Crisis Of Masculinity In The Fight Club By David Fincher

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Fight Club is a 1999 movie by David Fincher about a bored office worker who creates a fight club to find meaning in his life. It was created during a time when men were perceived to be in the middle of a crisis of masculinity. The film suggests that violence is the solution to emasculation that has been caused by consumerism. Men have been feminized by a materialistic society and their identity is now tied with product. They have lost their masculine identity within a culture that has seemingly made men domesticated. “...vulnerability of the male self-image...” (Gronstad, 2014, pg177)
Fight Club uses the characters Narrator and Tyler to answer questions about masculinity in two very different ways. Narrator is passive while Tyler is active and this poses a question about which version is preferable. “...two opposing registers...Jack...domesticated masculinity-passive...Tyler...masculinity...” (Giroux, 2011) We learn that Tyler is a facet of Narrator’s personality and comes to exist due to his perceived emasculation. The character tries to reclaim this masculinity in various ways. He visits a testicular cancer support group where attendees have forms of physical emasculation and want to feel like men again. When this doesn’t help, the Narrator creates a fight club to vent against the factors in his life that make him feel emasculated and unhappy (his job, etc).
Narrator is often concerned with labels and this is why he feels emasculated, what he labels as masculine is not him. He therefore feels frustrated that he is not how he perceives he should be. He creates Tyler as an embodiment of what he feels is masculine and the further away from this ideal, the more Narrator’s feelings continue. Marla forces Narrator to recognise that he...

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...r and therefore the audience cannot see him as this ideal. Tyler is a better example of what a male viewer wishes to relate to, but the fact that Narrator stands between the audience and Tyler within the film reinforces the idea that Tyler is his ego ideal, not the audiences. This represents the crisis in masculinity; the audience need a masculine character to identify with as a protagonist but instead are given a seemingly emasculated character as the lead. Mulvey also argues that women are used in films only as objects to be viewed by male audiences; this is not the case with Marla. She is not only used as a sex object and is even portrayed as stronger than Narrator. Tyler is more sexually objectified within Fight Club. He is portrayed as an idealized male and becomes the bearer of the ‘gaze’. Even the male characters in the film look at other males, particularly

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