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Character development in the novel. The color purple
Character development in the novel. The color purple
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Recommended: Character development in the novel. The color purple
Adrian Veidt is neither a hero nor a villain in this story; this is because he is a morally ambiguous character. Veidt is the epitome of a living paradox since both good and evil reside in him. Good and evil are like oil and water: they do not mix. At times, he can be a two-faced individual whom he has a face of an angel and a mind of a devil. Moreover, he can use what is in his disposal, especially his influence, for either good or evil intents. Even though Veidt does not have royal blood running through his veins, he maintains a kingly atmosphere. Despite having an air of sophistication around Veidt, the subtleties of his dark nature become prominent in the way he dresses and handles his affairs. Furthermore, Veidt is a charismatic person; …show more content…
An individual’s personality reflects on how he or she dresses (“Dressing and Personality Development”). Likewise, the way Veidt dresses his alter ego says a great deal about him. The purple robe that he wears signifies royalty (“The Color Purple and The Color Violet”; 1.18.4). The purple color represents that Veidt regards himself as highly as a pharaoh (11.8.6-8), since his actions reflects those of a ruler. Like a king, Veidt incites inspiration to those who admire him despite his narcissistic character flaw. The creation of the “‘Veidt Method’ self-improvement booklet” (10.346) probably targets those dealing with self-esteem issues or individuals who are self-conscious about their image. The target group is likely these individuals because Veidt convinces people to believe in what he himself believes in; in which an individual’s potential is limitless as long as he or she believes in his or her self (11.378). However, the true objective of the “Veidt Method” can arguably be to exploit the weaknesses of certain individuals in order for Veidt’s fortune and reputation to continue to grow (11.22.3). Nevertheless, Veidt’s arsenal is not limited to indirect confrontations, but he also relies on his connections to make significant differences to his …show more content…
Veidt wields his influence to manipulate others to do his bidding. By using his influence and charisma, he successfully manipulated missing writers and artists into creating the “alien” creature (8.11.1-6; 10.17.1-4). However, Veidt disposed of them because they are no longer of use to him and it ensures that his plan would operate successfully (10.18.4). Moreover, despite Veidt using his influence to control what movies to air (3.11.2; 5.18.2; 8.3.3), this may noticeably be an act of kindness; this is because it sublimely manipulates the public to be more receptive towards alien invasions. By exposing the public to apocalyptic scenarios in the form of movies (3.11.2; 5.18.2; 8.3.3), it would have lessened the damage on the minds of people and they would quickly be able to recover from the initial shock. Veidt’s personality is two forms from the opposite ends of the spectrum, in which his character can fluctuate between the realms of heaven and
An Analysis of “Alien” through the Lens of Jeffery Cohen’s “Monster Culture” The constraints of normality within today’s society often determine what or who does not fit the designated mold of behavior and character traits. Discrimination towards difference is seen throughout cinema, portraying characters that differ as dangerous and malicious in their actions, unethically predetermining their demeanor despite society’s implementation of provocation and selfish pursuits. Likewise, the antagonist extraterrestrial in “Alien”, by Ridley Scott, is misrepresented as a simple and malicious reptilian, personified as a foreigner in its own territory. The alien does not attack unless hunted first, signified by its feeble attempt to sleep within the
Alice Walker’s love of Zora Neale Hurston is well known. She was the only one who went looking for Hurston’s grave. She describes her journey to get to the unmarked grave in her book, In Search of Our Mother’s Gardens. During that journey, Walker started to feel as if Hurston is family to her, an aunt. “By this time, I am, of course, completely into being Zora’s niece… Besides, as far as I’m concerned, she is my aunt – and that of all black people as well” (Ong). Walker’s book, The Color Purple, was influenced by Hurston and her works. Walker was greatly influenced by Hurston and her book The Color Purple has similarities to Hurston’s book Their Eyes Were Watching God.
.... However, unlike the humane approach portrayed by the monster, Batty kills his creator in an outburst of his “inner replicant self”. Despite contextual difference, the texts target the hunger of man trying to play God. It is the method of creating such experiments that is questioned through the use of language and film techniques. BR abides the concept of “post-modern Prometheus”, whereby technology has taken over humanity. F is a re-contextualization of the “modern Prometheus”, paralleling the Titans’ classical myth from the gospel.
Humans have an intrinsic fascination with contravening the innate tenets of existence, as the proclivity of the human condition to surpass our natural world leads to destruction. This inherent desire of man to augment our knowledge through conquering science and the secrets of life has transcended time, denoting literature premising the corruption of humanity. These pieces are reflected in Mary Shelley’s Frankenstein and Ridley Scott’s film Blade runner, perpetuating this assertion that man’s unnatural desires of deducing reality are precarious. Thus both composers postulate a grim future arising from man’s predilection of aberrant behaviour, as commonalities reinforce this desires opportunity to cause destruction. Paranormal creation and humanities emotive detachment are explored in both pieces, as their respective context has shaped conceptualisations of man’s desires which lead to destruction.
In society, many individuals attempt to change their appearance or personality for the benefit of others or to improve their own self worth. Ultimately, these changes have the ability to boost one’s self esteem. In Daniel Keys’s Flowers For Algernon, Charlie Gordon undergoes surgery to increase his intelligence. Even though his intelligence is not a permanent transformation, it allows him to become more aware about his own life. Charlie’s transformation is ethical and therefore the result is worth the attempt.
On the one hand, in order to endure the “pressure of existence,” qualities such as pity, patience, humility and compassion become commendable. In this sense, “slave morality is essentially a morality of utility,” as it promotes qualities that would comfort and placate those who are living in pain. In another sense however, these aforementioned qualities are revered because the people are afraid of one another. The nobles valued and maintained some of “the highest and strongest drives, [which can] drive the individual far above the average and the flats of the herd conscience, wreck the self-confidence of the community, its faith in itself, and it is as if its spine snapped.” Wishing to prevent any possible danger to the stability of the community, the virtues of the nobles, which elevate the individual over the community, are condemned as evil. Since everyone is in fear of each other, slave morality is used to ensure that no one tries to subjugate the
This reflects back to real life where people’s social identities can alter the way others view and treat them, taking away peoples’ personal leeway for self expression in fear of a negative response from their peers. That heavily tattooed man could just be a kind aspiring kindergarten teacher, while that sweet old lady could be a subway pickpocket. Shakespeare shows in Twelfth Night that social identity does not always align with inner character; an underlying theme that shines through to our society today.
The dramaturgical perspective, or its equivalent impression management, is sociological paradigm by which a goal-directed conscious or unconscious process (presentation or reception), attempts to influence the perceptions of other people (Helslin, 2012). Unlike other sociological theories, Dramaturgy does not examine the human behavior outcomes but analyzes the context––the stage––in which we perform for an audience. With five personality dimensions: audience status, power, attractiveness, like-ability, and intimidation as perceived by the performer, dramaturgy plays up verbal and non-verbal cues as the main component. In movies, or even Broadway plays, there’s a need for a specific theme. Without this fundamental point, they would be meaningless nonsense with no relevance. Our lives are no different. We all have personal goals in which impression management can be applied for success, and this assignment helped me recognize that. I act a certain way with the goal that I must persuade my audience, or defend my character. In the following paragraphs, I will highlight myself in a workplace performance for dramaturgical analysis. My performance provided me with praise, and self esteem, but a poor performance would surely have brought me negative criticism or disrespect.
Across the nation feelings are bruised, hearts are broken, and reputations are tarnished, as a result of the need to be accepted through the clothing that one wears. Clothing and apparel are designers’ ways of making consumers believe that they need a certain product to reach a level or sophistication, or have a certain sense of pride, or even belong in a certain group of people. Fashion is a growing industry that people use to present their characteristics and emotions through the...
Freud, S., & Strachey, J. (19621960). The Ego and the Super-ego. The ego and the id (pp. 19-20). New York: Norton.
Ambition could be regarded as a driving force towards man kinds’ dreams. However, these strong desires might not be necessarily constructive and productive. Depending on the way individuals opt to fulfill their wishes, it might have some detrimental impacts on them as well as others. As could be seen in Shakespeare’s Twelfth Night, Shakespeare perfectly depicted how the fate and future of ambitious people could be. Characters like Malvolia, Viola and others of that ilk epitomized the pernicious effects of ambition.
While reading the chapter I often found myself comparing my self-perceived relationship with pride to other’s public relationship with this vice. I realized that I was in a prideful competition, the competition for most humble! I think this is the most common area in my life where I allow pride to rear its ugly head. For this reason, one of C.S. Lewis’s quotes made a great impact
...l, our self-concept is multi-dimensional. We have three ways of perceiving ourselves, the private me, the ideal me, and the public me. The private me, is the way that we believe ourselves to be. The ideal me, is how you desire yourself, who you wish you were. Lastly, there is the public me, the way that we present ourselves in public, the face that we try to show others. Ego boosters and Ego busters affect us in everyway possible and affect the way we perceive ourselves to the world we live in.
Seidah, Amelie, and Therese Bouffard. "Being proud of oneself as a person or being proud of one's physical appearance: What matters for feeling will in adolescense?." Social Behavior and Personality 35.2 (2007): 255-268.
I choose to read the book “The Color Purple” by Alice Walker. The book talks about the life of an African-American lady by the name of Celie that lived in the southern United States in the late 1930s. It addresses the numerous issues that included the low ranking of American social culture. In the book it talks about how she wrote books to God because the father she had would beat her and rape her. He also got her pregnant and then she gave birth to a beautiful baby boy. Her father end up taking the baby shortly after birth.