back to his beginnings with a sharper sense of yearning, poignancy, and the feeling of loss. But to dismiss this play as merely a simplistic romp through a complicated set of maneuvers is to miss the pure theatrical feast it offers on the stage - the wit and humor of a master wordsmith, the improbability of a plot that sweeps...

    Read More

  • The Idea Of Women In Anne Hollander's Women As Dress

    1013 Words  | 3 Pages

    The unchanged splendor of their toilettes and the opulence of their flesh signified the social status and the monetary power of their fathers, husbands, or lovers, who amassed wealth but did not exhibit it.”

    Read More

  • Identifying Patriarchy in European Literature

    1678 Words  | 4 Pages

    An Essay: On Jane Austen's Northanger Abbey, Emily Bronte's Wuthering Heights, and William Shakespeare's Much Ado About Nothing

    Read More

  • Demise of a Soulmate in Emily Bronte's Wuthering Heights

    706 Words  | 2 Pages

    Emily Brontë’s novel Wuthering Heights, set in the countryside of England’s 1700’s, features a character named Heathcliff, who is brought into the Earnshaw family as a young boy and quickly falls into a passionate, blinding romance with the Earnshaw’s daughter, Catherine. However, Heathcliff is soon crushed by this affection when his beloved chooses the company of another man rather than his own. For the remainder of the novel he exudes a harsh, aversive attitude that remains perduring until his demise that is induced by the loss of his soulmate, and in turn the bereavement of the person to whom the entirety of his being and his very own self were bound.

    Read More

  • Beggar's Opera Irony

    1219 Words  | 3 Pages

    Wrought with double irony and an overall sense of mock-pastoral, English playwright John Gay’s The Beggar’s Opera (1728) has its forefront of irony vividly expressed between the dynamic of the central characters Macheath and Peachum. Even the names of the characters comically resemble their occupations within the play, Peachum’s being a play on the word “peach” which means to bring one to trial, while Macheath’s meaning “son of heath” and being a play on the heaths of London, which were prime places worked on by highwaymen (Tillotson, et al.). While both characters were used as a political satire towards Jonathan Wild and the then Prime Minister Robert Walpole (after all, The Beggar’s Opera was a political satire first and a potential literary

    Read More

  • Cults Essay

    1534 Words  | 4 Pages

    Throughout our history, cults have become a prevalent part of our society. More and more cults are forming every day. Although not all of them are dangerous, some can perform practices that are toxic to their members. Cults use fear and control to gain more and more members. Once members join a cult, they are forced to perform the practices that the cult leaders require. It is through these practices that cult leaders convince their members to stay in the cult. Through mind control and scare tactics, cults have become a very powerful and dangerous part of our society.

    Read More

  • Cross Dressing Essay

    2050 Words  | 5 Pages

    The absence of ladies was a difficulty which was very easily overcome, by a simple arrangement whereby it was understood that every gentleman who had a patch on a certain part of his inexpressibles should be considered a lady for the time being. These patches were rather fashionable, and were usually large squares of canv...

    Read More

More about Cult Of Sensibility Essay

Open Document