Criticism of Organized Religion in Little Boy Lost and Little Boy Found
Organized religion and its adversity to the natural world is a topic that William Blake addresses quite frequently in his writings. In "Little Boy Lost," from Songs of Innocence, Blake presents a young child, representing the fledgling mind, getting lost in the dark forest of the material world. The illustration at the top of the page shows the little boy being led by a light or spirit of some kind, the "vapour" that Blake later speaks of. The boy cries out to his father, not his biological father, but the priest that has been guiding him on his education of the world thus far. The priest is moving too fast for the boy and leaves him behind to wander through the thick mire of the world of man alone.
In the next plate, "Little Boy Found," Blake reconciles the negative image of the priest and religion that was presented in the previous work. It begins by recounting the tale of the boy who got lost by following the "wandering light" of the priest's version of religion. God hears the boy's cries and comes to his rescue "like his father in white." This could be referring to God appearing as human, or Jesus, or in the image of his father, the priest. God leads the child back to his mother, the mother earth, depicted at the right of the stanza, perhaps with wings. The mother earth had been seeking her natural child who had been led astray by the misconceptions of man-made religion. The illustration at the top of the plate shows the little boy and a female figure, presumably the mother earth, both with halos, walking through the forest hand in hand. This hints at the divination of man in his proper natural context. Blake is making a statemen...
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...nity of all living things, including himself. The harsh reaction of organized religion to this idea is illustrated in the second "Little Boy Lost," in which the youth is actually burned for his rebellious thinking. The first set of poems tells of the boy's lack of success in a religious system in that did not seem to really care about the boy, and left him floundering. It then describes his introduction to God in the forest, who brought him back to his mother, the earth, which showed him proper reverence of God through nature, not priestly education. The second poem captures organized religion's harsh reaction to this unorthodox and rebellious thinking, and destroys the boy for trying to reach outside of the accepted normal teachings. Together, the poems show an evolution from Blake's dissatisfaction with organized religion to an outright indictment of its practices.
While William Blake’s “Holy Thursday” from Songs of Innocence was written before the French Revolution and Blake’s “Holy Thursday” from Songs of Experience was written after, creating obvious differences in formal structure; these poems are also uniquely intertwined by telling the same story of children arriving to church on Holy Thursday. However, each gives a different perspective that plays off each other as well the idea of innocence and experience. The idea that innocence is simply a veil that we are not only aware of but use to mask the horrors of the world until we gain enough experience to know that it is better to see the world for simply what it is.
When speaking about Welfare we try to avoid it, turning welfare into an unacceptable word. In the Article “One Nation On Welfare. Living Your Life On The Dole” by Michael Grunwald, his point is to not just only show but prove to the readers that the word Welfare is not unacceptable or to avoid it but embrace it and take advantage of it. After reading this essay Americans will see the true way of effectively understanding the word welfare, by absorbing his personal experiences, Facts and Statistics, and the repetition Grunwald conveys.
The fact that they feel they can sit about the knee of their mother, in this stereotypical image of a happy family doesn’t suggest that the children in this poem are oppressed... ... middle of paper ... ... y has a negative view of the childish desire for play which clearly has an effect on the children. The fact that they the are whispering shows that they are afraid of the nurse, and that they cannot express their true thoughts and desires freely, which is why they whisper, and therefore shows that Blake feels that children are oppressed. I feel that the two poems from innocence which are ‘The Echoing Green,’ and ‘The Nurses Song,’ display Blake’s ideological view of country life which I referred to in my introduction, and show his desire for childhood to be enjoyed.
In a dream the boy has an “Angel told Tom, if he’d be a good boy, he’d have God for his father, and never want joy” (Blake 19-20). This gives the boy the motivation that he needs to continue his life and so as he awoke, he “was happy and warm; / [and] if [he did his] duty [he] need not fear harm” (Blake 23-24). The young boy decides to suffer through his brutal everyday life so that one day he can go to heaven, where he will be happy. These two polar opposite approaches to dealing with the misfortune of the characters is what shapes both the theme and tone of the poems. Another similarity between these two poems is their extensive use of imagery.
Social Welfare is defined as being programs that are run by government to promote the well being of its citizens. Throughout the history of the United States Social Welfare programs have been subject to many changes, due to the changing philosophies of Us Citizens.
Welfare was meant for good, to help individuals and families who are less fortunate than most get back on their feet so they may have a prosperous future. Our society has strayed away from these principles. Welfare has turned into a necessity for most. It is used as an easy way out and allows people to lose the initiative to work because they know the government will take care of them. If we continue to let this go on, the minority will be taking care of the majority and our great country, which was built on the principle of hard work, will economically fall. It is up to the American people if welfare destroys our country.
The theme of authority is possibly the most important theme and the most popular theme concerning William Blake’s poetry. Blake explores authority in a variety of different ways particularly through religion, education and God. Blake was profoundly concerned with the concept of social justice. He was also profoundly a religious man. His dissenting background led him to view the power structures and legalism that surrounded religious establishments with distrust. He saw these as unwarranted controls over the freedom of the individual and contrary to the nature of a God of liberty. Figures such as the school master in the ‘schoolboy’, the parents in the ‘chimney sweeper’ poems, the guardians of the poor in the ‘Holy Thursday’, Ona’s father in ‘A Little girl lost’ and the priestly representatives of organised religion in many of the poems, are for Blake the embodiment of evil restriction.
Blake’s poetry focuses on imagination. When Blake created his work, it gained very little attention. Blake’s artistic and poetic vision is reflected in his creations. Blake was against the Church of England because he thought the doctrines were being misused as a form of social control, it meant the people were taught to be passively obedient and accept oppression, poverty, and inequality. In Blake’s poems “The Lamb,” “The Tyger,” and Proverbs of Hell, he shows that good requires evil in order to exist through imagery of animals and man.
Even if he grew up within nature, he didn’t really appreciate it until he became an adult. He is pantheistic; a belief that nature is divine, a God. Since he has religious aspect of nature, he believes that nature is everything and that it makes a person better. His tone in the poem is reproachful and intense. His poem purpose is to tell the readers and his loved ones that if he feels some kind of way about nature, then we should have the same feeling toward it as well.
Though this poem mainly describes the suffering of these children, William Blake wrote another poem also titled “The Chimney Sweeper” where he described how as these chimney-sweepers grew older, they began to realize how they were taken advantage of and how the promises of the Church were all just a big hoax. From these two poems, it can be inferred that Blake intentionally pointed out and revealed the malfeasance of the Church and society and how they exploited younger children due to their gullibility and innocence solely for the economy without having any regard for the children’s lives.
In 1822, the most famous person in the history of the London police system was Sir Robert Peel. He titled Home Secretary. By witnessing the industrial revolution in London becoming larger geographically and economically significant, it was clear that constables and “watchmen” were ineffective in detecting and preventing crime. Soon, he was able to reform the police system gradually so people would not become aroused and have fear. By doing so, Peel believed to make police official; it had to be standardized and had to be a paid profession.
While many believe that William Blake’s “The Chimney Sweeper” is about religion, I believe that its main message is to highlight the innocence being taken away of children at a very young age. Throughout the poem, Blake uses symbolism to capture reader’s attention by leading us in a journey to highlight the life of a young boy. Blake uses a melancholy and somber tone to address the innocence that is being taken away from the chimney sweepers.
William Blake’s 1793 poem “The Tyger” has many interpretations, but its main purpose is to question God as a creator. Its poetic techniques generate a vivid picture that encourages the reader to see the Tyger as a horrifying and terrible being. The speaker addresses the question of whether or not the same God who made the lamb, a gentle creature, could have also formed the Tyger and all its darkness. This issue is addressed through many poetic devices including rhyme, repetition, allusion, and symbolism, all of which show up throughout the poem and are combined to create a strong image of the Tyger and a less than thorough interpretation of its maker.
"A Little GIRL Lost" from Songs of Experience is one of Blake's most important poems. Though judging the aesthetic value of a poem is nearly impossible, I would contend that "A Little Girl Lost" is "better" than "The Little Girl Lost" found in Songs of Innocence. Perhaps because "A Little Girl Lost" was composed as an afterthought to its original counterpart, having been first written in "Innocence," it acts as a conclusion to the original poem. The two poems both observe a young girl as she encounters a world filled with innocence (in "The Little Girl Lost") and a world of experience ("A Little Girl Lost"). In first poem, a young seven-year-old girl named Lyca falls asleep in the wilderness under a tree. While her parents worry about her, she sleeps innocently in the woods with a lion prancing around her while she slumbers. The poetic vision seems to be a portrayal of young love--of innocence unprotected in the passion-haunted forest. In the second poem, found in "Experience," the feeling shifts from innocence to suggest a subversive course of love exploration. The young girl, Ona, discovers passion only to find that her father has a negative view on the very love she has just been introduced to. "A Little Girl Lost" seems to be much deeper in thought than "The Little Girl Lost." This depth in content begins with the title, which gives the poem an aura of uneasiness. A feeling that it is dangerous or sinful stems from word "Little" ...
In the William Blake’s Songs of Innocence and of Experience, the vision of children and adults are placed in opposition of one another. Blake portrays childhood as a time of optimism and positivity, of heightened connection with the natural world, and where joy is the overpowering emotion. This joyful nature is shown in Infant Joy, where the speaker, a newborn baby, states “’I happy am,/ Joy is my name.’” (Line 4-5) The speaker in this poem is portrayed as being immediately joyful, which represents Blake’s larger view of childhood as a state of joy that is untouched by humanity, and is untarnished by the experience of the real world. In contrast, Blake’s portrayal of adulthood is one of negativity and pessimism. Blake’s child saw the most cheerful aspects of the natural wo...