Critique on Open City
“Open City” is a neo-realist film that followed the movement in Italy during World War 2. The film is neo-realistic because it has that ‘reality’ like feeling to it by following specific characters through their daily stressful lives that are screwed up from poverty and war. It has many qualities that make it in some ways ‘closer’ to the characters. While watching, the viewer is sucked into the story and immediately feeling emotional with the families and the other various characters in the film. The main reason is Rossellini's choosing dramatic music and kids with big eyes.
This film is divided into two separate parts. First, is a story that shows a situation in Italy during the Nazi occupation of World War II. There are a couple of members of a secret underground movement that try to keep the Nazis away from them. This movement is made up of poor Italians, who are troubled by the war and other Nazi ideologies. One of the members of the revolutionist group is engaged to a mother of the young boy, and the wedding is about to take place in a matter of days. But all sorts of problems follow, and all of this is based on how the Nazis will finally catch up with these traitors. The second, more effective and emotional part of the film is a tragic melodrama.
At the beginning, the movie appears to be very dark and gloomy. This is shown from the riot at the bakery and the young revolutionist running away from authorities. There was so much trouble that the family went through to eat, and survive. The tension increases so smoothly yet it drives the nerves of the watcher during the family argument scene (which proves to be very effective).
The only relief of any kind is portrayed by the younger generation. They are the only ones that manage to actually have explosives. Smart move by the director as the kids are the only sense of any kind of future since there was so much trouble the day the Nazi’s entered the OPEN CITY. Some more devastation is the mistreatment of women by Nazi soldiers when families are evacuated from their houses. The soldier still tried to molest the women despite her vulgar responses to his gripping. The following scene when the revolutionist was caught and taken by authorities had a very good build up to it.
Rossolini showed us all the trouble in a matter of minutes and to add to it, the running of the woman...
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...res about. In this scene though he pointlessly attempts to protect the Jesus statue from the nakedness of the other statue the same way he tries to protect his friends from the ‘enemy’ or fascists. This is another good example of how Rossellini seems to be more of a documentary-style reality film.
This film was part of the Italian Neo-realism era that did not use standards in filmmaking. They used a few different elements like non-professional actors doing most of the minor roles. The film was mentioned in class to be shot in 1945 when the war was still occurring and it was great timing for shooting in Italy. Mainly because the scenery they used was real. In the long-run, the film’s main topic was based on a widely spoken about important issue at the time- war.
Open City is one of the most interesting films due to many aspects. Mainly for giving a picture of a situation which at the time happened not too long before the end Nazi occupation and enhanced the effect by being a melodrama. At times the film felt like a documentary, but that’s what made it quite interesting as well. These historical facts guarantee that Rossellini’s film is important, even if not always perfect.
This is an immigration movie geared towards kids to show and teach them about immigration to America. It shows them the reasons they (the Mousekewitz) left their homeland Russia to come to America. In their case it was to escape the Czarist rule of the cats, parallel to most immigrants who escaped their land due to religious and political persecution. Once aboard the ship to America, it showed the long and unpleasant trip to New York Harbor, where in this movie, Fievel gets separated from his family to inclimate weather. Once they arrive in New York Harbor, it shows children the happiness immigrants got when they saw the statue of liberty and the process through Ellis Island to become a citizen of America. The rest of the movie takes place in America where it shows “political machines”, such as Warren T. Rat, who really is a cat but takes advantage of new immigrants by dressing as a mouse and receiving the mice’s trust. With trust came their money and broken promises, just as “political machines” really did back then. The movie shows the immigrants hardships and poor living conditions in America with tenement housing and unsanitary conditions.
When looking at these pieces, it is best to use certain modes of analysis. Levine made art that showed how corrupt and unjust he felt that America was. Welcome Home is a work of satire, where he mocks the major general of the army that he himself served in during World War II. The contextual mode of analysis can be used when looking at this work, because it was made right after World War II and it is in context of the historical time period. The biographical analysis can also be used, since Levine was so strongly influenced by what he saw in the army, and he therefore displayed his strong views against what he saw as “undemocratic” leaders.1 When viewing City Landscape, it is best to use a contextual mode of analysis. This piece was made during the ...
Now, Life is Beautiful is a very serious film. There are constant reminders of what time period the film is set in. The time of Hitler, a period of great racism towards the Jewish people. Guido knows very much about the current events, but continues to shelter his young son. We are reminded of the times with the painting of the horse. The words “Jewish Horse” are painted onto a horse that was also painted green. All of the images of the concentration camps make our spines chill as we realize and remember that hundreds of thousands of human beings had to live, and die in camps much like the one in the film. The countryside at the beginning of the film is also a great realistic moment in history—Mussolini riding into a town, the townspeople greeting him with open arms.
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This somber conclusion to the film seems to be an expression of hopelessness for Italy's future. By 1948, the country had gone through a series of tumultuous historical events, caused by the inadequacy of its political and economic system. The disillusionment of its citizens with the system and in fact with the very concept of their nation was taken to its limits by yet another failure to achieve true social change after World War II. The transformismo of the Christian Democrats and the attendismo of the Communists offered no hope for Italians, appearing as just another stage in the country's endless cycle of political and social failure.
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