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Thomas Pynchon’s novel, The Crying of Lot 49, follows California housewife Oedipa Maas, after her ex-lover dies and designates her the co-executor of his estate. She becomes entangled in a convoluted historical mystery, sorting through a plethora of information surrounding an underground Tristero system of communication. Just as Oedipa searches for meaning within the narrative, the reader searches for meaning within the text and within the language of the novel itself. The novel is filled with excess information, codes, messages, secret languages, historical and literary allusions, puns, parodies, and figures of all sorts. These elements of the narrative deceive Oedipa and the reader into expecting revelation is at hand and that the world …show more content…
The mazy prose, consisting of an excess of information, metaphors, and symbols, parallels Oedipa’s tangled adventures. Just as Oedipa becomes lost within her landscape, the reader becomes lost within the text: “The city was hers, as, made up and sleeked so with the customary words and images..” Oedipa wanders through the imaginary city of San Narcisco, searching for symbols and meaning. This reflects the reader’s wanderings through the actual text of the novel. They continue to parallel one another throughout Oedipa’s journey and her investigation across the city. To add to the confusion and layering of the prose, the text is also compared to the human body. The “blood’s branchings” are representative of the words in the novel and how they are constructed and assembled. It is a text body wherein our search for meaning within the text varies and is indistinct. Sometimes we struggle to interpret the text and to make connections; it is like “capillaries too small for more than peering into.” Other times, it is like “shameless municipal hickeys.”; the significance of the text seems to be quite clear. However, “vessels mashed together” form these visible “hickeys”. So while the “hickeys” may appear obvious, what lies beneath them is muddled and obscure. The metaphor reveals the reader’s continual search for meaning within the text and the subsequent inability to make sense of
A figurative image means more than what it says it is. It suggests certain meanings that must be interpreted. Similes, met...
Many times in life things are not as they seem. What may look simple on the surface may be more complicated deeper within. Countless authors of short stories go on a journey to intricately craft the ultimate revelation as well as the subtle clues meant for the readers as they attempt to figure out the complete “truth” of the story. The various authors of these stories often use different literary techniques to help uncover the revelation their main characters undergo. Through the process of carefully developing their unique characters and through point of view, both Edith Wharton and Ernest Hemingway ultimately convey the significant revelation in the short stories, “Roman Fever” and “Hills Like White Elephants” respectively. The use of these two literary techniques is essential because they provide the readers with the necessary clues to realize the ultimate revelations.
It is said that fiction is an essentially rhetorical art and that the author tries to persuade the reader towards a specific view of the world while reading. This is evident in both short stories, A Secret Lost in the Water by Roch Carrier, and He-y Come on Ou-t by Shinichi Hoshi. Although through A Secret Lost in the Water, Roch Carrier displays how fiction is an essentially rhetorical art better than Shinichi Hoshi in He-y, Come on Ou-t (awkard sentence), Shinichi Hoshi demonstrates it better through the use of prognosis. Furthermore, by utilizing the characters, such as the farmer from A Secret Lost in the Water, and the use of symbolism such as the hole from He-y, Come on Ou-t, it is evident that the author makes an endeavour towards persuading
Junot Diaz’s “Otravida, Otravez” postulates a perspective of life where one’s present and future always reflects their past in some way. Diaz incorporates symbolic figures to convey how a person’s past can be carried into the future. Diaz’s use of symbolic figures includes the dirty sheets washed by Yasmin, the letters sent by Virta to Ramon, and the young girl who begins working with Yasmin at the hospital. These symbolic figures and situations remind the readers that the past will always play a major role in one’s present. Additionally, Diaz’s word choice, where Spanish words appear in many different parts of the reading, suggests that indirectly, one’s past habits are not easily broken.
In this poem called “Creatures” by the author Billy Collins there is a literary device called a metaphor when the reader is reading this poem. A metaphor is a comparison of two unlike things without using the words like or as. In lines one (1) through...
Wagner, Linda W. "A Note on Oedipa the Roadrunner." The Journal of Narrative Technique 4.2
“Everything except the wings around my face is red: the color of blood, which define us”(8).
This is how this passage uses figurative language and descriptive language to affect how to reader reads the
reader creates “supplementary meaning” to the text by unconsciously setting up tension, also called binary opposition. Culler describes this process in his statement “The process of thematic interpretation requires us to move from facts towards values, so we can develop each thematic complex, retaining the opposition between them” (294). Though supplementary meaning created within the text can take many forms, within V...
It is through this metaphor that the reader can best relate to the path the story takes. This descriptive tool can be overlooked and the story can continue on its own. However, when the reader recognizes and considers this metaphor?s meaning, a much more complete and vivid descriptionis present.
Allende effectively used the literary devices of imagery, similes, and diction, to help the reader understand the admiration others have for Clarisa while conveying the deeper meaning of the text without compromising the flow and comprehension. Each literary device provides an easy, enjoyable, and profound way to view this story, and learn about the sacrifices
The "Oedipus the King." Literature: An Introduction to Fiction, Poetry, Drama, and Writing, Compact Edition, Interactive Edition. 5th ed.
In conclusion, I would say that the power of literature is connoted exactly in this unparalleled symbolic order of language that can never produce or pin down a definite meaning but nevertheless passes on "the desire and curse of meaning”. It is what the transcendent signification of the text that leaves the reader always anticipating and curious and at the same time delighted from the pleasure this play of the authors brings to her/him. On the other hand there is always this uncanny component of meaning that cannot be clarified or rationalized but nevertheless is an intrinsic part to our reading experience.
Our literal understandings of a word are twins in constant opposition with one another, twins in constant competition to receive the most love from their mother and father. Let us pretend the parents are the literary community that demonstrates love frequently by showing a preference for one of their twins. Donald Davidson's theory expressed in What Metaphors Mean is a tragic, intellectual miscarriage; it is a theory of language that brings forth a stillborn child, a dead metaphor.
Eccentricity provides for an interesting story, it adds to the excitement of the lives of those who are eccentric, and adds to the excitement of those who live around them. The Crying of Lot 49, can be classified as a novel that’s oddities in plot makes for a more interesting story. Although sometimes difficult for a reader to completely understand how and why the characters do what they do, the Crying of Lot 49, exemplifies the ideas of a postmodern piece of literature, and critiques the traditional values and ideas of life. Using the model outlined by Deleuze and Guattari, The Crying of Lot 49 is a paradigmatic example of postmodern literature because throughout the novel, the themes of dismantling hierarchy, magnifying principles of difference, and the process of transforming and becoming are present.